Steyerl’s HOW NOT TO BE SEEN: A Fucking Didactic Educational .MOV File is what its title purports it to be: a sly parody of an instructional video (the first part of the title borrowed from a Monty Python sketch). Each of the work’s four sections outlines some tongue-in-cheek strategies to avoid being seen—from hiding in plain sight, to shrinking down to a unit smaller than a pixel, to living in a gated community, to being female and over 50 years old. A seemingly automated male voice reads out the instructions in a droll English accent, and Steyerl herself, along with several faceless figures (the kind you’d see in a simulated architectural model), demonstrate the proposed methods. Many of them, like to shrink, to swipe, and to take a picture, are accompanied by gestures familiar from the iPhone—pointing to the fact that the bodies in question here exist in (and take their choreographic cues from) a world that’s at once virtual and material.

S是搬到这个城市的新住户。他正慢慢熟悉这里的人和这里的一切，一点一点找到归属感。某天，他突然在阴暗的巷弄发现一具无名的尸体。随着警察调查的不断深入，S逐渐意识到，自己和这具尸体一样，在熙熙攘攘的人群中，只是又一个不被看见的人。

二人在沈家宴会相识，因女主林晚身世特殊，二人的感情一路历经波折，走得磕磕绊绊，接连遭遇不少挫折与考验，后来林晚坦诚了自己过往的经历，男主顾淮舟不在意她的过去，坚定专一选择她，双向奔赴，最后二人收获幸福，修成正果。

A disembodied figure is carried off underground, where he encounters a vast living archive. Attached to this ever-expanding “network body” are capsules filled with fragments of thoughts. The only way our hero can escape is to fulfill the Sisyphean task that has been imposed on him. A Stretch of Time is a new chapter in Ali Eslami’s ongoing project False Mirror, an artistic exploration of post-human life in digital spaces. The Iranian-born, Amsterdam-based artist won the IDFA DocLab Award for Best Immersive Non-Fiction in 2016 for his VR project DeathTolls Experience. For this “flattie” film production, he used the virtual world of False Mirror as a film studio. The result is an intriguing blend of the languages of cinema, video games and virtual reality. It is as artificial as it is tangible, both real and unreal—a document from a world that exists only digitally.

18岁的乔安娜患有注意缺陷多动障碍（ADHD），她的脑海里，思绪如同旺季游乐园里的游乐设施般不停旋转。父亲患上抑郁症后，病假工资仅够支付房租，无力再承担她的药物治疗费用。为解决这一难题，乔安娜只能另想办法攒钱。就在这一团乱麻的生活中，魅力四射、自信满满的奥黛丽出现了，给乔安娜本就复杂多变的生活又添了一个“不稳定因素”。

1974年世界杯落败之后，英格兰国家队的主教练阿尔夫·拉姆希的位置被当年成功执教利兹联队的主教练邓·里维（科尔姆·米尼饰）取代。而里维在利兹联队的…

Inspired by Preston Sturges's Sullivan's Travels, I Hate But Love (Nikui anchikusho) is a high-octane romantic comedy and road movie that follows a celebrity dissatisfied with his personal and professional life who impulsively leaves Tokyo to deliver a much-needed Jeep to a remote village. When his controlling girlfriend (also his career manager) follows, the two must reconcile while dodging reporters.

在土耳其东南部番茄丰收季，艾于普顶着烈日拼命干活，急于偿还即将到期的债务。与主管发生冲突后，他在城里游荡，试图寻找一个彻底解决问题的办法。

本该温馨的跨年夜，卡洛斯却发现自己被老婆戴了绿帽子，两人正吵得不可开交时，爸爸和弟弟恰好登门“共度佳节”。四个各怀心事的人一起吃着索然无味的晚餐，这时突然闯入一个大胡子流浪汉，他自称是上帝，还预告人类即将灭亡，但他们当中有两人能够存活，且由他们互相投票决定！这究竟是神迹还是骗局，到底信还是不信？绝望的丈夫、自卑的妻子、忧郁失婚男、临老入花丛的老男人，究竟谁该活下去？众人尔虞我诈、相互猜忌，原本就不平静的夜晚，这下更陷入了无尽的疯狂混乱！《该死的上帝》是阿尔贝托·品托、卡耶·卡萨萨斯的首部剧情长片，全片围绕一间房子和五个主角展开，却毫无冷场。由于剧本极为出色、角色足够张狂，在唇枪舌剑之间，狠狠颠覆了宗教信仰和家庭价值，不仅人性大爆发，还有血浆大喷发，既幽默又恐怖，既悬疑又癫狂，剧情走向难以预料，高潮迭起、荒谬至极！