In the 1830's, the island of Quemada in the Antilles is a Portuguese colony - that is, until an English agent provocateur arrives and inspires the black slaves to rise and expel the colonial authorities. However, as is always the way with revolutions, a group of middle-class power brokers seizes political control and the people's aspirations are betrayed. Ten years pass, and the sugar industry now requires peace and stability on Quemada. The continuing guerilla campaign by the dispossessed blacks is harming profits. The very same English adventurer is once more despatched to the island, this time to hunt down and eradicate the revolutionaries he created. Marlon Brando plays Sir William Walker in his best Fletcher Christian English accent and a blonde wig with a life of its own. His is a thoughtful performance, putting across the complexity of the man, a character who is undoubtedly cynical and unscrupulous, but who is also an emotional man and something of a political philosopher. He is certainly effective at what he does. The direction of Gillo Pontecorvo is somewhat erratic at times. There are points where the narrative is confused, and the gold robbery which drives the plot somehow got left on the cutting-room floor. Jose Dolores' rise to power is the most significant event in the story, but we see nothing of it. During the voodoo carnival, two of the participants are wearing 20th-century soccer shorts. The film's central pivot, the passage of ten years between Walker's two visits to the island, is handled very sketchily by means of a few incongruous London scenes and a voice-over narration. But there are good things, too. When Santiago's widow hauls her husband's body away, the masonry of the fort stands as a silent metaphor of colonial power - harsh, overbearing and sterile. Brando has some fine speeches, musing on the nature of political legitimism. The fire scenes are visually arresting (though it would have sufficed to have two or three guerillas being shot as they emerged from the burning sugar cane: seven or eight is labouring the point), and Walker is positively luminous against the tortured black shapes of the charred forest, showing in symbolic form that this man thrives on the suffering of the blacks, and that destruction is his natural element.

白兰度饰演19世纪英国商人威廉·华克，个性好胜自负。英国政府派遣他到葡萄牙控制的加勒比海产糖小岛上发动奴隶叛变，使英国抢得糖类贸易的优势。华克做得很成功，并且训练了当地人荷西·杜洛斯成为管理奴隶的首领，以为自此可以安枕无忧。不料他在赴英国后重回小岛时，发现杜洛斯已变成难以驾驭的恶霸，只好亲自对付。

影片根据美国作家吉姆·汤普森的小说《POP.1280》改编，导演塔维尼埃将原着故事发生地美国南部改为30年代的北非殖民地，讲述了一段发生在当地警察头目身上的黑色喜剧。

前警官格里什·德米特里耶夫作为一小群俄罗斯教官的一员抵达中非共和国。格里什的旅行似乎并不复杂，因为教官的任务只包括训练当地军队的士兵掌握战斗战术和方法的基本技能。然而，事情从一开始就不对劲。一些帮派前往首都发动政变。俄罗斯教官与他们的学生一起击退暴徒。但对于从未参加过敌对行动的格里莎来说，这次旅行变成了一场真正的地狱。 俄罗斯评分网站条目：https://www.kinopoisk.ru/film/4446084/

1963年，5月的最后几天......影片讲述了四名被清除出军队的前士兵在一夜之间的非凡历程。希纳西中尉、凯末尔少校、里法特少校和雷哈上校计划在当晚从安卡拉开始的军事政变伊斯坦布尔站期间通过伊斯坦布尔电台宣布政变宣言。他们确信，只要公告足够有力和有效，政变就会成功，而且他们会得到公众的支持。但一切都不会如他们所愿。

2020 年 12 月，前警官格里沙·德米特里耶夫与一小群俄罗斯教官抵达中非共和国。格里沙的任务看起来并不复杂，因为教官的任务只是向当地军队士兵传授基本的战术和战斗方法。然而，一切从一开始就出错了。几个土匪团体在首都游行，在该国发动政变。俄罗斯教官和他们的学员们一起反击土匪。但对于从未参加过军事行动的格里沙来说，这次出差就变成了人间地狱

故事发生在初春的澳门。40 多岁，失婚、不善言辞的马达(张继聪饰)居住在准备迁拆的老房子，他患有严重的失眠症，无法入睡的他通过当夜间的士司机来排解失眠的痛苦。一天晚上马达接上了早上当酒楼知客，晚上当啤酒女郎的莲娜(周秀娜饰)，两人因误会成为朋友，马达更当上了莲娜上下班的专用司机。莲娜的出现令马达的生活多了一点色彩，甚至开始认为自己走出失婚的伤痛。在澳门，莲娜是寂寞的，身边的同事都不喜欢她，认为她就是一个很爱钱，不择手段的女人，因为她总是用上天赐予的性感身材去换取特殊待遇。莲娜心知马达的爱意，只是莲娜背后埋藏著一段未能释怀的过去⋯⋯

一个小镇的清洁工/激励演讲者，在生活中一直摸爬滚打，直到他有了个人的领悟，并开始“反激励”整个小镇，在这个过程中颠覆了一切。

一个小镇的清洁工兼励志演讲者，在生活中跌跌撞撞前行，直到他有了一次个人顿悟，随后开始“反励志”这个小镇，在此过程中把一切都搅得天翻地覆。

Theatrical feature documentary on the story of Operation Ajax, the CIA/MI6 staged coup in 1953 in Iran that overthrew Prime Minister Mossadegh.