When talking about Louis XVI and his wife Marie Antoinette, what immediately comes to mind are lace, tall wigs, flamboyant clothes and colours, Versailles, or… the guillotine. Here, between these two extremes, exists a middle ground, a period of time seldom explored: the few months when the last king and queen of France were imprisoned, with their two young children, in a black castle on the outskirts of Paris, awaiting their executions. A brief and condensed period where, amidst violence and harassment, all masks fell off: those of two royals, as public and private figures; that of the old regime; that of a History that finally turned the page; and that of God who, from then on, was eclipsed by the shadows, leaving man entirely alone.

A massive earthquake strikes the United States, which destroys the West Coast and unleashes a massive flood that threatens to destroy the East Coast as well. If you're wondering about this film and why it's dubbed in Italian, then read the following comment from IMDb: I have always wondered about the disappearance of "Deluge". Why for so many years, seemingly since it's release in 1933, this film vanished from the face of the earth. After seeing it, courtesy of the efforts of Mr. Wade Williams & Co., I'm still puzzled, but I have a theory. In 1933, "the code" was enacted that pretty much took care of sex and violence in Hollywood. While not an explicit film by any means, "Deluge" does deal fairly frankly with sexuality, lust and rape. I wonder if RKO discovered they had a film that they could not re-release, much like the fabled lost Warner Bros. comedy "Convention City". It's a shame for, while it is a dated film, I find it quite unique and surprising for it's era and a fairly successful attempt to create something different in an era when films were already becoming cookie cutter by-products of the studio machine (not that many of those cookies aren't tasty, mind you). And even though the only available copy at this writing is dubbed into Italian, I don't find that a hinderance. An excellent job was done in subtitling the film, and much of the film is visual anyway.

The story follows a deep-space exploration team aboard the Spiritus Mundi, who pick up a strange, recurring signal from a remote planet. Captain Elena Voss leads the mission to investigate, only to discover a bizarre alien artifact that starts warping time, reality, and the crew’s minds.

The Mississippi River Flood of 1927 was the most destructive river flood in American history. In the spring of 1927, the river broke out of its banks in 145 places and inundated 27,000 square miles to a depth of up to 30 feet. Part of it enduring legacy was the mass exodus of displaced sharecroppers. Musically, the Great Migration of rural southern blacks to Northern cities saw the Delta Blues electrified and reinterpreted as the Chicago Blues, Rhythm and Blues, and Rock and Roll. Using minimal text and no spoken dialog, filmmaker Bill Morrison and composer - guitarist Bill Frisell have created a powerful portrait of a seminal moment in American history through a collection of silent images matched to a searing original soundtrack.

根据圣经所载，挪亚是一名圣人，他以铁达尼号2/3大的木舟拯救了人类与动物，但这其中有多少属实呢? 本节目将一探挪亚方舟这个传说的究竟,了解历史上是否真有这一号人物与事件。并且将以计算机绘图与戏剧演出的方式检验故事中的各个面向,包括方舟,动物群,大洪水与挪亚此人,从而为这个古老的故事细筛出惊人的结果。

中央新闻纪录电影制片厂 1958

订婚宴上，游星澜被未婚夫钟泽母子用一艘废弃采砂船羞辱代替彩礼。手握完整末世预知记忆的她当场退婚，火速套现七百万，将破船爆改为钛合金装甲、生态温室齐备的末日堡垒，并囤积海量物资。而仅有残缺记忆的钟泽，自恃占据半山别墅可避灾祸。末日降临，暴雨成灾，超级海啸席卷海岸，别墅瞬间化为废墟，母子陷入绝境。游星澜驾驶钢铁巨舰破浪而来，以绝对优势展开冷静而残酷的降维打击，完成一场精准复仇。

订婚宴上，游星澜被未婚夫钟泽用废弃采砂船羞辱。她果断退婚，套现七百万，将破船爆改为钛合金装甲末日堡垒，配生态温室、囤足物资。仅有残缺记忆的钟泽自恃半山别墅可避灾。末日暴雨海啸来袭，别墅成废墟，母子断水断电；而游星澜驾钢铁巨舰降临，展开冷酷降维打击。

大雨造成的洪水将小镇变成了一片汪洋，镇上警察们正气哼哼的督促每一家撤离避难。押运员汤姆（克里斯汀•史莱特 Christian Slater 饰）与查理在大雨中来到银行，为撤销分行而取走三百万美元现金，不久他们的押运车陷入了荒凉路段的塌陷不能前行，于是发出信号向国民卫队求助，岂料信号被早有准备的吉姆（摩根•弗里曼 Morgan Freeman 饰）等四人截获，吉姆等人暴力行劫，查理殉职，汤姆独自逃出，吉姆紧追不舍。汤姆在亡命途中偶遇留镇保护教堂艺术品的女子凯伦，终于得到报警的机会，警察们将汤姆扣留后寻找他藏匿墓地的现金。洪峰到来将警察冲散，而汤姆在凯伦的帮助下获得了自由，准备逃出小镇的汤姆一行不幸被吉姆堵截，而这时警察们的到来，为混乱的局势再添一重变数……

在地球的最后一天，被洪水淹没的公寓中的这场奋力求生很快成为人类生存的最后希望。