六岁的张昭昭与母亲芸娘被赵家苛待，亲爹赵永安假死卖妻女，二人被卖给满脸刀疤的瘸腿张猎户。本以为坠入深渊，却不料张猎户是糙汉柔情的真善人，他倾尽所有护下母女，昭昭更是视他为亲爹。长大后昭昭成文武双全的女医，赵永安竟携富贵归来欲抢人，还牵扯出张猎户实为蒙冤校尉的过往。父女二人携手，惩恶徒、平冤屈、守家国，最终昭昭成一代神医，一家人归乡守着温暖烟火，活成了彼此的光。

六岁张昭昭与母被亲爹卖予瘸腿张猎户，却得他倾尽所有护佑。昭昭视其为亲爹，长大后成文武双全女医。亲爹赵永安携富贵归来欲抢人，更揭出张猎户蒙冤校尉身份。父女携手惩恶徒、平冤屈，昭昭终成一代神医，一家人守着温暖烟火，活成彼此的光。

扎赫拉是生活在伊朗的一位单亲母亲，也是一名心理医生。她擅长帮助他人走出困境，可在现实中，她自己的生活却千疮百孔:青春期女儿的叛逆令她焦头烂额，房租高涨让她面临无家可归的风险……她不得不开始重新寻找居所。对她来说，找房子不仅是寻找栖身之所，更是寻找安心之源。

Hanqi and her friends drift through the suburban area of Hangzhou. Strolling through the concrete and neon-lit landscape of the city, they experience the transformations it undergoes daily. As they drift night after night, they become the living interface of a metamorphosis that cannot be perceived or understood if not by becoming part of it. Thus, Hanqi and her friends catch fleeting glimpses of beauty in an environment that most people would only perceive as alienating, hostile or cold. Like an ambient composition by Brian Eno or Philip Glass, the film moves through minimal variations, completely immersed in its nocturnal beat. Space becomes time. A film like a poem; a coming-of-age movie that escapes all the known clichés. Stephan Knauss proves that he is one of the filmmakers to watch closely in the next future. The way he handles and organizes all the elements of his extremely beguiling work are irrefutable proof for it. Transit Circle is a sensorial ambient film that displays flair and creativity.

寒夜洗不尽嫁衣血，冰河渡不完旧时厄。赵招娣与母亲被至亲出卖，嫁与传闻中打死前妻的瘸腿猎户，原是赴死之局。不料这沉默凶悍的男人，用一碗热饭、一床暖被，笨拙地筑起一个从未有过的家。他教她武艺，许她新生，予她名“昭昭”——如日如月，光明之始。当生父化作恶鬼再度索命，昔日的柴房孤女已成执刃之人。她要用医术治愈养父的残腿，以智勇斩断过去的锁链，守护这份风雪中焐热的、没有血缘的亲情。

A resident of a suburban dystopia tries to reassemble his fragmented memories of life as a teen.

苏芸与女儿昭昭在赵家受尽磋磨，生父战死，竟被族人以三十两银强行卖给传闻凶戾的瘸腿张猎户。原以为是坠入深渊，不料他沉默温柔，护她们衣食安稳，为她们撑腰立世。昭昭改名学医，以一身本领护家人周全，终将恶人送入绝境。半生颠沛流离，终得一方小院栖身相守。原来浮生辗转，最珍贵的，不过是有人以真心换余生安稳。

昭昭母女早期饱受冷遇，机缘下结识品性正直的猎户。猎户心怀良善，伸出援手收留二人，平日细心照料生活，用心教导昭昭习武学医。昔日至亲屡次上门刁难，父女同心携手化解一次次危机。昭昭潜心钻研医术学有所成，治好养父陈年旧伤。一家人踏实度日、彼此相伴，凭勤恳收获安稳美满的生活。

迪斯尼垄断创作奖项的年代。跨季节的昆虫植物世界纪录片。