Four centuries before the beginning of our era, Aristofanes wrote the comedy Ornithes . In it, two men leave their birthplace in search of a better life. They arrive in the forest of the birds and meet Hoopoe, the man who has become a bird. 　　This Greek comedy is a reverie, a voyage of discovery, an essay and perhaps also an indictment. The film mixes talking heads with theater, street scenes and beautiful views. The foundation is a desire for freedom but also the obstacles that humanity imposes on itself to find that freedom; walls around a country, social conventions, rules. Children rock to feel the tingling in their belly, that evolutionary reminder of what it was like to whiz through the air. 　　You can go in all directions in the air, says the man who no longer wants to walk but flies. "Gravity is mortality," says another. Meanwhile, two men go looking for bird man Hoopoe. 　　_____________________ 　　A hybrid film, at the edge of documentary, fiction, and political fantasy, by cinematographer Babis Makridis, of “L” (Sundance Film Festival 2012) and “Pity” (Sundance Film Festival 2018, Best Film, Greek Film Academy 2019). 　　The film “The Birds or how to be one” draws its inspiration from the archetypical myth of Aristophanes’s “The Birds,” Nikos Karathanos’s production, and its participants, filming them off stage, in real spaces and natural environments—from lava fields in Iceland to the plateaus of Patagonia, and from Times Square to the Egyptian pyramids. Everything takes place in a universe of fluid “everyday” routine, among theater PEOPLE, ornithologists, and pragmatic recluses who all dream of flying. 　　The film will have its world premiere at the Voices section of the International Film Festival Rotterdam 2020. The section presents "movies driven by powerful stories, captivating subjects and important themes. Each film brings a distinctive view of the world, from filmmakers with a confident voice". The movie was also part of Work in Progress by Les Arc Festival 2019, while in January 2020 it will be presented at Santiago a Mil Festival in Chile, together with the updated edition of "The Birds" performance by Nikos Karathanos.

Four centuries before the beginning of our era, Aristofanes wrote the comedy Ornithes . In it, two men leave their birthplace in search of a better life. They arrive in the forest of the birds and meet Hoopoe, the man who has become a bird. 　　This Greek comedy is a reverie, a voyage of discovery, an essay and perhaps also an indictment. The film mixes talking heads with theater, street scenes and beautiful views. The foundation is a desire for freedom but also the obstacles that humanity imposes on itself to find that freedom; walls around a country, social conventions, rules. Children rock to feel the tingling in their belly, that evolutionary reminder of what it was like to whiz through the air. 　　You can go in all directions in the air, says the man who no longer wants to walk but flies. "Gravity is mortality," says another. Meanwhile, two men go looking for bird man Hoopoe. 　　_____________________ 　　A hybrid film, at the edge of documentary, fiction, and political fantasy, by cinematographer Babis Makridis, of “L” (Sundance Film Festival 2012) and “Pity” (Sundance Film Festival 2018, Best Film, Greek Film Academy 2019). 　　The film “The Birds or how to be one” draws its inspiration from the archetypical myth of Aristophanes’s “The Birds,” Nikos Karathanos’s production, and its participants, filming them off stage, in real spaces and natural environments—from lava fields in Iceland to the plateaus of Patagonia, and from Times Square to the Egyptian pyramids. Everything takes place in a universe of fluid “everyday” routine, among theater PEOPLE, ornithologists, and pragmatic recluses who all dream of flying. 　　The film will have its world premiere at the Voices section of the International Film Festival Rotterdam 2020. The section presents "movies driven by powerful stories, captivating subjects and important themes. Each film brings a distinctive view of the world, from filmmakers with a confident voice". The movie was also part of Work in Progress by Les Arc Festival 2019, while in January 2020 it will be presented at Santiago a Mil Festival in Chile, together with the updated edition of "The Birds" performance by Nikos Karathanos.

该剧将以幕后视角展现韩国流行音乐星光闪耀的激烈竞争现实，纪录主角分别为Jessi、Cravity和黑天鹅。

该剧将以幕后视角展现韩国流行音乐星光闪耀的激烈竞争现实，纪录主角分别为Jessi、Cravity和黑天鹅。

Legendary California music festival (pre-Woodstock) that launched the state-side careers of several performers, most notably Jimi Hendrix. Check out Mama Cass being absolutely blown away while watching Joplin sing. Here there be REAL acid rock.

Legendary California music festival (pre-Woodstock) that launched the state-side careers of several performers, most notably Jimi Hendrix. Check out Mama Cass being absolutely blown away while watching Joplin sing. Here there be REAL acid rock.

Finding an apartment in Tel Aviv is never easy, especially on Memorial Day. 　　Nevertheless, Yael has no other choice but to leave her home.

Finding an apartment in Tel Aviv is never easy, especially on Memorial Day. 　　Nevertheless, Yael has no other choice but to leave her home.

Episode 1: Love Me Do 　　New series investigating the music revolution of the past 40 years, and its links to the British fascination with sex and gender. The first programme looks at the 1960s, when the popularity of groups like the Beatles and pop icons such as Cilla Black, Marianne Faithfull and Sandi Shaw went hand in hand with a new generation of assertive fans. The decade also saw the rise of camp in the form of Brian Jones and Mick Jagger. 　　Episode 2: Oh You Pretty Things 　　Exploring the glam rock sound of the 1970s, when pioneers Marc Bolan and David Bowie made make-up on men fashionable. Led Zeppelin's heavy rock with its macho image upset the burgeoning feminist movement, while punk and disco's origins also fell within the decade. With contributions by Siouxsie Sioux, Germaine Greer, Malcolm McLaren and Robin Gibb. 　　Episode 3: Tainted Love 　　The musical and sexual preferences of the flamboyant 1980s, when New Romantic bands, including the Human League, Spandau Ballet, Culture Club and Duran Duran, conquered the charts. Awareness of Aids began to grow, and by the end of the decade the nation's concept of masculinity had been eroded, with girls gaining the upper hand. 　　Episode 4: Wannabe: The 90s 　　The changing attitudes of the 1990s, when Manchester became the centre of the pop music universe and young people began shedding their inhibitions. With contributions by Norman Cook, Melanie Chisholm, Shirley Manson, Richard Fairbrass, Germaine Greer and Melanie Brown.

Episode 1: Love Me Do 　　New series investigating the music revolution of the past 40 years, and its links to the British fascination with sex and gender. The first programme looks at the 1960s, when the popularity of groups like the Beatles and pop icons such as Cilla Black, Marianne Faithfull and Sandi Shaw went hand in hand with a new generation of assertive fans. The decade also saw the rise of camp in the form of Brian Jones and Mick Jagger. 　　Episode 2: Oh You Pretty Things 　　Exploring the glam rock sound of the 1970s, when pioneers Marc Bolan and David Bowie made make-up on men fashionable. Led Zeppelin's heavy rock with its macho image upset the burgeoning feminist movement, while punk and disco's origins also fell within the decade. With contributions by Siouxsie Sioux, Germaine Greer, Malcolm McLaren and Robin Gibb. 　　Episode 3: Tainted Love 　　The musical and sexual preferences of the flamboyant 1980s, when New Romantic bands, including the Human League, Spandau Ballet, Culture Club and Duran Duran, conquered the charts. Awareness of Aids began to grow, and by the end of the decade the nation's concept of masculinity had been eroded, with girls gaining the upper hand. 　　Episode 4: Wannabe: The 90s 　　The changing attitudes of the 1990s, when Manchester became the centre of the pop music universe and young people began shedding their inhibitions. With contributions by Norman Cook, Melanie Chisholm, Shirley Manson, Richard Fairbrass, Germaine Greer and Melanie Brown.