In 1977, a book of photographs captured an awakening - women shedding the cultural restrictions of their childhoods and embracing their full humanity. Feminists - What Were They Thinking? revisits those photos, those women and those times and takes aim at our culture today that alarmingly shows the need for continued change.

一位默默无闻的女画家，目击了一名男子被火车撞死的情形。报馆的摄影师，和负责采访的记者被派到事故现场进行报道。摄影师刚发现自己患了癌症，画家则刚刚失去了父亲，而陌生人的死亡使他们走到了一起。记者则刚发现当助产士的女友意外怀孕。因为与性格不合的前妻当年也是奉子成婚，他竟摆出一副冷淡的态度对待女友。与主角一样，一对配角同样面对着威胁，不过却是来自新生命的威胁……

During one unusually hot weekend, four friends struggle after hearing some life-changing news.

This documentary feature, produced in association with The Grammy's, looks at the history, songwriting, and recording process of five differen…

《女权》是编剧洪深根据自己的《爱情的逃亡者》改编的。 宋家玉是个受过教育的女性，所以她对于自己处于如一般女人一样在家庭中庸俗的附属地位感到十分反感。而且，自己在爱情生活上也是一波三折，宋家玉毅然离开了家庭，独立地走入了社会。但是，初入社会的宋家玉没有明确的奋斗目标，她做过银行职员、中学教师、女工等工作，有了几年在社会上工作的经历，可还是觉得前途渺茫，不知何去何从。宋家玉于是又嫁给了一个律师，重新回到了家庭，做了太太。影片结尾，宋家玉再次离开家庭，可是这一次她走向什么地方，观众还是不知道。

阿娇不满被安排婚姻，到母坟前哭诉，巧遇同为盲哑嫁所害的陈礼，一见钟情。礼不知新娘是娇，竟夜以酒浇愁，致意外受伤，其父遂将二人分隔一百天消灾，及夫妻相遇，尽释谬见，礼为免节外生枝，只偷偷与娇相会，弟义却指嫂偷汉。娇惨被追打，无奈投海逃命。礼留下遗书还娇清白，佯装自杀，却不知她匿居外婆家，更诞下其子。礼父得此消息，往接母子回家被拒，义竟召村众夺婴，幸礼及时出现，替娇讨回公道。娇亦决联合妇女，反旧礼教，提倡女权。

A 1972 Olympic mall construction site becomes the scene of a 2016 hate crime. Echoing a line from a 1983 film, this work explores the threads connecting these events across time, seeking understanding in the face of enduring prejudice.

延安，中国革命的圣地。从这里开始，刚刚结束长征的红军走向抗日前线；从这里开始，民族独立与人民解放的烈焰越烧越旺；从这里开始，一个年轻的政党进一步走向成熟。一切向前走，都不能忘记走过的路。走得再远，走到再光辉的未来，也不能忘记走过的过去。回望延安，回望那段似火的岁月，对于在新时代把党建设得更加坚强有力提供了怎样的启示。

Combining staged scenes, newsreel footage, and documentary episodes, the history of the development of sports is presented, showing the stadiums of Moscow, Philadelphia, Stockholm and Mexico City in the past and future.