In Greek mythology, Procrustes was a bandit who killed people by stretching them or cutting off their legs to force them to fit the size of his bed. The word, 'Procrustean bed' means the arbitrary behavior of imposing others to change their way of thinking by your standard or a violent situation that does not bend his argument. In this work, I set up the video screen as a kind of "Procrustean bed", and try to consider the contradictory aspect of "living in Korean society”. Although about 4.5 percent of the total Korean population, more than 2 million foreigners, live together for various purposes and reasons, discrimination and hatred due to race, ethnicity, and the background of the country of origin are prevalent in Korean society. It sheds light on the names of various statuses such as refugees, foreign workers, and compatriots, which have changed and been eliminated by the framework of Korean society. By referring to the questions presented in the Korean naturalization interview, I bring up the issue of the gap between reality and fiction of "becoming a Korean citizen". Are these questions on the screen the right of way to enter the 'promised land'? Is it only possible to answer if you wear a new word and erase your name? Can we sing "the right to have rights" beyond rigid boundaries? This project shares a common theme with previous works A Wise Answer to a Silly Question(2012) and Whispering Molecules(2022), and I attempt to read against the grain of the conventional text and re-write it to lead to another question.

沈南枝是淮海市豪门沈家的独生女，她一出生，沈家就与同为顶级豪门的江家定下婚约。她十岁那年，因一场车祸，父母双亡，沈家公司也摇摇欲坠，幸亏江家出手相助，并把沈南枝带回江家抚养长大。她本来与从小相伴的江家二少江庭旭定下婚约，却被江庭旭无情厌弃，阴差阳错中与冷淡克己的大哥江靳年结了婚。婚后江庭旭开始后悔，攀附他的女星苏雾也因嫉妒常常为难纠缠沈南枝。大学校园流言四起，传出沈南枝被人包养的丑闻。这些谣言都在江靳年对沈南枝的宠爱中不攻自破……

Starz科幻剧，改编自2012澳大利亚Aurealis奖「最佳科幻小说」。讲述一女子醒来后，身边躺着六具尸体，每个人都戴着乳胶手套，而女主此时已经失忆。女主…

暂无剧情简介

在地里辛劳一天，汗流浃背地回到家，等待我的却是一口冰冷的剩饭，而家里的长孙和弟妹素芬却享用着热气腾腾的鸡蛋和浓汤。面对婆婆和嫂子的冷言冷语，我心中的不满如潮水般涌动。然而，真正引爆矛盾的，是一个前往县里公社学习的宝贵机会。当我看到那张申请表时，心头一震——原本写着的名字，竟像被刀刮过一般模糊不清。直觉告诉我，这分明是我的名字，却被素芬暗中顶替。素芬矢口否认，家人也群起而攻之，指责我“吓人”、“挑理”，甚至搬出“赵家脸面”和“媳妇就该顾着全家”来压制我，声称他们早已“商量好”将这个机会让给素芬。面对家人的自私与无情，我心如刀绞。

由哔哩哔哩、江苏陶都产发集团联合出品的系列纪录片《泥的名字》是一部聚焦紫砂制作技艺与“陶式”生活方式的人文纪录片。每一把紫砂壶都有自己的独特故事，每一个制壶人也都有自己的传奇经历，这一次我们以紫砂为主题，用人物串联起紫砂制作与紫砂文化发展，用不一样的视角展示丁蜀的“陶式”生活，通过这些极富魅力的主人公，为我们上演一段精彩的紫砂文化传奇。

贫困乡村里，王秀兰长期困于妻子、媳妇的身份，在重男轻女的丈夫林大山逼迫下，烧毁过女儿的入学通知书。女儿渴求知识的目光唤醒了她，她顶住阻挠，毅然离婚净身出户。她靠缝补供女儿读书，牵头开办女子识字班。当写下自己名字的那一刻，她挣脱附庸身份，收获尊严，也激励乡村女性自主掌控命运。

刚毕业的沈雪救下幸存的玳瑁小猫，取名阿福。小猫为救她意外殒命，甘愿舍弃十年寿命，换取仅三年时光重返人间。沈雪总无意识在阿福背上写爷爷教会她唯一的 “福” 字，随着三年时限将至，阿福日渐衰弱走向离别。跨越生死轮回，阿福一次次投胎归来。书写一段温暖催泪的人与猫的宿命故事。

从冬天开始，我们就跟随女足姑娘们拍下了她们备战世界杯的训练过程和生活状态。铿锵玫瑰永远铿锵，但在这个特别的夏天，这些要一起震撼世界的女孩们将拥有一个 “新的名字”。

由哔哩哔哩、江苏陶都产发集团联合出品的系列纪录片《泥的名字》，是一部聚焦紫砂制作技艺与“陶式”生活方式的人文纪录片。每一把紫砂壶都有其独特故事，每个制壶人也都有传奇经历。此次以紫砂为主题，借助人物将紫砂制作与紫砂文化发展相串联，用别样视角展现丁蜀的“陶式”生活。通过这些魅力十足的主人公，为我们演绎一段精彩的紫砂文化传奇。