雇われ探偵としてうだつの上がらない日々を過ごす青年は、ある日とある依頼主に、妻の調査を頼まれる。不倫疑惑のある妻の本性を暴く為、妻の尾行を開始するが、あっさりと見失ってしまう。「何か御用ですか」背中から聞こえてきた気品のある声の持ち主は、依頼主の妻だった。何故か調査に協力的な妻に同行する青年は次第に、彼女の魅力に引き込まれていく…

Sparkling, masterful début by Kovalov is found-footage compilation of e.g. news items, propaganda material and instruction films. For his directing début, Oleg Kovalov chose a very extravagant experiment. As a basis he took a propaganda film from the fifties, The Case of Corporal Kochetkov, dissected this as it were and gave the naked structure a new substance and new accents by re-cutting the shots and adding documentary material from the fifties, such as newsreel footage of Khrushchev's visit to America and pictures of the visit by Yves Montand and Simone Signoret to Moscow. The film about corporal Kochetkov called on the Soviet citizens to be on their guard and showed how sly the enemy was: for instance it could pose as an innocent girl. Kovalov creams off the emotional froth from this melodrama, deconstructs its codes and subjects it to a thoughtful analysis. For instance he reveals paranoia and spy-phobia, complexes in the 'collective Soviet unconscious' that is still active even in relatively enlightened periods.

This work is a cooperation with the long-time collaborator, scriptwriter Chen Wan-Yin. 　　The work is about a scriptwriter and a performer having a conversation in an animal taxidermist’s studio. They attempt to come up with a performance, exploring the relationship between ‘gestures’ and ‘horrors’. 　　The conversation revolves around two events from Japanese Taiwan during World War II. One is the memorial ceremony held in a zoo to commemorate animals that died during military operations. Animals such as elephants and orangutans were trained to kneel as a symbolic posture for mourning. The other reference is the 1944 massive animal execution in the Taiwanese zoo, intended to prevent civilian casualties caused by animals after the US military had bombed the cities. The unfortunate animals were then turned into taxidermy to preserve their movements and postures. 　　In addition to the dialogue between the two characters, both the Taiwanese Zoo and the zoo's taxidermy studio were architecturally reconstructed using 3D scanning technology.

《失心病狂》讲述了一个年轻女孩，一个年轻女人为了摆脱混乱的过去离开了家乡，无意中被送进了精神病院。在面对如何“逃出去”的自我命题之下，对她而言，似乎还潜藏着更大的恐惧 — 她似乎正在失去判断这一切到底是真实的存在还是自己的臆想的能力……影片以一种扭曲的视角和惊人的故事向我们问出了关于我们对于现实的认知，我们的生存本能以及本该保护我们的系统的问题。

从小得不到父母亲关爱的艾青得知丈夫伟文执意要领养小孩之后，时常在梦里出现儿时痛苦的回忆，在从福利院接回小女孩心心的那一天起，艾青努力要塑造…

本作は27歳で死ぬことにした主人公・正が、沖縄で2泊3日の“安楽死ツアー”に参加するトリップコメディ。友人から片道料金の金を借りて沖縄へと旅立った正は、安楽死推進団体の代表・雨野川や、ツアー参加者・氷川と時間をともにし、死とは何か、命とは何かに向き合っていく。

黑帮成员Suk-tae见财起意，抢走了黑帮的钻石后逃之夭夭，却因为盲打误撞到了一个荒僻的被称作“时失里”的村落从此销声匿迹。黑帮派出Yang-yi来找寻他的下落，他赶到“时失里”觉得这个村子鬼气森森却不知道Suk-tae藏在哪里。原来村民发现Suk-tae身藏钻石便起了歹意，明明知道人还活着硬是把他埋进了土里，如此还不算，这些看上去善良淳朴的村民还打算向Yang-yi下手。局面已经混乱不堪了，偏偏长居于此的女鬼又跑来捣乱，将Yang-yi折磨得痛苦不堪，在他几近绝望之时才真相大白，原来隐居在时失里的人并不是什么善男信女，相反他们各个是贪婪无耻的坏蛋，而女鬼才是受害者，在女鬼的协助下，Yang-yi与村民展开的搏斗……

这个是一个讲述霸道总裁肖潇在与小舅子梅若彬的相处中琐碎故事，却在越来越不稳定的精神状况和越来越复杂的人际关系里发现自己生活在一个谎言世界里的故事。

这个是一个讲述霸道总裁肖潇在与小舅子梅若彬的相处中琐碎故事，却在越来越不稳定的精神状况和越来越复杂的人际关系里发现自己生活在一个谎言世界里的故事。

「面打 men-uchi」「朱鷺島　創作能『トキ』の誕生」「究竟の地　岩崎鬼剣舞の一年」など、伝統芸能を題材としたドキュメンタリー作品を手がける三宅流監督が、能楽師・津村禮次郎の精力的な活動を5年間にわたり記録した。国指定重要無形文化財（能楽総合）保持者の観世流能楽師・津村禮次郎は、古典能だけに留まらず、バレエやパントマイム、パリ舞踏など、さまざまなジャンルのアーティストとコラボーレションし、70歳を超えてなお新たな表現を求め続けている。そんな津村の身体と活動を通し、能の新たな魅力や表現の可能性、コミュニケーションのあり方などを見つめていく。