《创造营2021大岛日记》从3月3号起，每周三上线，学员们以vlog的视角记录自己与伙伴们的美好时光，实时揭秘最新鲜最真实的创造营生活，想要了解每天发生在男孩们身上的成长蜕变，敬请关注《大岛日记》。

创造营2021宿舍日记，解锁学员精彩日常

In 1981 film director Nagisa Oshima - the 'New Wave' Japanese director best known in this country for films such as Cruel Story of Youth (1960), In the Realm of the Senses (1976), and Merry Christmas, Mr. Lawrence (1983) - traveled to the Yamagata countryside to visit the documentary filmmaking collective led by Shinsuke Ogawa (1935-1992), who was then in the midst of filming A Japanese Village - Furuyashikimura, a feature-length documentary chronicling the seasonal cycle of rice growing. 　　Ogawa, who produced Summer in Narita (1968), Peasants of the Second Fortress (1971), and Red Persimmons (2004), gives Oshima a brief tour of their rural location, including the rice fields they are cultivating as well as filming, and introductions to local villagers. They then settle down for a wide-ranging conversation about Ogawa Productions' approach to documentary filmmaking - that of self-styled "film nomads" who live and work for extended periods of time in various regions of the country-focusing in particular on their current production, which involves an intimate interaction over a period of several years with local farmers, weather conditions, the environment, and aspects of village life. 　　A VISIT TO OGAWA PRODUCTIONS thus offers a rare insight into the social and cinematic philosophy of one of Japan's best-known documentary film collectives. As the film reveals, Ogawa Productions' in-depth portraits of Japanese society - whether of protest movements or traditional agricultural life - grew out of an unusual commitment to integrate themselves with the communities they filmed, to the extent that their filmmaking literally became an alternative lifestyle.

一支名不见经传的小型剧组（专业代工团队），在热情有限、经费不足的实际困境中，在导演铁柱的带领下，脚踹卡梅隆，剑指奥斯卡，力争在天时地利人和、无一具备的情况下，用残余的热情生发出旷世的“聪明才智”，用“能躺平绝不站着”的宇宙终极懒惰滋生的消极智慧的集大成，对抗“奇葩客户”“不靠谱明星”等影片拍摄过程中的各种状况，为各位客户交出极凑合和极不靠谱的作业。

临海古都镰仓，顺山而成的小镇，不起眼的角落里生活着香田家四姐妹。她们的父亲早年和情人离家出走，母亲则干脆将女儿们抛给了外婆照顾。外婆去世后，外孙女们继承了这栋有着悠久历史的大房子。过早担负起家庭重任的大姐香田幸（绫濑遥 饰），尽心尽力照顾着两个妹妹佳乃（长泽雅美 饰）、千佳（夏帆 饰）健康成长。这一天，父亲去世的消息传到姐妹手中。她们结伴而行参加了父亲的葬礼，并且结识了从未谋面的异母妹妹浅野铃（广濑铃 饰）……

一封没署名的遗书、一群看似无恙的学生，让中学老师郑Sir（卢镇业 饰）想起充满暴力与遗憾的童年往事。他亦面对妻子离别、父亲病危，同时必须找出企图轻生的同学，阻止悲剧重现。

故事讲述上世纪90年代初，穷小子小宝追随同村“发小儿”二哥，一路从贫穷朴实的东北农村来到了经济飞速发展的深圳。期间，两人无意中收留了一个嗷嗷待哺的婴儿，生活困窘的小宝和二哥该如何将孩子抚养长大？当小宝和二哥与同在深圳打拼的创业女青年马露“狭路相逢”，三人之间又将发生哪些令人捧腹的爆笑故事？一段笑泪参半、起伏跌宕的小人物奋斗史就此展开……

《馒头日记》从四年前无心的小涂鸦，到出版成真正的图书，再到现在的动画化，感觉一切都很不可思议！希望《馒头日记》能够在我最喜欢的冬天里，化成圣诞礼物，带给大家一份温暖。

《HOHO日记》是小H和小O视角下的蘑菇屋日常。它们将联手彩灯、苏苏、小不点和彩云之南等小动物，共同记录向往生活里美好温暖的瞬间。

影片以伊藤诗织的视角展开，2015年她遭TBS驻华盛顿分局局长山口敬之性侵。报警后，警方推诿，社会也对她充满恶意。但伊藤诗织坚持抗争，收集证据起诉，最终赢得民事诉讼，推动了日本社会对性侵问题的关注与法律改革。