1950年的有一天，流浪乐师佑龙（柳承龙）和英南（具承炫）父子在去首尔的途中偶然走入了在地图上都找不到的深山村子里。不同于外面混乱的世界，在村长（…

If we regard wandering as a way of inhabiting a place without claiming ownership or blending into it—a notion still open to question—the inner movement within this wandering, which sometimes feels like stillness, indeed traces an irreversible line toward a gradual dispossession of self. Dispossession in all its forms, yet primarily there is the issue of language. In the short film Le Livre laissé blanc, we explore the protagonist’s conscious journey as she confronts her loss of language within the inner landscape of her wandering. She attempts to remember her lost language or, alternatively, to make the language of the Other her own.