When the Ki Kingdom falls to the invading Wimen tribes, the second prince flees the realm to a nearby kingdom. There he falls in love with a princess and attempts to set up an independant city-state

Louis XIV is no newcomer to Albert Serra’s filmography, the hero of his latest opus to date, The Death of Louis XIV (2016). This Sun King features a twin, even though, in the game of differences, it turns out that there are quite a few. Instead of Jean-Pierre Léaud, a non-professionnal actor whom Serra already worked with in his first films. Very different body weight, here in expansion, there in retention; a different way of putting his face in it: there, at the service of an astonished child’s gaze, here, singularly chubby, as if extending without any solution to all of his corpulence; here, the invention of sovereignty constantly reinvented, and there, the kingdom of innocence vaguely struck by idiocy. And the props: if the tale in the first version needed Versailles or an imitation of it, the second one reduces the palace to a luminous halo. True, this time we are stuck between bare walls, white-washed with pink coating (the color of twilight?) under neon lights at the ceiling. Here, for a long time, this king has been left to his own devices, moaning on the floor, with a stomach ache as severe as it is hilarious, with rare trinkets all around. Then we see spectators entering the field to see Her Majesty’s rants, his hair (as wigs were called then) and sumptuous clothes characteristic of that era, and spectators dressed in anorak. So what, then: capturing a performance? If the art gallery really frames the « action », what we find here is calculation, cutting up, montage; in short: a film, and no misunderstanding. And a film whose paths familiar to everyone Serra’s work point to: aristocracy in all its grandeur, its stupidity and its agony, the representation of power, the forces of art. Between the sublime and the grotesque, between derision and the derisive, between Buñuel and Dali, a royal figure engages in a quest for his death mask.

In order to flee from powerful enemies, young Mayan king Balam leads his people north across the Gulf of Mexico to the coast of what will become the United States. They build a home in the new land but come into conflict with a tribe of Native Americans led by their chief, Black Eagle, while both Balam and Black Eagle fall in love the beautiful Mayan princess Ixchel.

《太阳王》(Le Roi Soleil)是卡梅尔·瓦里(Kamel Ouali)编排，德芙·阿缇娅(Dove Attia)和阿尔伯特·柯恩(Albert Cohen)制作的音乐喜剧。这个音乐剧描述了法王路易十四(Louis XIV)的爱情与生活(“太阳王”是路易十四的绰号)。2005年9月22号，这部戏剧在巴黎体育宫(Palais des Sports de Paris)第一次上映；最近一次上映实在两年以后，2007年7月8日，经过在法国、比利时和瑞士的两次巡演，《太阳王》在贝西体育宫(Palais Omnisports de Paris-Bercy)上演。值得一提的是，2006年和2007年，《太阳王》还两次获得NRJ音乐奖(NRJ Music Awards，NRJ全称National Radio de Jeunes，是法国最受欢迎的广播电台之一，而NRJ Music Awards素有法国“格莱美”之称，“NRJ音乐奖”是法国音乐界里的最高音乐奖项，同样是影响着音乐界的风向标)。 太阳王，就是法国全盛时期的国王『路易十四』。故事是以路易十四感情生活为主线。路易十四很小就即位成为国王，但是政权掌握在以残忍出名的红衣主教Mazarin与路易十四的母亲Anne D’autriche的手上。这部音乐剧由人民反对红衣主教Mazarin的LA FRONDE运动为开篇，这场运动在大炮声中结束。年轻的路易出场,在盛宴上路易十四遇见并爱上了Mazarin的侄女---Marie Mancini。一个意大利的没有贵族身份的女子。其后路易十四为了建立威信，他参加了一场战争，身染重病，生命垂危。王室已经开始将他忘却，并转向他的弟弟。但是Marie仍然为他祈祷，最后神奇的路易十四痊愈了，对于Marie他感到深深感动，因此跟她求婚。但是路易十四母亲与Mazarin大力反对，把Marie驱逐並逼迫路易十四娶了西班牙公主。第一幕在离愁中结束，年轻的国王为了自己的责任牺牲了爱情。 第二幕，当主教Mazarin与路易十四的母親去世后，路易十四掌握大权，但他在De Montespan夫人等众多贵族美女的怀抱中迷失了自我，在凡尔赛生活极尽奢华，完全忘记了他的人民为了他的迷梦所需要付出的沉重代价。经过铁面人和投毒事件，路易实现了他当年跟Marie没有实现的事情，他力排众议要迎娶Francoise D'aubigne。是他与De Montespan的私生子们的家庭教师，同时Francoise也是个私生女。最后，路易十四完成他梦想——成为受世人尊敬的太阳王。

与父亲生活在广阔平原上的少年霍尔斯,其家乡在遥远的太阳王子霍尔斯的大冒险太阳王子霍尔斯的大冒险(9张) 北方乡村.当他正在襁褓中时,邪恶的冰魔格…

西元9世纪以前，辽阔的东欧处於诸侯割据的混乱局面，王室与诸侯的关係非常紧张。老国王的暴毙使得王位的继承权成为了导火索。主持国政的波佩尔亲王则是野心勃勃，而亲王妃更是个毒辣的女人，她一心要把儿子推上王位，却遭到诸侯一致反对。於是波佩尔亲王决定先下杀手……阴謀残害王子，为了防止诸侯反抗，假称病危连夜召集各诸侯集会并进行了屠杀於是波佩尔亲王登基成了国王，他和王妃子成为王储。 亲王的暴行激起了诸侯的愤怒，纷纷调集军队组成联军，联合讨伐亲王，大军所到之处摧城拔寨，大破亲王重重防线……为了保住江山，亲王不惜以割地引来了强大兇悍的北欧海盗，使联合军遭到惨重损失，大军处处受阻，驍勇的泽莫维特在关键时刻显出了武士本色，与海盗展开最后的决战……决斗中杀死了海盗首领，使敌军迅速溃败；联军乘胜追击，攻破亲王宫殿……王国恢復了和平……

余莉莉和周红玲带着方迪和6台摄像机去西藏看望方松林，同时教西藏儿童学拍电视，拍电影。在去西藏途中和藏民央金、儿童尼玛、达娃、扎西等之间发生了一系列事情，最后相约20年后再相聚在西藏边境升国旗。

Star Film 285-286

杨顿王位继承人阿瑞亚（Areeyah）在一场意外中获救后，以米凯拉（Mikaella）的身份在菲律宾长大。当她赢得一次前往杨顿（Yangdon）的旅行机会时，她的生活发生了转变。