Is it possible to desert in a shooter game? Along this question, "How to Disappear" reflects on war and game, discipline and disobedience. For the history of defiance is as old as the history of war - and yet the act of desertion goes beyond the game's space of action. Shot in the martial yet picturesque war landscapes of the online shooter "Battlefield V", the hyperrealistic graphics become the backdrop for an essay-like narrative. The narrator's voice creates a crack through which physical-real realities penetrate the depoliticized fun stage of the game. Using performances and interventions in the digital battlefield, "How to Disappear" explores the scopes and limits of the audiovisual entertainment machine.

'How Not To Disappear Completely' follows a week in the life of a young photographer Tom as he returns to London after spending two years traveling in India. Tom is at a crossroads in his life. A stranger in the cold hard city, he struggles to reconnect with his friends whilst searching for his half sister. Along the way Tom is forced to face up to his past and soon realises that it may not be his life he's been running away from but himself.

Matthew’s life is devastated after the disappearance of his younger brother, Tom. Matthew’s father had left him to look after Tom and now Matthew feels responsible. His father is trying to hold back the anger and the blame but the cracks are beginning to show. One day Matthew is looking through a box of press clippings and video tapes about Tom’s disappearance. Suddenly he hears a ghostly voice on one of the video tapes telling him “you never came for me!”. It’s the voice of his missing brother. He shows the tape to his father, Jake. This time there’s no voice and Jake flies into a rage as the wound is reopened. Matthew tells his best friend Simon about the voices on the tape. Is he losing his mind, is Tom alive or dead? At home, Matthew plays the tape and hears Tom’s voice again, desperately pleading for help. Then Matthew sees Tom at the window, gaunt and haggard. He rushes out to Tom but no one is there… Matthew strikes up a friendship with next-door neighbour Amy, who is beautiful but troubled. He talks to her about Tom and she suggests he visits a local medium. Matthew is unsure but he is again haunted by nightmarish visions of Tom. When he tries to sleep he has recurring nightmares that he is being buried alive. In desperation he goes to visit Melissa, the medium, who tells him that the area has been cursed through the ages. Her daughter gives Matthew a present, the drawing of a young girl. The following day Matthew is shocked when he finds out that Simon’s sister, Sophie, has been abducted. Matthew realises that the drawing by the medium’s daughter is of Sophie. The hauntings escalate, Matthew’s state of mind deteriorates. Only Amy seems to believe him, as a tentative romance grows between them. Matthew knows that he needs to get to the bottom of Tom’s disappearance if he is ever going to save Sophie. There is no going back as he hurtles towards the stark, chilling truth… The Disappeared…you can’t bury the past.

20岁的珍妮在捷克边境附近的巴伐利亚小镇失踪。虽然所有的证据都表明，珍妮秘密地想离开后方，但她的母亲米歇尔却越来越相信有什么不对劲的地方。米歇尔的失踪人口报告很快被警方存档。因此，这位单亲妈妈被迫冒着风险进行调查。她为珍妮的失踪寻找答案的时间越长，她发现的关于她女儿和与她相处的人的信息就越多。她开始怀疑珍妮是否想被找到。

里昂音乐节的晚上，同时也是Léa17岁的生日。在那天晚上，像其他那么多人一样，Léa和她的表姐妹Chris外出玩耍去了，但到了清晨Léa依然没有回来。她的爸爸Julien决定进行调查，然而她的妈妈，Florence，尽力勉强维持着正常状态;哥哥Thomas则感到内疚万分：他曾承诺妈妈那晚会送Léa回家。然而事情却另有发展··· 灵感源于西班牙电视剧《失踪》。

故事发生在遥远挪威乡村，露丝（里弗卡·罗德森 Rifka Lodeizen 饰）已过而立之年，和往常一样，她前往老家去探望生活在那里的母亲路易斯（埃尔希·德·布劳 Elsie de Brauw 饰）。虽然表面看来，露丝和路易斯之间母女情深，但实际上，两人的关系早已遍布裂痕，并且，这种矛盾是从露丝还是孩童时起就已经存在了。 随着时间的推移，露丝和母亲之间的矛盾渐渐显形，无效的沟通和不断积累的误会让两人的精神都濒临了崩溃的边缘。在这个节骨眼上，旧爱（雅各布·奥福特布罗 Jakob Oftebro 饰）的出现和弟弟的陪伴将露丝从绝望之境拉了回来，通过某种意想不到的方式，她竟然完成了和母亲的和解。

当作家乔治·布朗热（George Boulangé）答应了妻子伊莎贝尔（Isabelle）的要求，带咖啡馆里一位年轻漂亮的女服务员塞西尔（Cecile）一起参加他们的周末帆船之旅时，很明显他这么做是出于自己的私欲，想挑起事端、为自己的小说构思情节，最终抛弃伊莎贝尔，让塞西尔取而代之。伊莎贝尔被迫直面……

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