Anne Trister follows director Léa Pool's route in life from youth in French speaking Switzerland to adulthood in Quebec in Canada. The film deals with issues of child abuse and bi-sexuality as well as the quest to find roots. Art student Anne Trister has, like Lea Pool, a Jewish father and a gentile mother. Her father's death is what moves her to leave school and her lover in Switzerland behind and travel to Montreal in Canada for the last rites. She stays with an older friend Alix, a child psychiatrist absorbed by the case of an abused little girl. Alix tries to help Anne to relate to her Jewish roots by telling her about a trip to the desert she once made. Anne is fascinated by the story and by Alix and falls in love with her. In the meantime she expresses her feelings in art by creating a fantastic mural of the desert on the walls of a studio lent to her by one of her father's old friends. However, Alix chooses for a man in her life and disturbed by her rejection Anne falls from scaffolding in her studio. When she comes to in hospital her studio and with it her dream world has been torn down. Now she must face reality and be free. In the closing shots Alix receives a parcel containing a handful of sand and a short film of Anne in the desert. The soundtrack prominently features a chanson by Danielle Messiah (De la main gauche) that lends the film much of its mood.

The world of early 19th century England is usually seen through the eyes of Jane Austen and the Brontë sisters. Sue Perkins explores a dramatically different version of this world, as lived and recorded by the remarkable Anne Lister. Anne was born in Halifax in 1791. A Yorkshire landowner, she was a polymath, autodidact and traveller who kept a detailed diary. Running to more than 4,000,000 words, the work ranks as one of the most important journals in English literature. Parts of Anne's epic diary were written in code: once deciphered they reveal graphic details of Anne's many love affairs with women. Sue discovers that Anne was able to follow her sexual preferences in relative peace. It was only when she sought to profit from the Industrial Revolution by sinking a coal mine on her land that criticism of her private life became public. Anne acquired the capital for the mine from a wealthy female landowner, Anne Walker, with whom she enjoyed a relationship as close to marriage as the times would permit. Sue finds out that what happened to Anne Lister's diaries after her death is almost as remarkable as the story of Anne's life.

安妮·李斯特（Anne Lister，1791年—1840年)是英国约克郡的一个地主、企业家、旅行家和日记作者。同时她还是一个女同性恋。尽管当时的社会需要她最大限度地保守这个秘密，而她则以与同性爱人同居的方式来反抗社会传统观念。　　Anne用一本四百万字的日记，事无巨细地记载了她的生活、爱情和情感，字里行间充满了吸引力和令人心痛的真诚。日记中相当大的一部分都是用密码记录的，最近对这部日记的解密工作让人们在惊讶之余进一步了解这位号称英国现代女同性恋第一人的她。　　Anne Lister那非凡的日记和她那真实却又不同寻常的生活，奠定了本片内容的基础。

我是翠芬，跟张铁牛结婚三年，肚里揣着娃快生了。 他说去关外找野山参给我补身子“你在家等着，生之前我准回来。” 电话刚撂，我就听见那头有女的喊“铁牛哥”是他初恋柳儿。 翻他包袱，随行名单上写着柳儿，还有他相好过的寡妇希娘。 我摸着戒指没吭声。 等他把房契押出去换路费，我一笔一笔往回捞。地契、欠条，全改了我名儿。 他回来那天，我抱着娃在门口迎“山参呢” 他脸白了。我却笑了笑“你那几张欠条，我撕了。对了，那几亩地现在是我名儿，想种地，得问我答不答应。”

《琬翠》讲述的是高位截瘫却自强不息、全身心投入公益事业的琬翠，组建公益组织，开展扶残助残、扶危济困，寻找生命真谛的励志故事。

讲述的是高位截瘫却自强不息、全身心投入公益事业的琬翠，组建公益组织，开展扶残助残、扶危济困，寻找生命真谛的励志故事。

暂无剧情简介

理发匠乃端和翠彩家是邻居，乃端的儿子德恩与翠彩从小一起长大，两人萌生了懵懂的恋情。后来翠彩父母离世，理发匠便收养翠彩为义女。然而，由于理发匠家境穷困，在亲王逼债的压力下，他把翠彩献给了亲王。亲王的儿子玷污了翠彩后，将她逐出王室，翠彩在孤单中生下一个女儿。为了维持生计，她到一家剧院做了演员。德恩因失去翠彩而心情抑郁、生病，还放火烧了自家房屋。翠彩也因难以忍受剧院老板的欺辱而离开了戏院。最终，德恩、翠彩和乃端一家人得以再次团聚。

1989年利物浦和诺丁汉森林队的足总杯半决赛中，安妮·威廉姆斯失去了她15岁的儿子凯文，她对此深感悲痛，她为这场悲剧的真相而战。安妮站在其他在比赛中失去孩子的父母一边，拒绝相信官方调查结果，她在不懈地寻求正义的过程中寻找自己的证据。

阿姆斯特丹一名20 多岁的酷儿面临着双重压力：她需要完成小说，同时纠结于是否要为爱情搬去蒙特利尔。什么才是她想要的生活呢？