Balaban是Janissary军队的一名士兵，在1683年维也纳战役后定居在意大利北部的Moena，并为当地人民的权利而战。 Balaban是Janissary军队的一名士兵，该军队由皈依伊斯兰教的欧洲奴隶组成，担任奥斯曼情报官员。1683年，奥斯曼军队在维也纳战役中失利，他被俘。逃跑后，他受伤了，被意大利北部小镇莫埃纳的人们救起。他在那里定居，组织了一场农民起义，反对压迫和过度征税人民的封建霸主。知道他的奥斯曼帝国出身，他们给他起了个绰号El Turco。 维也纳战役标志着奥斯曼帝国向西扩张的结束，对于一个Janissary，Balaban Agha来说，这意味着全新的生命。在战斗失败之前，巴拉班因残酷的背叛行为被判处死刑。他设法逃脱了，但受了重伤。当巴拉班恢复意识时，他发现自己身在意大利阿尔卑斯山高的莫埃纳村。找到他并照顾他健康的女人Glor...

Kemal Kayankaya, a private detective, was hired by a Turkish women, Ilter, to search for his husband, Amend, who has been missing since the death of her father, Vassif. Unknownst to him, he was about to unravel the secrets of his client's family, as well as their various dealings with the underworld and the police. Moreover, being a Turk raised in a German foster family, he has also begun to understand and accept his own ethnicity.

Independent filmmaker Carmelo Bene makes his debut in this feature that concerns the murder of the Saracens in the city of Otranto centuries ago. Our Lady appears at various time in the film, symbolic of the carnal desires and spiritual dreams of all men. Flashbacks and avant garde cinematic techniques provide passages of erotica and black humor on occasion. The story was taken from Bene's own novel as the author oversees all aspects of writing, production and direction in this experimental and provocative film.

杰拉（柯思亚·乌曼 Kostja Ullmann 饰）、萨米（Kida Ramadan 饰）和梅苏（Eko Fresh 饰）是情同手足的三兄弟，三人虽然血脉相通，却有着截然不同的性格，他们共同经营这一家婚纱店。杰拉不久之前和女友安娜（于特-梅尔勒·伯尔恩森 Jytte-Merle Böhrnsen 饰）分了手，但他依然心心念念着安娜，希望能和她重修旧好。萨米渴望着得到真爱，可好不容易得到的一次相亲的机会，却被他那火爆的脾气给毁于一旦。 梅苏是《可兰经》忠实的信徒，与此同时，他也在追求着自己在音乐领域的野望。三兄弟面和心不和，各自打着心中的算盘。就在这个节骨眼上，一个突如其来的小婴儿让三兄弟不得不暂时搁置他们的梦想。

Smalltime coke dealer Tony owes some mobsters a substantial amount of money, so he convinces his beautiful girlfriend Joanna to do a little work as a nude model in order to make the necessary cash to pay off his debts. Unbeknownst to Tony, Joanna has decided to become a prostitute instead. Complications ensue after Joanna discovers that she likes and enjoys her new line of work.

Armando Iannucci presents a personal argument in praise of the genius of Charles Dickens. Through the prism of the author's most autobiographical novel, David Copperfield, Armando looks beyond Dickens - the national institution - and instead explores the qualities of Dickens's work which still make him one of the best British writers. While Dickens is often celebrated for his powerful depictions of Victorian England and his role as a social reformer, this programme foregrounds the elements of his writing which make him worth reading, as much for what he tells us about ourselves in the twenty-first century as our ancestors in the nineteenth. Armando argues that Dickens's remarkable use of language and his extraordinary gift for creating characters make him a startlingly experimental and psychologically penetrating writer who demands not just to be adapted for television but to be read and read again.

Pierre brings home two young, female hitchhikers, stoking the flames of his wife's anger and paranoia. Someone added a NSFW backdrop to this film so, even though it features neither penetration nor gynecological perspective, it's stuck labeled "adult".

Ruby is a young part-time stripper who wallows in drugs, sex and other excesses in meaningless existence. After meeting with local drug dealer O-Rock in her apartment, she seduces him, takes his drug stash, and splits. In a snowy park, Ruby meets Opala, another young woman who takes her back to her large and posh country house where both women indulge in more drugs and sex with one another. When Opala leaves for work, and to score more drugs, Ruby, left alone, becomes more crazy and desperate and falls deeper into her addiction by contacting a stripper co-worker to score more dope. Meanwhile, the drug dealer O-Rock, finding that Ruby has stolen his secret stash of dope, arms himself with a knife and some deadly narcotics, and goes out seeking payback... with interest.