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    婚礼换她赴约 - 短剧

    2026短剧
    婚礼当天,原定新娘因故缺席,新郎傅寒川并未慌乱,而是从容致电商界挚友温南枝,邀请她共赴这场人生之约。独立果敢的温南枝欣然应允,以周全的安排与强大的气场,将婚礼办得庄重圆满。两人从一场始于约定的婚姻起步,在日常的相处与事业上的并肩作战中,逐渐被彼此的才华与品格吸引,真情悄然滋长。

    婚礼不赴约 - 短剧

    短剧
    刘启明婚礼当天,酒店竟被未婚妻谢轻语临时占用,与他的上司程严举行婚礼。谢轻语谎称是救场,实则早已旧情复燃,用他预定的场地、设计的婚纱、定制的婚戒与白月光完婚。刘启明彻底醒悟,当众退婚、辞职,拒绝再做软柿子。他远赴他乡创业,凭实力成为公司创始人,收获真爱陈岚。谢轻语与程严谎言败露、众叛亲离,下场凄惨,刘启明则靠自己逆袭,迎来圆满人生。
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    婚礼换爱 - 短剧

    2024短剧
    一段命中注定的缘分
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    婚礼换嫁 - 短剧

    2026短剧
    林小满与男友陈浩恋爱三年意外怀孕,双方家长商议婚事时,陈家却以怀孕为由将谈好的彩礼一降再降。林小满为保孩子和婚姻不断妥协,对方却得寸进尺步步紧逼。在她最绝望的时刻,默默守护她十年的高富帅顾景深挺身而出,不仅愿意承担所有彩礼,更承诺在婚礼现场给她一个真正的归宿。面对旧爱的算计与新人的真诚,林小满将做出怎样的选择?这场婚礼又将如何收场?
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    婚礼换爱 - 短剧

    短剧
    深爱丈夫的顾童却被妹妹陷害与冤枉,是妹妹流产的罪人,为此与丈夫产生了冲突,失望的顾童一气之下离开了丈夫,三年后再次回来,却不是为了丈夫,而是她那被妹妹夺走的家产!
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    婚礼换主角 - 短剧

    短剧
    苏灵云推迟和顾文俊的婚期,只为了满足初恋的心愿,要跟初恋办婚礼,苏灵云以为能瞒过顾文俊,不曾想顾文俊早就知晓一切
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    婚礼竞拍换良人 - 短剧

    短剧
    婚礼前夕,阮云归的未婚夫沈听澜为讨好小青梅,竟当众拍卖她的婚礼。满堂哄笑中,阮云归转头拿出婚书:联姻名额,价高者得。沈听澜放话江城无人敢接,不料江城顶级权贵陆尧高调现身点天灯——原来他暗恋阮云归三年,只因她曾救他一命。迟来的深情比草贱,当她转身投入陆尧怀抱,沈听澜才追悔莫及。
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    他瞒病赴约最后婚礼 - 短剧

    短剧
    陈云夏与江辰从校园创业到携手经营婚纱店,历经磨难相互扶持。江辰因病隐瞒真相悄然离开,云夏在误解中独立成长。最终江辰归来兑现婚礼承诺,虽相伴短暂,却以真诚与勇气证明,真爱并非占有,而是彼此的成就与成全。
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    换她入局 - 短剧

    短剧
    讲述顾铭聿为救治未婚妻江流影倾尽所有,却在婚礼当天遭她与竹马陷害,含冤入狱十年。出狱后,他面对的是已为竹马生下七个孩子的江流影,更在满月宴上受尽羞辱。忍无可忍的他终于联系京城家族,揭露真实身份,以雷霆手段让仇人破产、众叛亲离。从云端跌入泥泞,再从地狱重返巅峰,这是一场跨越十年的复仇,也是一次关于爱与背叛、身份与尊严的残酷清算。
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    赴约 - 电影

    1981英国恐怖
    Lindsey Vickers, who scripts and directs this enigmatic film, offers a viewer just enough information to raise questions, at the same time presenting enough plums in the pudding to warrant an alert audience wishing for answers in return, but providentially style triumphs over substance. Vickers constructs an unquestionably suspenseful tale of predestination that revolves about a talented young violinist who manifestly possesses significant preternatural powers, more than sufficient to drastically affect those about her. Action opens with a three year flashback scene as we view a 12 year old girl carrying her casebound violin while walking from her school toward her home, traversing a secluded coppice, Crombie Wood, wherein she is suddenly seized (in a highly eerie scene) by a baleful force that slaughters her. Three years after, Joanne Cameron (Samantha Weysom), a 14 year old student at the same school, and also a violinist of a high order, is seen approaching a now abandoned Crombie Wood (fenced to discourage any who might otherwise trudge through it) where she speaks at the barrier to someone or something unseen just within the enclosure. Joanne's affection for her father Ian (Edward Woodward) is obsessive, and when he cannot attend her solo examination recital because of a business appointment, the child's paranormal facility is apparently utilized in the service of evil, thereby raising nocturnal havoc with Ian and Joanne's mother Dianna (Jane Merrow), as the married pair have nightmares in union that share numerous dire elements. In the morning following the tandem bad dreams, Ian drives to his business appointment in a loaned automobile, as his is being serviced, and it is soon apparent that vital auto related components from within the nightmare are being enacted during the light of day, and a powerful perception of upcoming danger is fashioned through the script. It is this premonition of dread that securely establishes the tension marking the film from its opening scene, a viewer wondering specifically how, or if, Ian will be victimized consonant with the display of frightful events that comprised a large portion of the mentioned dreams. Well-wrought and intense domestically flavoured episodes mingle congruent with scenes of suspense, according credible shape to the whole. Helping to nourish a viewer's interest are nicely conceived passages showcasing visual and aural synchronicity, based for the largest part upon the dream sequences, while a gripping atonal score by Trevor Jones and resourceful camerawork from Brian West provide intensive underpinning to a film that never retreats away from the plotline perception of Vickers. Especial note shall be made of a solo car crash occurrence that is shot and edited in a highly persuasive manner. Acting honours are to the expressive Merrow for her turn as a decisive pivot between her husband and daughter. Filmed to a large extent within scenic Snowdonia National Park of North Wales, this undervalued film had but infrequent theatrical showings before being released to video and has not since emerged in a DVD format. http://www.amazon.com/review/R2ZAX94P5JAV07/ref=cm_cr_rdp_perm
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