普奇和他的孙子古玛拉桑住在一间小屋里，古玛拉桑的父母在几年前的种姓暴乱中丧生。普奇对古玛拉桑抱有远大的理想，为了让古玛拉桑上私立学校，他做了各种工作攒钱。普奇的房东韦莱恩和蔼可亲，但很容易被激怒，他吩咐普奇和小古玛找一头好猪（'seththumaan'），于是普奇和小古玛开始忙碌起来。然而，猪肉和酒一下肚，脾气就上来了，普奇必须避免卷入他的种姓霸主们的尖刻敌意中。

猪与珍珠——马卡维耶夫煽动佳作 小女孩问动物园的猴子：你为什么住在这里？这里比你原来住的地方好吗？猴子面无表情。 玛里琳是个家庭主妇，整天在家搞卫生，伺候轮椅上的老爷爷和两个儿女，老公马丁每日工作，对玛里琳的性要求也十分冷淡，受到压抑的玛里琳时常显得有点异样。 (.......省略 自己想吧) 玛里琳终于回家了，全家和阿萨姆医生围坐在桌前，马丁十分欣慰又恢复了正常，医生宣称这是个必要的经历，而脑海中闪现着蒙蒂纳哥形象的玛里琳则说：“以后还会有的”。然后把水果分给家中的每一个人。 字幕：水果有毒。本片根据真实事件改编。 前南斯拉夫“贝尔格莱德学派”著名导演马卡维耶夫，自1965年推出自己的处女作以来，赢得了世界影坛的关注和赞赏。虽然有人认为他的作品对情色渲染过重，煽动性强不够客观，矫揉造作等多种缺点，但不可否认马卡维耶夫是60年代以后南斯拉夫电影最重要的代表人物之一，也是世界级的著名导演。马卡维耶夫的作品一向比较关注现实，常以看似出离现实的寓言式故事令人反思普通人生活中的荒谬和现实的阴暗低沉。 这个面带微笑的冷酷结尾不由让人想起前捷克名导福尔曼70年代末的名作“飞跃疯人院”，但比之还要残酷，虽然影片最后字幕说明根据真实事件改编，但导演自己的用心却也实在是再明白不过的了。

A child throws stones at the moon. They say the sun has gone and will only return when anxiety has disappeared. Until then, the stars are there to offer comfort. So the child counts the stars in the night’s endless expanse on the slopes of the Algerian Atlas mountains. Aness, the child, is the companion of Lamine, a young man on the run. Both are being pursued by nameless people carrying arms. Who are these criminals? Why must the two of them hide and sleep at night with weapons in their hands? Is the child merely a figment of Lamine’s imagination? A desire made flesh? Narrated elliptically and associatively, La nuit et l’enfant tells of omnipresent danger and constant threats. The film moves between realism and dream: Almost documentary-like shots alternate with powerful, poetic imagery. In the 90s, the Djelfa region was a terrorist stronghold. Lamine says that life was different before the terrorists came. Without dogma and with plenty of room for interpretation, this film is the account of a young generation’s will to live, a generation which must set boundaries even as it suffers. David Yon has created a dark, atmospheric fable reminiscent of the story of another little prince. berlinale 2015

安宁带着三个月大的儿子回家过节，十岁侄女徐晓岚将孩子从楼上扔下，致其惨死。侄女因未成年免于追责，丈夫和婆婆却一味偏袒，安宁悲愤心梗而亡。一朝重生，她紧急送走儿子，却不料侄女再次摔死一个婴儿。这一次，安宁彻底觉醒，不顾家人阻拦，誓要为枉死的孩子讨回公道，与冷漠偏心的丈夫、护短的婆家展开决绝对抗。

在郊外的小房子里，住着猪先生一家。小猪们在草地上做游戏，只有汉姆霍克面带忧郁。原来他天生好吃，永远处于饥饿状态，为了填饱肚子，他甚至把妈妈刚烤好的馅饼投过来塞进嘴里，结果自然遭到妈妈的训斥。吃饭时间到了，汉姆霍克风一样地最先冲入餐厅，他刚伸出手就遭到妈妈的责打。祈祷期间，他又偷偷将兄弟姐妹的面条系在一起，结果所有的面条都跑到他的嘴里。夜深人静，汉姆霍克躺在床上辗转反侧。突然，他发现自己置身一个奇怪的房子内。在恐怖的科学家的带领下，汉姆霍克走入房间，却被科学家强迫吃掉了很多东西…… 本片根据Ellis Parker Butler.的原著改编。

The presence of a couple of guinea pigs at the Westcote railroad station create countless offspring as well as a load of paperwork for administrative bureaucrats including by-the-book agent Flannery when their owner won't pay the rate for standard pigs on them. Adapted from Ellis Parker Butler's story, this is one of the oddest shorts on the set, but it is certainly entertaining with its fast-paced, rhyming Irish-jig-like music.

一个在沙漠上带着黑色头巾的男人迷路了，在强烈的阳光下，他的身体开始慢慢变得虚弱，并产生了幻觉，在死亡之门来临时，他看到了一个女人朝他走来，后来意识越来越模糊，他忘记了自己是谁，为什么来到这里。究竟在他身上发生了什么事情？

一个多年被禁止拍片的导演哈桑面对着复杂的家庭和情感问题，当镇上的电影制作人被一个接一个地谋杀时，逃过一劫的哈桑却被视为嫌疑人，他只能凭自己的行动为自己赢回声誉。

A young man journeys through a desert, where he is kidnapped by a sadistic stranger clad in a pig mask. The stranger proceeds to brutally torture the young man, who then finds himself escaping into his imagination, with fantasy and reality intersecting. Written by Phasmatrope.

A group of animals hook up a power grid to the socket-shaped snout of a large, sleeping pig. The animals use the pig’s energy for simple things at first, but they are soon dependent on a city where everything is automated...