一名女教师在抵达西西里岛一个小镇仅数小时后就涉嫌谋杀。死者在进城的公共汽车上侮辱了她。随着谜团的展开，很明显这座城镇隐藏着一些非常险恶的秘密。

A Flower in the Mouth is a film diptych about time running out and how to live through the days that remain. The first act, filmed as an observational documentary in the world’s largest flower market, follows millions of bouquets transiting through a cavernous refrigerated hangar to be sold at auction, an industrial process at once both beautiful and terrifying. The film transitions to fiction in a second act freely adapted from a Pirandello play. A man with a flower-shaped tumour on his lip accosts a traveller in an all-night café. Their seemingly mundane conversation becomes a metaphysical monologue as the man, feeling death approach, clings to life by scrupulously observing its activity, watching reality in every detail, as if to fill the gap between himself and the rest of the world.

The Peruvian anti-terrorist army takes control of a far away and unknown small village isolated in the Andes by the terrorist militia "Sendero Luminoso" (Shining Path), during the dirty war in Peru at 80's decade.

Olja is a high school history teacher, married to a painter whose latest exhibition provoked violent reactions from Serbian nationalists. One night, a group of masked hooligans attacks her. They film the attack and upload the clip to YouTube. The next day Olja discovers that some of her students were responsible. She takes away their mobile phones, and in the heat of the moment decides to lock them in the school building, also disconnecting the school phones and the internet. In order to solve the problem together, and with inability to leave the school, students begin to communicate. During that night, a generation that was written off before they were ever given a chance will learn more than they ever expected about themselves and their classmates.

What was at first a simple pursuit to regain stolen money becomes the chance for a dysfunctional family to finally reconcile.

一个年轻的女人讲述自己的流产故事，正如很多女人所经历的。她深知，这关乎生死。但也关乎自由和自主权。关键在于做出选择。影片带我们走近了一种并非所有人都曾经历、且难以归类的生命体验。一部轻声细语但冲击力巨大的电影。

Stop Peeping tells the story of a man who repeatedly breaks into his neighbors apartment, so he can wring out her sweaty clothes to make ice lollies. Amusing, perverse and...refreshing?

津岩是九州香烟公司的职员，他杀死了收帐员柴田种次郎和马场大八。津岩的犯罪潜意识一直可以追溯到他的童年：父亲是一个信仰天主教的人，在军队征收渔民渔船时表现得非常懦弱，愤怒的津岩用棍子袭击军官，却被父亲阻止，他又用脚把沙子踢到军官的身上。从此津岩不再相信父权和宗教，决心从清教徒的心理禁锢之中解脱出来。长大后的津岩由于对家庭生活不重视导致了婚姻的失败。父亲开始被儿媳妇摆布，甚至于为年轻的加津子安排如何解决性欲的问题，使得两人之间产生了超越公公和媳妇感情的关系。二人同浴温泉被发现，从而引起了父子之间、双亲之间及夫妇之间感情上的一系列微妙的冲突。

Holle 是一名精神治疗师，专门帮助身患重病和慢性疾病的患者。然而，在投入工作的同时，她还需照顾年迈的父母，而这份责任让她与伴侣的关系日益紧张。当母亲因摔倒住院后，Holle 的压力倍增，尤其是面对她的哥哥 Sven ——一名长期隐居阁楼、患有精神分裂症的男人，家庭的平衡变得更加脆弱。 影片取材自导演蒂姆·艾尔里奇的个人经历，并在他童年的家中拍摄。影片以黑白画面呈现，精准捕捉了照料亲人的疲惫和家庭责任带来的压迫感。艾尔里奇并未试图给出简单的答案，而是深刻探讨了家庭照护的沉重代价，以及社会如何对待老年人与弱势群体。