“Every morning before having breakfast, I pick up my newspaper, get the obituary section, and see if I’m listed,” says comedy legend Carl Reiner. “If I’m not, I’ll have my breakfast.” The 95-year-old wonders why some of his friends died years ago, while others are still thriving, asking, “Was it luck, genes, modern medicine or are we doing something right?” If You’re Not in the Obit, Eat Breakfast celebrates the art of enjoying life after age 90, aided by a good dose of humor. Reiner’s nephew, George Shapiro (Seinfeld), produces and Danny Gold directs. In this heartwarming documentary, Reiner tracks down such celebrated nonagenarians and centenarians as Mel Brooks, 90, Dick Van Dyke, 91, Norman Lear, 94, and Betty White, 95, who show that the later years can truly be the happiest and most rewarding. The film’s opening title song, “The Best Is Yet to Come,” is performed by Tony Bennett, 90, and the original song “Just Getting Started,” is co-written and performed by Alan Bergman, 90. Others featured include comic book writer and publisher Stan Lee, the former president of Marvel, who’s still writing, producing and making cameo appearances in hit films at 94; Patricia Morison, 101, an actress and singer, and fashion icon Iris Apfel, 95. Actor Kirk Douglas, 100, chats with Reiner about the stroke that left him unable to speak and the subsequent one-man show he undertook, with his wife’s encouragement, to prove he could still function. Also interviewed are Harriette Thompson, 93, the oldest woman to run and finish a marathon, Ida Keeling, 101, a track and field athlete, who works out for an hour every day, 98-year-old yoga teacher, Tao Porchon-Lynch, who marched with Gandhi and recently took up tango, and Jim “Pee Wee” Martin, 95, who fought in D-Day and still parachutes. Admirers from the younger set featured in the documentary include comedian Jerry Seinfeld, who’s already reserved the stage at Caesars Palace for his 100th birthday show; longevity expert Dan Buettner, and Van Dyke’s much-younger wife, Arlene, who’s got all she can handle keeping up with her exuberant husband on the dance floor. HBO Documentary Films presents a Shapiro/West Production in association with Gold Entertainment; original song “Just Getting Started” by Alan & Marilyn Bergman and Dave Grusin; edited by Michael Mayhew; executive produced by Aimee Hyatt and Howard West; written by Danny Gold and Michael Mayhew; produced by George Shapiro; produced and directed by Danny Gold.

这部纪录片讲述了泰迪·彭德格拉斯（Teddy Pendergrass）的崛起历程，他是首位连续推出五张白金唱片的非裔美国男歌手，故事背景设定在20世纪60年代的美国，同时还展现了他在遭遇改变人生的意外事故后如何东山再起。

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《吉娜》是一部获得巨大成功的BBC电影“咖啡店里的女孩”的重拍片。 劳伦斯是一个忠于他的工作的人，或许有点太忠诚了。作为德国财政部长的顾问，劳伦斯整天瞑思苦想他的文件。然而有一天，他遇到了一个不可思议的女人，她叫吉娜，是个助产士，这个女人令劳伦斯产生了极大兴趣。 突然他意识到他在他的固执和孤独的生活中失去了很多东西，于是他冲动地邀请吉娜陪他参加G8集团首脑峰会。 吉娜接受了劳伦斯的这个意料之外的邀请，并且发生了一段不大可能的恋情，这段恋情不仅改变了劳伦斯的生活，而且甚至改变了国际政局…… 很快生气勃勃的吉娜没有适应进入这个乏味的外交家和经济学家的世界。吉娜说的语言是他们已经很久已经遗忘的——心灵的语言。劳伦斯去对此着了魔，尽管动荡不安开始影响他的生活。 劳伦斯和吉娜的温柔的爱情在发展，这个过去的官僚主义者几乎认不出现在的自己了。他在第七层天堂。然而他开始疑虑——他有力量和吉娜在一起吗，甚至在情况开始困难的时候？ 情行很快就困难了。吉娜认识到峰会上的大多数政治家比起降低世界的贫困来讲，他们更在意他们的琐碎的虚荣和争论。吉娜获悉了更多的时候，她开始直言不讳的挑战强权去做更多的事情以结束世界的贫困。 对于劳伦斯，他对吉娜的爆发很尴尬，担心她的不敬的举动会令她失去工作——工作是他在遇到吉娜之前最在意的事情。劳伦斯现在必须面对困难的抉择——他能为爱放弃他的事业吗？

顾清浅年幼时，因为哥哥顾璟的失误，被拐卖到江城，简元明为给女儿简夏瑶换血治疗，买下顾清浅带回星海市。顾清浅从小在简家遭受简夏瑶的虐待，但心中一直盼望着家人找来，与家人团聚。十八年后，成为顶级财团总裁的顾璟，得知顾清浅的消息，来到星海市寻找顾清浅，却被简夏瑶冒领身份。在顾璟即将用顾清浅的命救简夏瑶之际，得知真相，救回顾清浅。

Australian pediatrician Helen Caldicott delivers a lecture on the potential medical and societal consequences of a nuclear war, and advocates for nuclear disarmament. The film includes newsreel records of the beginnings of the arms race and the bombings of Hiroshima and Nagasaki, as well as film records showing the Japanese who were severely scarred and burned in the bombings.

当高中高年级学生布莱德·李在毕业典礼当晚失踪时，他的女朋友被迫质疑她认为她知道的关于他和他们的关系以及她自己的信仰的一切，希望能找到他。

An ambitious Degelin distinguished himself on several occasions; particularly at Cannes Festival in 1960 where his first feature film received public acclaim. In Si le vent te fait peur siblings Claude and Pierre have an ambiguous relationship, verging on the incestuous - against a background of the then bare, almost lunar, landscape of the Belgian North coast. With a literary, stylistic approach and stiff dialogue, this psychological drama by director Emile Degelin addresses the normally taboo subject of incest in a round-about way. Claude and Pierre (Elisabeth Dulac and Guy Lesire) are brother and sister yet it is apparent early on that they are physically attracted to each other. In order to suborn their feelings they enter into relationships with others but nothing they do seems to work - they are always drawn back to their same fatal attraction.

An independent tragicomedy, Run If You Can is the debut feature for director Brüggemann who, along with his sister, also wrote the compelling screenplay. Forced to spend the rest of his life in a wheelchair, Ben is deeply desperate, despite his humor and vivaciousness. When he meets Christian, his new assistant, Ben treats him like every other helper he’s had. Things suddenly change when Christian meets Annika, “the cello player” whom Ben has been observing from his window for years. The three become close friends, putting Annika in the middle of an emotional, and somehow dangerous, ménage à trois. While conquering Annika is nothing very serious for career-focused Christian, Ben’s love for Annika reminds him of his past and forces him to face his most remote fears. A character-driven story, Run If You Can owes much of its power to the actors’ performances, especially Robert Gwisdek’s outstanding interpretation of Ben.