以新冠病毒肺炎为背景，讲述了一个家庭在一个闲散但忙碌的早晨计划拍一张集体照的故事。当母亲失踪时，女儿开始不顾一切地急切寻找她并聚集她的庞大家庭时，电影逐渐进入了一个时空失控的领域，发生了梦幻般的转变，将家庭肖像转变为一种庄严而神秘的过渡仪式。 罗兰·巴特认为，家庭照片是冻结时间和使家庭不朽的一种绝望手段。然而，这家人还没有意识到的是，当他们微笑着拍照时，他们已经去世了。

《我的家庭合影》是一部个人纪录片，同时也是导演的处女作。她的奶奶在26岁时经历了家乡芬马克的战乱，当时奶奶、爷爷和三个子女被迫逃离家园。而今天，她的家庭越来越分散，导演希望通过这部电影使她的家人可以再一次团聚——邀请家人来一起拍一张也许是最后一张的家庭合影，在这个过程中也发现了有关家人的她之前从未了解的事情。

从小长在胡同里的小伙伴，通常称为“发小儿”，而其中能成为伴侣的，我们形容他们是“青梅竹马”，小川和妍妍就是这样一对儿，他们同样拥有一群小伙伴，他们约定每年都要在他们亲手种下小树前合影，转眼间10年过去了，他们能否完成当初的约定，小川和妍妍能否走到一起呢？

“合影”“泳装”是选取了生活中的小故事。具有小品、轻喜剧的效果。提出了发人深思的问题。老少咸宜。

讲述董倩倩一家三口拍完全家福后，女儿竟从所有人的记忆与现实中“消失”。丈夫、父母甚至照片店员都坚称她从未有过孩子。执着的董倩倩在寻找女儿存在的痕迹中，逐渐揭开一个残酷的真相：女儿果果早已因车祸离世，家人为助她摆脱创伤，携手心理医生试图让她“遗忘”这段记忆。在现实与记忆的撕裂中，董倩倩最终选择直面伤痛，在爱与怀念中找回生活的勇气，与家人共同走向愈合。

自学成才的瑞士导演弗雷德·拜利夫新作。影片改编自导演当社工时期的工作经历和真实事件，讲述在瑞士一家为青少年提供安全居所的机构里发生的故事。影片打破传统叙事结构，采取以人物为索引的碎片叙事，同时深入这些经历过暴力等创伤的女孩们如何战胜心魔的历程，让每个人物的形象都丰富饱满。影片荣获2021年柏林电影节新生代青年单元最佳影片奖。

Santiago wakes up like any other morning. He goes down to the kitchen and his whole family is waiting for him: it's his birthday. They all sing "Happy Birthday to You" and give him presents. But when he opens the present of his youngest son, he gets angry and says he doesn't like it. The boy starts crying and saying that he loves him, but Santiago answers that he doesn't believe him and he tells the boy that he is fired and that he wants another son, who is thinner, who doesn't need glasses and who resembles him more. Written by Pablo Montoya

Traces events in the life of Carlo, from his christening in 1906, where his grandfather reminds his father that Carlo means "free man," to his 80th birthday party. The film principally explores his relationships with younger brother Guilio, with wife Beatrice, and with her sister Adriana, whom Carlo loved as a young man.