《Tutto Verdi》系列的一部分 - Oberto (2007) 帕尔马。 《奥博托》是威尔第第一部上演的歌剧，并于 1839 年 11 月在米兰斯卡拉歌剧院首次上演。作为一名年轻且默默无闻的作曲家，威尔第必须遵守当时意大利歌剧行业的规则。 即便如此，这部早期作品中的许多场景已经明显地揭示了作曲家个人风格的迹象。

有着“第一美腿”之称的小婷，是个酒托，如果甘心堕落，一夜之间就可能有房有车，可是她却只陪酒，不卖身，今天又是一个平常的夜晚，小婷的工作又开始了......

Made with the unprecedented cooperation of The Los Angeles County Coroner's Office, this extraordinary film takes you behind the closed doors of the autopsy suite and into the pathologist's inner sanctum.

一部有关芬兰瑞典族作家和插画家及姆明动画形象的创作者图苇·杨松的传记片，电影围绕着图苇·杨松的早期生活而展开，从战时到1950年代中期。电影同时表现了她的个人情感，以及姆明角色和畅销系列小说的创作过程。

The story of a woman who has lost control and self-confidence and an unfortunate sequence of events that may well derail her altogether.

有关作家和艺术家托芙•杨松的职业生涯和世界知名的姆明形象的塑造。

暂无剧情简介

托纳诺试图与家人在阿赫特霍克重新过上正经的生活，但其伴侣的叔叔欠了一家当地强大的犯罪团伙的钱，这迫使他再次走上犯罪道路。

黑人小女孩托茜被遗弃在一户人家，不过她凭借自身的聪慧和爱心，最终博得了大家的喜爱。

BONA loves Gardo. Gardo loves Gardo. Gardo loves going to bed with almost any woman he can attract. Once - apparently in the absence of anyone better - he even takes Bona to bed, but by the next morning, the matter seems to have slipped his mind. Bona is a grave-looking woman who drops out of school to pursue her crush on the narcissistic Gardo by moving in with him, more as a servant than anything else. Gardo, in the estimation of Bona's enraged father, is either a second- or third-rate actor in Philippine action movies. Bona (Nora Aunor) and Gardo (Philip Salvador) are the central figures in ''Bona,'' a film from the Philippines directed by Lino Brocka, whose publicity describes him as a prolific film maker and likens him to Rainer Werner Fassbinder. Prolific he may be, but, while technically unobjectionable, ''Bona,'' which opens today at the Film Forum, fails to shed much light on the wellsprings of Bona's obsessive love for Gardo. A young woman's attraction and devotion to a sleazily handsome actor are understandable, and so at first it not surprising that Bona is willing to fetch water so that Gardo can have warm baths; that she scrubs his floors and mends his clothes and cooks for him in the house they share in a poor neighborhood. But right from the start, it is also clear that Gardo is not exactly a flawless jewel of humanity: he is beaten up by the relatives of one of his women; he is a drunk; he brings home an assortment of other women; he disappears for extended periods; he leaves it to Bona to arrange an abortion for one of his lovers, and finally - after Bona has been essentially disowned by her family - Gardo informs her that he is selling the house they share and going off with another woman. About five minutes of Gardo would be enough to make most people explode. But it takes Bona about 90 minutes. And since she seems reasonably intelligent and sensitive and is alert from the outset to Gardo's slights, the writing and direction of ''Bona'' must be faulted for failing to supply dramatically valid explanations for her patience. ''Bona'' is chiefly interesting as an example of Philippine film making and for its glimpses of life in the neighborhood where Bona and Gardo live. Philippine Glimpses