秦江前世因带领兄弟误入歧途，最终落得死刑下场。重生回到2010年的大学时代，他决心改变命运，带兄弟们走正道、赚干净钱。他果断拒绝混社会的旧路，从卖读卡器赚取第一桶金，到低价承包化工厂坐等拆迁补偿，再到打造黑龙夜市成为区域商业热点，步步为营。他智斗前任柳如烟、黑心商人叶继开、硬撼地痞刀疤，并凭借远见和手腕一步步扩大商业版图。最终，他带领昔日的弟兄们登堂入室、成为社会精英，兑现了重活一世的承诺。

电影改编自西班牙舞台剧《最后一排的男孩》。片中的故事发生在法国一所高中里，十六岁男孩克劳德闯入同学家中，把观察到的一切写在了作文里，文学老师杰…

李妍怀孕6个月时母亲意外身亡，临终的遗愿是让身怀六甲的李妍离婚。李妍的婆婆赵翠娥对她并不好，在李妍伤心难过的时候，丈夫秦易帆和婆婆赵翠娥一家人露出了真面目，对李妍颐指气使，要求怀孕6个月的李妍做饭，甚至煮了李妍母亲生前最后一次包的饺子。李妍要求离婚，秦易帆不同意，婆婆赵翠娥竟动手打人。丈夫秦易帆一家为了还高利贷，逼着李妍过户房子，李妍假装同意，之后收集证据录音录像离婚。而婆婆赵翠娥依旧不死心，潜入李妍家偷盗，甚至侮辱、摔碎了李妍母亲的骨灰盒，李妍情绪激动流产，决定起诉赵翠娥一家。秦易帆丢了工作，想要报复李妍，最终被警察带走坐牢。

在李妍伤心难过的时候，丈夫秦易帆和婆婆赵翠娥一家人要求怀孕6个月的李妍做饭，甚至煮了李妍母亲生前最后一次包的饺子。李妍要求离婚，秦易帆不同意。婆婆赵翠娥潜入李妍家摔碎了李妍母亲的骨灰盒，李妍决定起诉赵翠娥一家。最终被警察带走坐牢。

春节期间，许静姝与失业的丈夫刘俊峰迎来婆家众人，本想和睦过年，却因婆家毫无边界感、重男轻女的种种行为陷入麻烦，歧视女儿糖糖，不让母女上桌、红包厚此薄彼，还逼迫许静姝生儿子、喝偏方。丈夫的纵容让婆家得寸进尺，竟觊觎许静姝的房产，想过户给侄子做学区房，遭拒后不仅造谣糖糖非刘家血脉，还企图擅自卖房。忍无可忍的许静姝，在婆家强行逼签卖房合同时，联合物业并诉诸法律。

春节期间，许静姝与失业的丈夫刘俊峰迎来婆家众人，本想和睦过年，却因婆家毫无边界感、重男轻女的种种行为陷入麻烦，歧视女儿糖糖，不让母女上桌、红包厚此薄彼，还逼迫许静姝生儿子、喝偏方。忍无可忍的许静姝，在婆家强行逼签卖房合同时，联合物业并诉诸法律，挂失银行卡、起诉离婚还控告婆家非法侵占财产，婆家的贪婪与违法行径最终自食恶果，将面临法律制裁。

顾家掌权人顾星霜好心资助月嫂张娇娇，准许其母亲暂住别墅。不料母女心生贪念，私改门禁侵占庄园，损毁顾家藏品，还联同顾星霜假死的前夫宋时夜图谋夺产。新品发布会之上，众人恶意造谣构陷。顾星霜在律师霍铮相助下呈上全部证据，揭穿阴谋。恶人受到法律惩处，顾星霜守住家业，与霍铮双向奔赴。

林晚坐拥资产与资源，雇保姆照料术后母亲，却遭保姆克扣物资。辞退保姆后，丈夫周成偏袒对方母女，肆意侵占住所、借机要挟牟利。林晚冷静取证维权，揭穿闹剧，收回运营权、顺利离婚，守护母亲与自身事业生活。

由厄穆尔·阿泰（土耳其）执导的剧情长片，获10万欧元奖金。联合制片人包括：阿泰电影制作公司的厄穆尔·阿泰（土耳其）、FICTION 2.0 UG（德国）、乔奇科夫兄弟有限公司（保加利亚）。

“Brüder”, a film directed by Herr Werner Hochbaum ( who was a remarkable film director in the talkie 30’s ), was one of those films which showed the harsh daily life of the working class. The film depicts, in a kind of fictional documentary, the 1896 Hamburg dockworkers' strike: the workers receive meagre wages for hard work and live under miserable conditions and finally go on strike (to make matters more personal, one of the strikers has a brother who is a policeman). Even though the inspiration for the story was an event that took place in the XIX century, things had little changed by the troublesome twenties so the story had a perfect contemporary ring. “Brüder” was a co production of the docker's labour union with the SPD (German Social democrat Party); this was nothing unusual for German productions filmed in that era. Political films were often supported by political parties like the SPD or German communist sympathizers since film was such a good vehicle for propaganda. Besides its political and historical interest, this film is very interesting for its artistic merits in spite of Herr Hochbaum's slow pacing. “Brüder” was influenced by the notorious Russian cinema in concept, style and its political message for the working class masses. The documentary angle of the film ( the most important and successful film aspect for this German count ) vividly shows he terrible daily life of the common people in Germany. This is done without embellishment and vividly paints a sad portrait of a common family ( which could be any family ) and their desperation in a country that was torn by continuous civil conflict.