车停在婚礼现场门口，丈夫想用性生活来缓和婚姻关系,但失败了。各自走进婚礼现场并偶遇旧友，相聊甚欢时，发现了彼此。

王磊满心期待与黄思琦的婚礼，却突遭癌症晚期的噩耗。为了完成对黄思琦的承诺，他放弃手术。然而，黄思琦却要求将婚礼变成和青梅竹马白琮良的婚礼，王磊心碎答应，同时决定在婚礼当天举办自己的葬礼。在这期间，黄思琦和白琮良的行为不断伤害着王磊。直到王磊离世，黄思琦才追悔莫及。但故事并未结束，一年后王磊奇迹康复，又与黄思琦在医院重逢，此时黄思琦却被查出身体有问题，白琮良的丑恶嘴脸也逐渐暴露。

暂无剧情简介

叁叁是一位居住在上海的苗族女孩，热爱写诗、绘画等各种艺术形式。她长期患有抑郁症，在疫情的末期，她萌生了给自己举办葬礼的念头。然而，就在她开始整理自己的遗物时，奶奶却突然离世。在回到贵州凯里的老家参加奶奶葬礼，并筹备自己葬礼的过程中，叁叁陷入了抑郁症复发，原生家庭创伤重现 ，以及现实与梦想两难全的困境。 San, a young Miao woman residing in Shanghai, immerses herself deeply in poetry, painting, and various forms of art. She has wrestled with depression for an extended period. As the post-pandemic era approached, San briefly entertained a provocative idea: the concept of orchestrating her own funeral. However, just as she started sorting through her belongings, her grandmother passed away unexpectedly. Upon returning to her hometown in Kaili, Guizhou, to attend her grandmother's funeral and make arrangements for her own, San found herself in a dilemma of relapsed depression, resurfacing family traumas, and the conflict between reality and dreams. 入围西宁first电影节纪录片实验室 入围CNEX社会影响力工作坊

这是一个有点荒唐的妙趣故事。　　男女主人公分别是渴望摆脱家长束缚的gay男珉秀和打算领养孩子的拉拉孝珍。两人是同一家医院的大夫，因是同僚又“各怀鬼胎”，于是一拍即合，打算办理假结婚，以达到各自的目的。他们在人前努力充当人人艳羡的新婚夫妇，私下里却各有恋人，过着截然不同的生活。突然有一天，珉秀的父母意外到访，一下子打乱了两人的二重生活，随时面临真相大白的危险……

产科女医生孝珍（柳贤静 饰）梦想跟女朋友一起领养婴儿，而英俊的大夫民秀（郑爱延 饰）和男朋友亦希望拥有自己的生活。由于同属一家医院又各有憧憬，一拍即合的四人决定办理假结婚，更把住所搬到相连。然而这种既享受异性婚姻福利，又与同性爱人甜蜜的双重生活，注定不能长久——民秀父母的意外到访让原本天衣无缝的大计遇到撞板考验，究竟他们能否瞒「基」过海？

雨宫家老父亲（奥村公延 饰）因病去世，正在外地拍广告的女儿千鹤子（宫本信子 饰）和女婿井上佗助（山崎努 饰）带着两个儿子连忙赶回老家奔丧。虽然有葬礼负责人海老原（江户家猫八 饰）的帮助，但佗助夫妇仍需临时抱佛脚，学习葬礼礼仪。三天的葬礼，品味生死百态，万般不舍与依恋，俱化作火葬场上空的一缕轻烟…… 本片荣获1984年日本学院奖最优秀作品、最佳导演、最佳男主角、最佳剧本和最佳女配角多项大奖，及1985年蓝丝带最佳导演和最佳男主角奖。

在南印度的一个偏远村庄，101岁的Century Gowda去世了，他的三代子孙们有着不同的反应。儿子Gadappa是一位老头子，总是抽着便宜的烟，喝着白兰地，每天无所事事地穿梭在田野间；同时孙子Thamanna是个见钱眼开的小贩，筹划着非法卖掉Century Gowda的五英亩地；曾孙Abhi是个阳光自信的青年，不屈不挠地追求着一个牧羊女孩。三条故事线索交织着，聚合在Century Gowda死后第十一天的葬礼上。

The heroine of this drama about injustice during the collectivization of the Czech countryside is a proud widow, who arranges a magnifi cent funeral for her recently deceased husband. The funeral ceremony for this honourable farmer who had resisted the state-sanctioned liquidation of farmers and landholders is transformed into a manifestation of resistance against the Communist overlords. This story of the struggle against injustice was based on a novel by the dissident writer Eva KantÛrková, whose official publication was also prohibited during “normalization”. Sirov˘’s best film has the outline of a Classical tragedy and is framed by suggestive shots of the countryside. The film’s long-delayed premiere in 1990 was broadcast on television and attended by President Václav Havel. During “normalization” the director Zdenek Sirov˘ (1932-1995) primarily made his living doing film dubbing. He did make a number of quite ordinary adventure films and after the fall of Communism he shot an adaptation of the popular satire The Black Barons about conditions in the Communist military in the 1950s. During the final years of his life, cut short by disease, he was a respected teacher at Prague’s Film and TV School of the Academy of Performing Arts.

在族长的葬礼上，梅雷尔家族重新团结起来，并在谁应获得哪部分遗产的问题上发生冲突。没过多久，这个由不相容的梦想、欲望和否认组成的情感大熔炉就会沸腾。