影片讲述了纽约和佐治亚州亚特兰大市四名黑人跨性别性工作者——丹妮拉·卡特、科科·达多尔、莉亚·米切尔和多米尼克·西尔弗的故事。在“科科莫城”中，四名黑人跨性别性工作者坦率地讲述了她们在这地下社会的经历，对社会边缘生活的辛酸、幽默和未经修饰的描绘，以鲜明的黑白风格、尖锐的评论挖掘黑人文化和整个社会的真相。不幸的是，影片的主角之一科科·达多尔影片上映同年4月20日在亚特兰大市遭枪杀身亡。

影片讲述了纽约和佐治亚州亚特兰大市四名黑人跨性别性工作者——丹妮拉·卡特、科科·达多尔、莉亚·米切尔和多米尼克·西尔弗的故事。在“科科莫城”中，四名黑人跨性别性工作者坦率地讲述了她们在这地下社会的经历，对社会边缘生活的辛酸、幽默和未经修饰的描绘，以鲜明的黑白风格、尖锐的评论挖掘黑人文化和整个社会的真相。不幸的是，影片的主角之一科科·达多尔影片上映同年4月20日在亚特兰大市遭枪杀身亡。

Marisol (Alejandra Herrera) is caught between her possessive and aggressive cousin, Mauro (Eduardo Mendizábal), and passionate but inert lover, Mundo (Noé Hernández). Violence is a constant presence in their rural Mexican town, with gangs and guerilla fighters a steady presence. When Mundo has to flee, their connection turns from physical to digital even when Marisol is held captive by her cousin. Their communication via text, voicemail, and video is sporadic and frustrating, but is nevertheless a source of comfort, and their longing remains intense despite the distance. When Mundo returns, the stakes for Marisol are even higher, and it’s no longer a question of whether things will come to a head, but how and when. Might their desire and desperation ultimately play to her advantage? 　　In turns paradisiacal and nightmarish, the setting director Gerardo Naranjo (Miss Bala) created is mesmerizing. The craggy, sunny seaside alternates with electronic messages, shaky video calls and crashing waves. The air seethes with pent-up emotions as Marisol longs for freedom.—Frederic Boyer

Marisol (Alejandra Herrera) is caught between her possessive and aggressive cousin, Mauro (Eduardo Mendizábal), and passionate but inert lover, Mundo (Noé Hernández). Violence is a constant presence in their rural Mexican town, with gangs and guerilla fighters a steady presence. When Mundo has to flee, their connection turns from physical to digital even when Marisol is held captive by her cousin. Their communication via text, voicemail, and video is sporadic and frustrating, but is nevertheless a source of comfort, and their longing remains intense despite the distance. When Mundo returns, the stakes for Marisol are even higher, and it’s no longer a question of whether things will come to a head, but how and when. Might their desire and desperation ultimately play to her advantage? 　　In turns paradisiacal and nightmarish, the setting director Gerardo Naranjo (Miss Bala) created is mesmerizing. The craggy, sunny seaside alternates with electronic messages, shaky video calls and crashing waves. The air seethes with pent-up emotions as Marisol longs for freedom.—Frederic Boyer

电影故事片《大事》，影片讲述了一个柔弱的女子要捍卫结婚做妈妈的权力，一个好强的乡长要完成上级下达的任务，一个倔强的老头要兑现七十年前的承诺，三个人的“头等大事”，在“扶贫攻坚”的特定节点上发生冲突的故事。本片从一个侧面反映了“精准扶贫”的努力和成就，塑造了新时代基层党员干部，尤其是扶贫干部的艺术形象，具有极强的时效性和现实意义。

电影故事片《大事》，影片讲述了一个柔弱的女子要捍卫结婚做妈妈的权力，一个好强的乡长要完成上级下达的任务，一个倔强的老头要兑现七十年前的承诺，三个人的“头等大事”，在“扶贫攻坚”的特定节点上发生冲突的故事。本片从一个侧面反映了“精准扶贫”的努力和成就，塑造了新时代基层党员干部，尤其是扶贫干部的艺术形象，具有极强的时效性和现实意义。

After her boyfriend Ben, dumps her for being too dependent and emotionally immature, thirty something Miranda finds herself alone in an brand new unfurnished apartment with nothing but her childhood security blanket to keep her company. Determined to prove Ben wrong, she signs up for an amateur pro rules boxing fight. In the lead up to the fight, Miranda is forced to embrace the challenges of independent womanhood.

二次世界大战间的新几内亚，一场苦战沿着科科达小径在澳洲与小日本士兵间展开。 　　影片的诞生来自深深的渴望去讲述发生在1942年发生科科达小径上已被遗忘的澳洲战役中民兵的故事。创作灵感来自第39营的一个排。故事直观的展现了他们非凡的勇气、同伴间的友谊、难以想象的耐力和自我牺牲的大无畏精神。

《外科风云》讲述了在一家现代化综合性医院里，由一起29年前的“事故”引发的故事

新城仁和医院，护士张淑梅被质疑用错药而导致病人死亡被迫离开岗位，4岁女儿被人贩拐，张淑梅精神恍惚并在两年后被车祸夺去生命。美籍华裔外科专家庄恕为追查30年前母亲张淑梅的事故真相找寻走失的妹妹来到新城仁和医院。当年死者的女儿陆晨曦，师从傅博文，成长为胸外科主治医生，却因屡次得罪胸外科主任扬帆，被调至急诊。而庄恕屡次把技能过硬的陆晨曦重新带回胸外手术台。朝夕相处中，庄恕的医术让陆晨曦惊叹，对患者的周到考虑也让陆晨曦反思，二人渐生情愫，最终，庄恕找回了妹妹，也在陆晨曦的协助下还原了母亲当年事故的真相。