The Story of Women and Art is a television documentary series, consisting of three one-hour episodes, on the history of women artists in Europe from the Renaissance onwards, first broadcast in the United Kingdom on BBC Two in May 2014. The series is presented by Professor Amanda Vickery. Artists featured include Sofonisba Anguissola, Anne Seymour Damer, Angelica Kauffman, and the 17th-century Dutch paper cutter Joanna Koerten. The programme was well received by some critics, but criticized by others. 阿曼达·维克瑞（Amanda Vickery）教授探索西方艺术中被隐藏的女性创造力的旅程：从位于文艺复兴时期的意大利和天主教统治下的西班牙的修道院，经历英国和法国的革命和启蒙的时期，直到20世纪早期位于新墨西哥州的沙漠景观，她将发掘有关那些极具天赋、意志坚韧、并克服了匝看起来不可逾越的障碍以期实现她们的艺术雄心的女性的卓越的故事。

Women Who Made the Movies traces the careers and films of such pioneer women filmmakers as Alice Guy Blaché, Ruth Ann Baldwin, Ida Lupino, Leni Riefenstahl, Dorothy Davenport Reid, Lois Weber, Kathlyn Williams, Cleo Madison, and many other women who made a lasting contribution to cinema history with their films. Featuring clips from the films, rare archival footage and stills, Women Who Made The Movies brings to life the works of these remarkable women. Critical viewing for all those interested in the history of cinema.

本片的拍摄历程长达40年，展现美国女性主义艺术的革命与历史，并涵盖许多珍贵的访谈，包括众多知名女性主义艺术家的影像片段——她们从根本上改变了我们这个时代的艺术和文化。本片亦详细描述了女性主义艺术运动与美国1960年代的反战、民权运动的关系，并且解释历史事件如何激发对抗文化建制的女性主义运动，并延伸至早期的女性主义艺术教育课程、政治组织和示威抗议、另类艺文空间和刊物等。

Feminist Frequency is a web series created by Anita Sarkeesian and co-written by video remixer Jonathan McIntosh to analyze pop culture from a feminist perspective. The point of the series is to point out female character archetypes, mostly negative criticism towards what she regards as the Unfortunate Implications that ensue from various shows and movies. Part of her stated goal is to educate people on feminist theories using pop culture to communicate basic concepts. In addition to covering individual subjects and top best/worst lists, there is a six-part mini-series on “Tropes V.S. Women“ started in 2011 and an in progress mini-series on “Tropes V.S. Women in Video Games“ which is planned to have 12 parts when completed. Both works just so happen to use this very site as inspiration.

Unzips America's obsession with sex and takes us on a steamy trip through the milestones of erotic cinema.

"Das Kino und der Tod/Cinema and Death"(1988), is one of his 'Cinema Anthology' ,which was made by extraordinary Bitomsky's voice and movement of his hands that turn over photos of murder in films.It's 'a film noir as a film essay which analyzes film noir'. When he analyzes classic films like Hitchkock's "Torn Curtain",Lang's "Hangmen also die", Siegel's "The Killers",Aldrich's "Kiss me deadly",etc, each viewer tries to remake the images that always becomes uncertain in the memory,with the movement of Bitomsky's hands and voice as a detective showing photos of evidence of murders. There is an astonishing moment of new discovery of the image which we remember as a movement of the film.

A pioneer among filmmakers, Jane Campion was the first woman to win the Palme d’Or at Cannes for The Piano, and recently won Best Director at the Academy Awards for The Power of the Dog. In 40 years of work, she has carved out a unique place for herself in the traditionally masculine pantheon of cinema. A visual and iconoclastic director, a subtle portraitist of the human soul and women, Jane Campion is also a furtive filmmaker, at once discreet and whimsical, gentle and impertinent, and at times misunderstood. For the first time, another woman filmmaker draws the portrait she deserves, in a film that is unapologetically subjective and offbeat, very much mirroring Jane’s own trailblazing journey in cinema and life. 源自：https://www.filmfestival.gr/en/section-tiff/movie/1272/14787

摄影术诞生170年来，它使我们愉悦，为我们服务，令我们感动，偶尔也会让我们失望，但是它通过揭示世界表象背后的神秘的陌生让我们兴奋。那就是摄影真正的魅力。 跟随BBC Four的六集系列片《摄影演义》，我们一起领略什么使得那些摄影作品如此特殊，让我们无法忘记。

这部剧围绕十九世纪俄罗斯伟大画家的传奇画作展开。全剧四集分别聚焦俄罗斯文化的象征人物——伊万·希什金（Ivan Shishkin）、瓦西里·佩罗夫（Vasily Perov）、米哈伊尔·弗鲁别尔（Mikhail Vrubel）和维克多·鲍里索夫·穆萨托夫（Viktor Borisov-Musatov）。“松林的早晨”“三驾马车”“恶魔被打败”“幽灵”，每一幅画作背后都藏着一个独特故事，主人公的命运与创作者的命运相互交织。《三驾马车》里的男孩瓦夏特卡在现实生活中命运怎样？希什金真的从未画过熊吗？鲍里索夫·穆萨托夫为何会看到鬼魂？在米哈伊尔·弗鲁别尔的命运中，“被打败的恶魔”真的起到了致命作用吗？