七年前顾星晚因家庭变故入狱，五年前宴矜撑伞等她出狱却落空。七年后重逢，她面试时发现他已是总裁宴律，对方却冷漠表示“不认识”。她决心辞职远离，他却失控将她抵在墙角。随着过往谜团逐渐揭开，两人在误会与拉扯中，正视内心深处未灭的情愫，最终跨越时间与伤痛的阻碍，解开所有心结，破镜重圆，收获了历经波折却更加坚定的爱情结局。

七年前，顾星晚捅了自己的亲生父亲，银铛入狱。五年前，宴矜撑着伞等在监狱门口，得到的只一句早就出狱了。时隔七年再重逢，她看着他怔愣，他却说自己不认识她，便转身离开。后来，顾星晚从旁人口中得知，这位律界大佬宴律已经有了未婚妻。于是顾星晚喊口不言，她曾在狱中为他生下 了一个孩子。

季家两位千金季秋和季雨柔，20年前和周家，姜家定下娃娃亲，如今周氏在云城商场风光无限，姜家则在乡下继续务农。季雨柔仗着父母的疼爱，抢了季秋原本的结婚对象，如愿嫁入周氏当豪门阔太。季秋本以为自己被迫嫁到乡下，生活便不似从前，没想到她的老公姜泽竟然是身家数十亿的度假村首富。

#郭敬明#监制、落落导演的青春奇幻爱情电影《给初恋的你》发布先导海报！影片讲述男女主人公在“意外”的一次次时空回溯中，用生命刻下爱情之歌的故事，预计2021年年初开拍。

新城集团掌舵人苏念因车祸残疾，遭男友林泽无情抛弃。心死的她隐瞒身份入职集团，暗中肃清贪腐。林泽为谋私利沦为商业间谍，苏念将计就计让外资财团损失惨重。在股东大会上，苏念亮明董事长身份，公布罪证将林泽等人送入监狱。面对外资财团的恶意做空与雇凶暗杀，苏念强势反击击溃强敌，并在生死考验中与舍身相护的萧远生收获真爱，迎来事业与爱情的双丰收。

新任班主任恩善通过视频得知自己班里的学生正华及其伙伴们欺负美娜的事实，她打算通过面谈在内部解决这个问题。[第9届首尔九老区国际儿童电影节]

当一名求职者到一家“非传统”公司面试新工作时，面试过程迅速演变成一场突破界限的社会控制过程。

"In the summer of 1996, we filmed application training courses in which one learns how to apply for a job. School drop-outs, university graduates, people who have been retained, the long-term unemployed, recovered drug addicts, and mid-level managers - all of them are supposed to learn how to market and sell themselves, a skill to which the term 'self management' is applied. The self is perhaps nothing more than a metaphysical hook from which to hand a social identity. It was Kafka who likened being accepted to a job to entering the Kingdom of Heaven; the paths leading to both are completely uncertain. Today one speaks of getting a job with the greatest obsequiousness, but without any grand expectations."

Caetano Gotardo, whose contribution to the omnibus film Neverquiet (Film of Wonders) was screened in 2011 at IFFR, stays close to home in his second feature. He writes, directs, edits and also plays the leading role. The story is set in the Brazilian artists’ milieu. Joao has extensive conversations with friends, strangers and himself. For instance with his best friend Irene, who cannot let go of memories of her ex; and the boy he meets in the metro, with whom he wants to have sex. Beside life and love, the creative process is a recurring theme in the conversations, in the best traditions of filmmakers like Éric Rohmer or Hong Sang-soo. Piece by piece, the encounters, conversations and monologues have a great influence on Joao, who literally wrestles with his attitude to life. A puzzle unfolds within which time, narrative, character and perspective are all jumbled up in an intriguing way.