不得不说，2020真的是难熬的一年，所幸有各种书籍、电影和音乐相伴。今晚8点，《寻问2020：找到自己的答案》直播，马家辉与罗大佑将回答大家关于文学、文化的问题。也聊聊2020年的新书、新电影和广为传唱的音乐，同时分享他们2020年的经历。

古代魔尊林渊渡劫失败，魂穿至现代一名猝死程序员身上。面对灵气稀薄却充满欲望的都市，他利用残存魔功应对职场霸凌与阴谋。从反击主管陈雄的欺压，到对抗富二代赵公子的追杀，林渊在现代规则与魔尊本性间挣扎。期间，实习生苏沐晴的善意成为他冰冷世界中唯一的温暖。最终，在天台对决中，林渊放下杀戮，选择以抹除记忆的方式让恶人接受法律制裁，完成从血腥邪修到融入现代文明的转变，开启一段亦正亦邪的新生。

描写一个被蒋匪军抓去当兵的青年农民，看到蒋匪军残暴作恶并在父亲的影响下，提高阶级觉悟终于回到人民队伍中来的故事。

描写一个被蒋匪军抓去当兵的青年农民，看到蒋匪军残暴作恶并在父亲的影响下，提高阶级觉悟终于回到人民队伍中来的故事。

男主原本生活在现代社会，一次意外，他穿越到了古代。刚到古代时，他身处一个贫困的县。这个县田地荒芜，百姓生活困苦，整个地区毫无生机。但男主凭借着自己在现代所学到的丰富知识和先进计数方法，开启了他的种田大业。他引入新的农作物品种，采用科学的灌溉和耕种技术，合理规划农田布局。在他的精心治理下，曾经荒芜的田地变得肥沃高产，百姓们的生活逐渐富裕起来，这个原本贫困的县也一步步发展成为整个王朝最富庶的地方。男主不仅在农业方面有着非凡的能力，在审案方面也有着独特的方式。

男主原本生活在现代社会，一次意外，他穿越到了古代。刚到古代时，他身处一个贫困的县。这个县田地荒芜，百姓生活困苦，整个地区毫无生机。但男主凭借着自己在现代所学到的丰富知识和先进计数方法，开启了他的种田大业。他引入新的农作物品种，采用科学的灌溉和耕种技术，合理规划农田布局。在他的精心治理下，曾经荒芜的田地变得肥沃高产，百姓们的生活逐渐富裕起来，这个原本贫困的县也一步步发展成为整个王朝最富庶的地方。男主不仅在农业方面有着非凡的能力，在审案方面也有着独特的方式。

男主原本生活在现代社会，一次意外，他穿越到了古代。刚到古代时，他身处一个贫困的县。这个县田地荒芜，百姓生活困苦，整个地区毫无生机。但男主凭借着自己在现代所学到的丰富知识和先进计数方法，开启了他的种田大业。他引入新的农作物品种，采用科学的灌溉和耕种技术，合理规划农田布局。在他的精心治理下，曾经荒芜的田地变得肥沃高产，百姓们的生活逐渐富裕起来，这个原本贫困的县也一步步发展成为整个王朝最富庶的地方。男主不仅在农业方面有着非凡的能力，在审案方面也有着独特的方式。

这是我跟随民间记忆计划返回我的村子拍摄的第四部“邹家村系列”片子。2013年初，我又回到村子，面对遍布村里的垃圾，我开始带着村里的孩子，尝试来改变村子的环境。我们一起捡垃圾，一场艰难顽固的搏斗在我们之间展开。面对垃圾越捡越多，困惑无奈情绪产生，内心犹如充满垃圾一样难以喘息，在村子现实面前无助、无力。95岁的沙奶奶和她49岁“脑子不正常”的儿子西柱的日常生活贯穿在片子中，孤独，等待着、活着。我陪伴在他们身边，感觉到母爱和温暖。这部片子是我再次抨击现实高墙，重新定位自己未来的一段艰难内心历程的印证。

A young, seemingly mute woman has been fixed to the wall of an apartment with a long metal chain. She is being kept as a slave in the home of taxi driver Phanishwar, where she sleeps on a table and cooks for him. Phanishwar is a fervent supporter of the right-wing extremist guru ‘Baba’ and spreads his hatred in the commentary sections of social networks. One day he meets a young woman, Rami, who has had to go underground in Goa after a secretly filmed sex video in which she appeared went viral on the internet. He becomes her driver, whilst secretly stalking her online. Indian director Q does not shy away from controversy, having already succeeded in inflaming passions with the dark tales in his feature film debut, Gandu. His stylishly shot revenge story Garbage revolves around two women who are exposed to different forms of oppression. Q initially takes time to develop the events, making some (queer) detours until eventually, things radically change. And when female martyrdom turns into retaliation, the director finds drastic images for the filmic deconstruction of (Indian) masculinity.

A young, seemingly mute woman has been fixed to the wall of an apartment with a long metal chain. She is being kept as a slave in the home of taxi driver Phanishwar, where she sleeps on a table and cooks for him. Phanishwar is a fervent supporter of the right-wing extremist guru ‘Baba’ and spreads his hatred in the commentary sections of social networks. One day he meets a young woman, Rami, who has had to go underground in Goa after a secretly filmed sex video in which she appeared went viral on the internet. He becomes her driver, whilst secretly stalking her online. Indian director Q does not shy away from controversy, having already succeeded in inflaming passions with the dark tales in his feature film debut, Gandu. His stylishly shot revenge story Garbage revolves around two women who are exposed to different forms of oppression. Q initially takes time to develop the events, making some (queer) detours until eventually, things radically change. And when female martyrdom turns into retaliation, the director finds drastic images for the filmic deconstruction of (Indian) masculinity.