本剧改编自宫部美雪的小说，讲述了日本桥通町一膳饭店的看板娘阿初从小开朗活泼，但以某事件为契机觉醒了能看见听见一般人看不见听不见的东西的通灵力量，从此与草食系武士学徒古泽右京之介组成凹凸搭档，共同面对并挑战怪异奇谈事件。最先是死去的男人苏醒了，不久后又发生了被认为是死人附身所致的杀人事件。杀人事件和死人附身，忠臣藏和颤动岩，两个谜团剧烈地起伏着，展现出了意想不到的联系…

it was interesting to see the acrobatic Japanese actors of the Tenjosajiki company in Shuji Terayama’s Directions to servants. The title and some of the text were taken from Swift’s satire, but the main inspiration seemed to come from Genet’s Les bonnes. Multiplying the maids into a large cast of servants, male and female, who take it in turns to imitate the master, Tereyama has physicalized and partly mechanized the action. Domination is imposed partly through machines—we see a man submitting to an imperious voice on a tape recorder, lowering his trousers and climbing inside a sadistic machine that beats his bare buttocks. The ingenuity, the sadism and the offbeat humour are all characteristic of the production. The main cruelty to the audience was in the over-amplification of J.A. Seazer’s music. I sat with my hands over my ears for a lot of the time. The visual assault was almost equally strong, and some of the theatrical imagery was quite unlike anything that had been seen in this country. In one meticulously choreographed sequence the servant playing at being master throws a bone to a succession of servants who play at being dogs. In another, a servant trying to steal food from a cupboard is terrified to find that it is like a puzzle: each panel conceals a face that sings at him accusingly, and he can silence it only by sliding a panel that reveals another singing face.

云姜本是国公府中一个安分守己的奴婢，最大的愿望不过是攒够银两赎身出府。然而，主子的逼迫与少夫人的苛待让她明白，在这深宅大院中，不争不抢只会被踩入泥泞。一次机缘让她怀上了国公爷的骨肉，身份骤变却也让她成为所有人的眼中钉。安胎药被下毒，床前被倒灯油放毒蛇，甚至连生产那晚的稳婆都暗藏杀机。

初，創作於關渡自然公園藝術季。 光，既抽象又具象，是生態中的重要能量。以16毫米膠卷捕捉自然，從微觀視角觀察，緩慢記錄片刻，讓身體引導我，傾聽內外的自然聲音。 影像誕生於曝光瞬間，使用自製環境友善顯影液沖洗底片。在新月與滿月時，製作並塗佈感光乳劑，無光害的公園成為露天暗房。日出與日落間，收錄聲音；與觀察「自然的自然」，讓過程中的發現成為創作的思考元素與可能性。

暂无剧情简介

改编Uin的小说《阿吱，阿吱》。

婚礼前夕，苏离撞见未婚夫阮煜城与阮梨偷情，才知三年柔情是骗局。看到相似的脸，她明白阮煜城亲热时叫的是“阿梨”。苏离决定带着屈辱，策划死在与阮煜城的婚礼上。