南极科考失联一年的安心回家，却发现自己被宣告死亡，亲人与未婚夫李跃皆视她为骗子。原来李跃为独吞她的千万科研奖金，伪造其死讯，父母与妹妹因私欲顺水推舟。反转之下，她竟是安心的复制人，目睹众人因贪念自相残杀，李跃最终疯癫入狱。后遭李凌凌栽赃，幸得陈默与张教授相助洗冤，最终她捐出奖金，与陈默携手度过余生。

一位美丽动人的小姐珍珠是白人与印第安人的混血儿，父亲因杀死正在与北佬幽会的母亲被判吊刑，临死前要珍珠去投靠他表妹罗拉贝尔，罗拉的丈夫是参议员，…

主要讲述了男主角（印第安纳琼斯的扮相）带领一群考古学家到玻利维亚去寻找印加人的宝物，在探险的过程当中收获了爱情，也遭遇自己朋友的出卖，而在最关键的时刻保护了代表印加人最高的荣誉：黄金大盘。按照1954年的电影工业来说，此片拍摄手法不俗。有爱情、有历史、有探险、有悬疑。就是没有中文字幕（也没有英文字幕）！卡罗维发利

一个女孩，两个太阳。

《太阳》以近未来的日本为舞台，描写了只能在夜晚生活的新人类与在太阳下生活的旧人类之间的对立和融合，是一部追寻生存意义的人情派作品。

二战末期，轴心国败局已定，作为“邪恶轴心”一员的日本更面临巨大危机。亚太战场节节失利，两颗原子弹进一步摧毁了日本人的心理防线。作为日本最高统帅的裕仁天皇（尾形一成 饰），此时此刻面临着痛苦的抉择。 黑云压城城欲摧，这个身形瘦小的男人，他的内心世界无人能近…… 本片为俄罗斯导演亚历山大•索科洛夫“20世纪统治者三部曲”（亦作“统帅三部曲”）中的第三部，前后制作共花费8年时间，影片被评为2005年亚美尼亚埃里温国际电影节最佳影片。

柏林电影节奇遇单元

我们正处于太阳科学的黄金时代。科学家们正在进行卓越非凡的探索，探究太阳核心的炽热及其表面的磁力混沌。本片探寻了太阳在过去、现在和未来对我们地球的重要性。太阳及日光层观测卫星和追踪卫星提供了一些能在电视上见过的太阳的最佳图片，展现了多年来只在日食时能看到的日光层。《太阳》探索了很多关于这颗星球的科学发现，以及为了满足世界急剧上升的经济需要，我们是否能够驾驭太阳的力量。

Sole is the first film by the great Alessandro Blasetti and bears a complex relationship to the reclamation of the Pontine Marshes, a seminal event in Fascist political history. Sole is also an important document in Italian film history. Its use of non-professional actors and location shooting began the movement away from studio spectacle and historical costume epic toward Italian film realism. Along with Blasetti's later film 1860 (1934), Sole includes many of the cinematic and humanistic traits of neorealism and underscores Blasetti's role as one of its progenitors. Background The film's subject is the massive, highly visible bonifica integrale ("integrated reclamation") project undertaken in 1929 by Mussolini to drain the Pontine marshes, located on the Appian Way some 30 miles southeast of Rome, between Anzio and Terracina. The marshes were a malarial swamp populated by a culturally rich but politically powerless native people, and therefore regarded as ripe for reclamation. The project aimed to replace the marshes with productive farmland and rural housing, and was a Fascist poster for public works and the "rural vocation of the Italian people". Settlers were provided with a standarized two-storey farmhouse of blue stucco with tiled roof, an oven, a plough, agricultural tools, a stable, some cows and several hectares of land. Mussolini was regularly photographed shirtless with workers and farmers, tool in hand, for inclusion in propaganda newsreels. Mussolini spearheaded the legislation, thereafter known as "Mussolini's Law". Work began in 1929, the year that Sole was made, and involved as many as 100,000 workers. Workers were paid poorly, interned in barbed wire camps with minimal care and sanitation, and malaria was rampant. Although Fascist agrarian ideals would have transformed the natives from primitive swamp dwellers to productive farmers, in fact, due to their unreliable politics, the natives were evicted and the five planned towns were populated with reliable supporters from strongly Fascist Northern Italy. Ironically, Anzio at the north end of the filled marshes later served as the Allied beachhead for a planned flank attack on German forces and a march on the "Open City" of Rome. To impede this, Germans turned off the drainage pumps to reflood the marsh, hoping to create a malarial net for the invaders. As a result, Allied and German soldiers fought malaria as well as each other, agriculture was devastated, houses were commandeered or destroyed, and the population was driven out. The area was physically devastated, undoing Il Duce's accomplishments. The film Sole has a complex relation to the Fascist project it documents. Outwardly it's a paeon to Fascist engineering and values such as the will toward progress, rural agrarian development, cultural homogenization and a positivistic spin on the "eternal conflict between civilization and regression". Mussolini reportedly admired the film in a private screening before its release. But the film resides ambiguously between Fascist values and a neo-realist appreciation for local culture and sympathy for the displaced swamp people and reclamation workers. Like 1860, Sole has non-professional actors, location shooting and a populist point of view, traits that were heralded 20 years later in La Terra Trema as the foundation of neorealism. The film offered here is the only known fragment – the first reel containing 265 m (about 9 minutes) of the original 76 mintues. The original negative was destroyed by the Nazis during the Roman occupation of 1943-1944. Sources: http://en.wikipedia.org/wiki/Pontine_Marshes http://en.wikipedia.org/wiki/Battle_of_Anzio http://covblogs.com/eatingbark/archives/2008/09/pontine_marshes.html http://histclo.com/country/it/reg/cent/lat/ircl-pont.html http://www.nytimes.com/2008/09/22/world/europe/22marsh.html Images: http://covblogs.com/eatingbark/archives/2008/09/pontine_marshes.html http://www.hks.harvard.edu/fs/rzeckhau/The_Five_Neglects.ppt http://log.doggerland.net/page/11/ http://histclo.com/country/it/reg/cent/lat/ircl-pont.html (filmnutz)