父亲付立名身患癌症，发现曾经遭遇意外的女儿深藏着一个秘密。在寻访中，他结识了缺少家庭关爱的叛逆女孩张琪。两人彼此温暖互相扶助，逐渐获得了面对伤痛的勇气。

40岁王淑芬被“小杰他妈”称呼淹没二十年，意外怀孕时亡母声音警示，她翻出画箱。丈夫嘲讽，她却在深夜作画，儿子支持，恩师鼓励。她以自画像叩开省级画展，拒售作品后提离婚、租画室，诞下女儿后创作《她们的名字》。画作巡展，观众驻足流泪，她终成独立画家，用艺术重新定义人生。

世界短跑冠军罗濛载誉回乡，看到的却是母亲在垃圾堆旁蜷缩的身影，以及族谱上女性不得入内的冰冷规矩。母亲一生的执念是进族谱，而她对女儿最大的期望却是“逃出去罗濛的每一次奔跑，都背负着这两种沉重而相悖的爱。当她最终以冠军之名为母亲、为全村被忽视的女性赢得”认可时，却在祠堂前，亲手撕碎了那本象征荣耀与枷锁的族谱。她用最决绝的方式告诉所有人女性平等的尊严，从不需由一本陈腐的书册来定义。

The long awaited sequel to the underground smash has arrived. Her Name Was Torment II: Agony is a bigger, meaner exploration of things only hinted at in the first film. A deep dive into extreme gore and horror featuring explicit sex and graphic visceral violence.

苏晚晴自幼被顾家收养，守着恩情效力顾氏。养父母离世，遗嘱分给她股份，养子顾景琛遭人挑拨误会她谋夺家产。她顶住非议揭穿外人阴谋，顾景琛幡然醒悟远赴援外赎罪，二人墓园重逢，放下过往各自成长。

《她的名字是折磨》三部曲的最后一章。

婚礼策划师沈知意辛苦三年，方案与客户好评却总被老板梁承业窃取署名。当名字再度被换，她毅然离开，加入旧礼堂主人陆青川的团队。面对行业比赛，她以真心设计而非华丽排场赢得认可，更揭发前东家对新人需求的轻慢。最终沈知意不仅拿回属于自己的署名，也与陆青川并肩同行。一场关于被看见的成长。

Aurochs is the name given to the wild ancestor of modern cattle. The aurochs has the distinction of being the first documented case of extinction. The last known wild aurochs died in the Jaktorów Forest in Poland in 1627. Hunting and the introduction of domesticated cattle led to their decline and disappearance. Their value, however, derived not just from them being a source of sustenance. Traits that were attributed to the animal, such as speed, strength, and courage, imbued it with great symbolic power. Some of their body parts were ascribed with supernatural powers. The skin of the forehead and a cross-shaped bone inside the heart were prized for their magical properties. Those who carried them became possessors of the animal’s traits. In the 20th century efforts to bring back the Aurochs from extinction began to materialize.

结婚第八年，沈川与妻子叶琳平静的生活被一则拆迁消息打破。家中毫不起眼的老旧院子，网传划入拆迁规划范围，有望换来价值不菲的补偿。正在工作的沈川从老邻居群得知消息，叶琳激动地打来电话，畅想院子三百多平能带来的可观收益。面对突如其来的巨大机遇，沈川却保持着理性冷静，提醒妻子网传规划图未必作数，产权、建筑面积等都需要以官方公告为准。一夜之间可能到来的财富，考验着夫妻二人的心态，也即将搅动他们往后的生活。