悪の組織グロウンの幹部グローガは、地球支配の邪魔をするアースファイターを倒すため、彼らと親しい女刑事城麗子を人質にするために捕らえる。だが刑事にうんざりしていた麗子は、自分を幹部として迎えれば、アースファイターのレッドドラゴンとイエローグリフォンを誘惑して配下にしてみせると告げる。そしてグローガの女幹部ジオーナとなり、言葉通りにレッドドラゴンとイエローグリフォンを誘惑して配下にするのだった…

那些侵略受挫、灰头土脸逃回的女干部们，将面临残酷又淫靡的惩戒。在这间被称为「恐怖惩戒室」的密闭空间里，那些平日高高在上、美丽傲慢且充满施虐倾向的女上司们，将彻底沦为受虐的母猪！想象不到的淫荡模样……被低阶男性干部肆意惩罚，逐渐屈服，最终堕落成淫乱女子。今夜，高贵的女干部将蜕变成肮脏的人形玩物！！

一名来自江户时代宁静的日本村庄的女孩在姐姐和致命女忍者修女的帮助下，为一位名誉扫地的长者报仇。这是武士和忍者的时代，将军吉宗统治着日本。在乡村田园诗般的外表下，隐藏着扭曲的性弱点，无论富人还是穷人都受到影响。当一名村里的长老被强奸后切腹自杀时，枫和她的妹妹决定亲自伸张正义并追查肇事者。在一位相信旧约式报应的修女的帮助下，两姐妹踏上了血腥的复仇使命。一路上，三名妇女剖析谎言和秘密，同时发现强奸背后的故事比她们想象的要复杂得多。

矢魔女（倖田梨纱 饰）与铃女（神田霓虹 饰）为了成为最强的女忍者，每日都在刻苦修行。然而，生性喜新厌旧的矢魔女耐不住修行的寂寞，偷偷溜出修行地，前往城下町一家备受热议的“美青年接待茶屋”。没想到，这家茶屋背后竟隐藏着惊天秘密——它实际上是邪恶商人暗中贩卖少女的“地狱茶屋”！矢魔女一度遭到袭击陷入危机，但为了拯救 newly 成为牺牲品的公主殿下以及好友铃女，这位看似靠不住的“辣妹系”（Gal-style）女忍者毅然挺身而出，展开了一场惊心动魄的救援行动。

悪の組織【エゴー】の女幹部オルレアンは、ライバルの女幹部ファルネイユが仮面ジャスティスに倒される寸前に現れ、部下の女怪人サーバルと共に仮面ジャスティスと戦い勝利する。そして宿敵仮面ジャスティスを捕獲、ファルネイユの窮地を救う事に。ファルネイユは敵前逃亡した罪で総統閣下より罰として巨大戦闘員と戦う事に。高見の見物で勝利に酔いしれるオルレアンであったが、仮面ジャスティスとの密会をファルネイユに見られた上に仮面ジャスティスの逃亡を助けた嫌疑をかけられ、最恐の罰、エスメガーディアンを受ける事に。戦闘員達から袋叩きに合い危機一髪の所を部下のサーバルに救われ、窮地を脱するが二人は反逆者として組織から追われる事に。オルレアンに残された唯一の道は仮面ジャスティスを倒し、その首を総統閣下に差し出す事だけだった！

An insurance investigator romances a wealthy young beauty when he suspects she may be involved in fencing stolen jewels.

该片讲述了影视公司经理杨峰工作表现出色、能力强，深受许总信任与青睐。为嘉奖杨峰、鼓舞其士气，许总特意安排他外出旅游度假。杨峰携老婆张燕和女儿婷婷，来到许总提前安排好的度假山庄这个旅游胜地。然而，山庄看似并不平静，接二连三发生灵异恐怖的离奇事件。婷婷半夜醒来，在黑暗中与陌生人交谈，天亮后又回屋继续睡觉。张燕在浴室惊恐地发现有一双红色眼睛和血手悄然逼近，等她惊觉回头，却又消失不见。夜里常常传来鬼哭狼嚎的声音，张燕感觉天旋地转、头痛胸闷，喘不过气。女鬼为洗清生前所受冤屈，将目标锁定杨峰，在梦境中不断迷惑他并与其发生性关系。张燕隐约感觉身边有脏东西，便请来法师驱邪。法师与女鬼唐欣周旋时得知，唐欣生前与许总颇有渊源，曾被许总强暴，不甘受辱而自杀。张燕与唐欣谈条件，为求家庭幸福安宁，色诱许总，拿走了他随身佩戴的有法力的佛珠。许总没了护身符，唐欣轻易靠近他并报了仇。在唐欣与许总厮打时，张燕趁机带着老公和女儿逃离了山庄。

THREE of France's more attractive and unbash-young female stars are put to a minor ignominy in the French film, "Women Are Weak" ("Faibles Femmes"), an intended comedy in color. They are made tochase madly and shamelessly after a character, played by Alain Delon, who is supposed to be thoroughly fascinating, but, for our francs, is not. This young man, whom some genius press agents of the time had helpfully tagged "the French James Dean," has long, silky hair, high cheekbones and a loose-jointed, soigné air. In close-ups (of which there are many), he smiles come-hitherly and generally is condescending towards the lovelies, who simply flip for him. He rides a motorcycle and affects the hauteur of a "cat." Under Michel Boisrond's intense direction, he is intensely the focus of the show. But the point is too labored and obvious. The impression soon sets in that this is primarily an effort to promote a new glamour boy. And the fact that the rest of the picture, the story and dialogue, lacks subtlety and wit—is, indeed, downright foolish in its pretense of male attractiveness—finishes it. There are other annoying aspects. It is apparent that producer Paul Graetz and M. Boisrond, the director, have endeavored to pump some cheap eroticism into it. There is a swimming-pool scene, full of young folk as near nudist as the law allows, which contains some rather seamy shenanigans between the hero and a newly married girl. And there is another scene in which the hero is pounced upon by the three dames and given such a rough-housing as might worry the circumspect. Fortunately, the girls are fetching. Mylene Demonget is perhaps the most wholesome-looking and impressive. She is the beautiful blonde who was last seen here in "Witches of Salem." She's got the reach and everything on M. Delon. Pascale Petit is what her name says—a skinny little thing with a gamin air. She plays the girl, newly married, who still is a moth for her former flame. Jacqueline Sassard is the spiritual one, a plainly precocious convent girl who is led into mischief and expulsion by the hero's ineffable charm. Obviously, all three of these young ladies are stronger than M. Delon. It is tiresome to see them wasting their strength on the likes of this film. There are English subtitles, but they are no brighter than the script.