几个老公常年不在家的女人，自己都有自己的工作，但在工作之余，却很空虚与无聊。每天在家等待着老公打电话回家，或者老公能在工作之余抽空回来。 刘玉芬是一名女刑警，丈夫在深圳工作，偶尔回一趟家。玉芬每天晚上习惯在家和老公通电话，但是却经常无人接听。很希望怀上个孩子让自己有个寄托，终于怀孕了却又因为抓捕犯罪嫌疑人流产。与交警洪大为的偶然相遇，开始了玉芬新的生活，与大为成了一对欢喜冤家，定情的信物还是鸡爪子。玉芬看清了自己的现状和感情，她想要一个自己需要也需要自己的男人，最后，玉芬下决心和老公离婚。 赵家玲的丈夫是个摄影师，常年在外搜集素材。家玲不仅要当好部门经理，卖好房子，还要送女儿上下幼儿园。遇到工作还得请玉芬帮忙接朵朵。玉芬和家玲是好友，经常一起交流工作和感情。家玲也遇到了个台湾商人林中和，对家玲和朵朵甚是体贴和关心，家玲的感情不能确定，但最后仍然守卫了婚姻，一家团聚。 祝婷婷是家玲部门的售楼员，男朋友是有妇之夫老巴，而这个人恰好是家玲的同学。两人约会被家玲撞到，家玲左右为难，决定保密，两边做人。祝婷婷爱得很狂热，老巴也很享受。但决定离开祝婷婷的时候，婷婷为他自杀，但却被救活。婷婷心态平静了之后，只想要一个孩子，与老巴难分难舍。但一次事故发现是宫外孕，最后仍没救回来。 魏红的丈夫常年瘫痪在轮椅上，行动不便。魏红与旧情人见面还被当成卖淫举报到了玉芬那里。玉芬由此接触了魏红案。魏红的丈夫老嚷着要和她离婚，但是她不肯。而她的婆婆却不让她照顾老公，条件就是不能离婚。魏红觉得自己对不住丈夫，一心想要帮他，他却不领情。女儿小蓉多次收到匿名信揭发魏红的婚外情，魏红找玉芬哭诉。玉芬开导魏红和小蓉。小蓉原来是魏红和旧情人的女儿。 以四个女人的故事为代表，揭露了当时的社会现状，反映了老公在外女人在家的孤独生活，也讨论了是选择爱情还是选择婚姻的艰难和无助。

Kapil 和 Somya 是来自印多尔的一对幸福的夫妻，他们生活在一个共同家庭中，并决定在一个晴朗的日子离婚。事情并没有像他们的家人知道的那样按计划进行，因此开始了一场错误的喜剧。

Woman in a Landscape (Zena sa krajolikom) (Ivica Matic, Yugoslavia , 1976) 68 m, subtitles 16 mm colour http://www.bosnia.org.uk/outofbosnia/cinema.shtm A self-taught naive painter attracts the attention of a local married woman. Their liaison upsets the balance of their community and puts them into conflict with their neighbours. A beautifully shot film with great feeling for painting and the surrounding landscape. This pastoral drama celebrates the dedication and courage of a man wholly given over to painting and art. In the story, a forestry worker (Stole Arandelovic) is transferred to a small village in Bosnia, and is seen to be constantly busy with some form of artwork. He even asks for women to model nude for him. This odd activity at first leads the suspicious villagers to attempt to torment him by desecrating his canvases, but he endures this period, marries a local woman, and dies prematurely. In an uncanny fashion, the director Ivica Matic's life mirrors this, his only film, in that he died unexpectedly in his late twenties, only a few days after the last scene was shot in 1976. It was compiled and edited for release by a group of his friends in the late 1980s.

Sanzgiri's father was 18 when India ousted the last remaining Portuguese colonisers from Goa in 1961. Combining 16mm with drone footage, desktop screenshots, and Skype interviews with his father, Sanzgiri utilises various modes of seeing at a distance to question identity, the construction of memory and anti-colonial solidarity across continents.

上市公司女总裁周晓婷家的老保姆行为越界，私用物品还带儿子回家，甚至试图掌控其生活。周晓婷斥责后老保姆表面收敛，实则暗藏阴谋。小保姆被陷害，周母回国护着老保姆让周晓婷无奈。最终老保姆野心败露被开除，可营养师苏苏却遭绑架，故事悬念迭起。

"Bhabiji Ghar Par Hain!" is a popular Hindi sitcom that premiered in 2015 on And TV and is available on ZEE5. Produced by Binaifer Kohli, the show follows two neighboring couples—the Mishras and the Tiwaris. The husbands, Vibhuti Narayan Mishra and Manmohan Tiwari are dissatisfied in their marriages and secretly admire each other's wives. Manmohan, a successful undergarment businessman, is married to Angoori, a simple and naive housewife. Vibhuti, an unemployed former insurance agent, is married to Anita, a confident and modern woman who runs grooming classes. Their constant scheming to impress each other's wives leads to comedic conflicts and chaotic situations, mostly taking place in their homes. The show, inspired by the 1990s sitcom Shrimaan Shrimati, has been well received by both critics and audiences for its humor and engaging storyline.

爱沙尼亚中年女人安妮离开家乡，来到巴黎当看护工。她的职责是照看弗里达，一个很久前从爱沙尼亚移居法国的难缠老女人。弗里达不希望安妮照料她的衣食住行，她只想重归小情人史蒂芬的怀抱。然而史蒂芬却不顾弗里达反对，认为由安妮照料弗里达是最好的选择。身处异国他乡，夹在一对爱人中间的安妮能找到自己的道路吗……

被母亲抛弃三十年的陈阳，满心怨恨地收留了伪装成保姆归来的母亲。日复一日的温暖照料，融解着他心中的坚冰。然而父亲识破真相，愤怒赶走发妻，迎入别有用心的李阿姨。看透虚伪算计的陈阳，最终选择寻回那份迟来却真挚的母爱，紧紧守护有妈，才有家。

杨大力外出打工，托邻居王美兰照顾母亲李梅。王美兰表里不一，常暗中欺负李梅。李梅偶然撞见王美兰与恶霸偷情，反遭其变本加厉针对。后李梅摔伤被困小屋，靠红薯维生。杨大力返乡寻母，救出母亲后怒斥王美兰。王家人上门殴打，冲突中杨大力失手打死王美兰兄长，因此获刑。李梅求助支教律师林晓，林晓不畏威胁，坚持提供法律援助，最终助杨大力洗脱罪名，母子团圆。

兄妹轮流赡养老母，玲玲虐待推搡母亲，造谣生事，经众人劝说与自身经历后醒悟悔改，最终全家和睦为母亲庆八十大寿，弘扬孝道