A teenager struggling with his gender attempts to reconcile with his identity. Alex a 14-year-old teenager, is best friends with Hendrik - boyfriend of his sister Annelies. Alex finds in Hendrik a man in which he can lay down his trust. At the countryside Alex shrinks because of villagers watching him like an odd one. It's obvious Alex' struggle barricades who he truly is. When Hendrik and Annelies announce to leave the family home, Alex faces what is troubling him.

Nine reels of unbelievably gorgeous 16mm, eight of which feature allegories drawn from philosopher Gunther Anders's posthumously published 1931 novel The Molussian Catacomb, which exposes the fascism inside capitalism and vice versa.

Andres (Conrad Valenzuela) lives with his mother (Celina Font) and his older brother in Santa Fe. His mother is separated from her husband (Fabio Aste) and the relationship with your ex becomes increasingly strained. Following an accident, she dies suddenly, and both Andres and his brother Armando will have to live with his father and his mother (Norma Aleandro). The relationship between parent and children is rigid, albeit unconscious "war" for power erupted between Andres and his grandmother Olga, a war that resulted in the tragedy. On the other hand, adjacent to the family home there is a clandestine detention center, a "secret" that everyone knows and prefer silence.

1972年，首位非裔女性联邦调查局探员前往西南部摧毁一个犯罪集团，延揽了一名逃亡司机协助她执行任务。

Set in the 1970's Southwest, the life of a gutsy getaway driver for a growing crime syndicate goes from awful to wildly, stupidly, dangerously awful.

弗朗西斯·德朗斯（Francis Desrances）一家在海地惨遭屠杀后，他移居到了科特迪瓦。多年后，弗朗西斯、他的妻子艾西（Aissey）和12岁的女儿海拉（Haila）正期待着儿子的降生。让弗朗西斯兴奋不已、却让海拉颇为恼火的是，这个尚未出生的儿子一早就被视为德朗斯家族当之无愧的继承人。随着预产期临近，阿比让爆发了内战，在一片混乱之中……

Lumière Film Catalog no. 559

Over a booze-fueled, increasingly hectic five-day shoot in East Hampton, Norman Mailer and his cast and crew spontaneously unloaded onto film the lurid and loony chronicle of U.S. presidential candidate and filmmaker Norman T. Kingsley debating and attacking his hangers-on and enemies. This gonzo narrative, “an inkblot test of Mailer’s own subconscious” (Time), becomes something like a documentary on its own making when costar Rip Torn breaks the fourth wall in one of cinema’s most alarming on-screen outbursts.