你曾遭逢困境吗？曾在多变的生活中，不知如何选择吗？你怎么利用冰箱内的剩菜，烹煮出可口的晚餐？又怎么说出一句从未说过的话？皮亚杰认为，当你面临全新状况而不知所措时，你会用的便是智能。然而，人类内在的心智活动到底怎么由此刻状态变成下一刻状态？大脑究竟如何使我们拥有心智活动？并使我们拥有智能以面对未知？难道我们大脑里真有一个小人，命令我们做出种种反应？或者，大脑不过是一部具有特定程式的机器？ 　　自从达尔文提出演化论，我们便了解到，神奇的事物也可能由简单的开端逐步衍生而来。由於达尔文过程，新物种在数千年中被雕塑出来；免疫系统在数星期内产生新抗体；那么，在快速的思想与行动时间尺度上，达尔文过程是不是也能塑造出种种複杂念头？ 　　本片不仅以心理学、动物行为学、演化生物学、语言学等角度，来探索人类的内在心智活动，更深入人类大脑皮层，将达尔文理论应用在大脑思考的神经机制上，而架构出一部会思考的达尔文机器，带领读者思考大脑如何思考。

你曾遭逢困境吗？曾在多变的生活中，不知如何选择吗？你怎么利用冰箱内的剩菜，烹煮出可口的晚餐？又怎么说出一句从未说过的话？皮亚杰认为，当你面临全新状况而不知所措时，你会用的便是智能。然而，人类内在的心智活动到底怎么由此刻状态变成下一刻状态？大脑究竟如何使我们拥有心智活动？并使我们拥有智能以面对未知？难道我们大脑里真有一个小人，命令我们做出种种反应？或者，大脑不过是一部具有特定程式的机器？ 　　自从达尔文提出演化论，我们便了解到，神奇的事物也可能由简单的开端逐步衍生而来。由於达尔文过程，新物种在数千年中被雕塑出来；免疫系统在数星期内产生新抗体；那么，在快速的思想与行动时间尺度上，达尔文过程是不是也能塑造出种种複杂念头？ 　　本片不仅以心理学、动物行为学、演化生物学、语言学等角度，来探索人类的内在心智活动，更深入人类大脑皮层，将达尔文理论应用在大脑思考的神经机制上，而架构出一部会思考的达尔文机器，带领读者思考大脑如何思考。

法国著名女星朱丽叶·比诺什加盟日本导演河濑直美的新片《视觉》（Vision），影片将于本月在奈良开始为期两周半的拍摄工作，并在11月进行第二阶段的拍摄。除了朱丽叶·比诺什的加盟外，日本男星永濑正敏确定也将出演本片，这也是永濑正敏第三次与河濑直美合作，此前他们合作的影片《澄沙之味》、《光》均入围了戛纳电影节的竞赛单元，这部新片也有望再次入围戛纳。 　　影片由法国Slot Machine公司与河濑直美自己的Kumie公司联合制作，故事讲述比诺什扮演的法国女作家来到奈良，将与永濑正敏饰演的当地人开始一段跨越文化与语言的故事。影片计划在2018年上映，但具体上映日期还有待确定。

故事讲述比诺什扮演的法国女作家来到奈良，将与永濑正敏饰演的当地人开始一段跨越文化与语言的故事。

The Story of Looking sees Mark Cousins prepare for surgery to restore his vision. Cousins explores the role that visual experience plays in our individual and collective lives. In a deeply personal meditation on the power of looking in his own life, he guides us through the riches of the visible world, a kaleidoscope of extraordinary imagery across cultures and eras. At a time when we are more assailed by images than ever, he reveals how looking makes us who we are, lying at the heart of human experience, empathy, discovery and thought. He shares the pleasure and pain of seeing the world, in all its complexity and contradiction, with eyes wide open. As the COVID-19 pandemic brings another dramatic shift of perspective, he reaches out to other lookers for their vision from lockdown, and travels to the future to consider how his looking life will continue to develop until the very end.

The Story of Looking sees Mark Cousins prepare for surgery to restore his vision. Cousins explores the role that visual experience plays in our individual and collective lives. In a deeply personal meditation on the power of looking in his own life, he guides us through the riches of the visible world, a kaleidoscope of extraordinary imagery across cultures and eras. At a time when we are more assailed by images than ever, he reveals how looking makes us who we are, lying at the heart of human experience, empathy, discovery and thought. He shares the pleasure and pain of seeing the world, in all its complexity and contradiction, with eyes wide open. As the COVID-19 pandemic brings another dramatic shift of perspective, he reaches out to other lookers for their vision from lockdown, and travels to the future to consider how his looking life will continue to develop until the very end.

不适应周围，内心怀有强烈孤独的少年结希杏树，以成为天涯孤独之身为契机离开故乡，去拜访憧憬的艺术家所活跃的东京原宿。在这里，他遇到了视觉系组合“ECLIPSE”和“LOSTEDEN”的演唱会战斗。在被精力充沛的舞台惊呆的时候，突然一阵剧痛向他袭来一一

"Visual Training" is a short 1969 experimental film from the Netherlands. The film looks so ahead of its time, with its goth makeup and gritty look. I wonder if Marylin Manson or the band the Misfits have ever seen Visual Training? A man and two topless ladies sit at a table and eat. They grotesquely smear food on one another. The one girl is blindfolded and covered with baking powder by the guy. The screen sometimes turns black, as the camera cuts fast between shots. When the camera zooms in on the actor's face, it looks as if he's staring right at the viewer. The one girl's nude body is used as a canvas for body food art. Frans Zwartjes has a created a rare short film that's unique for viewers. It's like a mild version of the "Vienna Aktionists" for the surreal at heart.

Lilia是一位航空专家，在顿巴斯的一座监狱被关押几个月后，她终于回到乌克兰的家中与家人团聚。被俘的经历一直困扰着她，并以幻觉的方式出现。一些事情被深深地埋藏在她的心底，让她难以忘记，但她不愿意把自己当成一名受害者，而是想要通过抗争来解放自我。 　　Maksym Nakonechnyi的首部长片通过强有力的视角来审视乌克兰战争的现状，她将镜头特别对准女性，她们正为自由、尊严和未来而战。