李奎翰将出演SBS新剧《家族相片》，该剧将于10月初开拍。《家族相片》讲述了与被领养的女人组成家族的故事，李奎翰在剧中饰演胜负欲极强的姜允在。剧中，姜允在参加司法考试失利后仍不放弃梦想，是个无趣的男人，之后他前往美国攻读工商管理硕士（MBA），回国后在建筑公司负责宣传工作，开启了不一样的人生。李奎翰将在剧中展现一个挑剔的男人形象，还会凭借帅气外貌演绎各种时尚造型。《家族相片》预计11月初播出。

The couple Rafa and Matheus have to face the excitement and weirdness of having a third member inside their apartment. What each one shows or hides from each other reveals different ways of facing feelings.

In India, moving images are an essential part of people's lives. But still images are also of great importance for common folk. What are the secrets of Indian photo studios that still have a quite unique approach to capturing reality, or better put, to creating the desired illusion of reality? Most photographs are being retouched with small brushes and pens, eye wrinkles are repainted, chins made rounder and nicer, eyes brighter and lips bigger. Different backgrounds for studio portraits are created every day according to the frequent changes in everyday life. Even the image of the burning Twin Towers in New York on September 11, 2001 became a desired backdrop for studio photos. The horrifying hurricanes flooding the state of Orissa every year have also been painted as scenes that people like to become part of. Even the terrible tragedy of a train accident is a backdrop. What excites people being photographed in studios, posing on request with stomachs held in and big smiles? First, the film director takes us on a journey. To the past, where photography had a special place in the life of the upper classes, but also to the present, when photography becomes completely democratized, emphasizing how the history of photography has its continuity. Secrets of Indian photo craftsmanship are kept in the archives of the hundred-year-old Kolkata studio.

哥哥（dan饰演）很早就出家为僧，因为亲人去世再次回到自己家。然而母亲偏爱弟弟，对哥哥刻薄冷漠。于是哥哥怂恿弟弟去和男生交往，而此时弟弟正纠结女友和男友之间..... 从小缺少父爱的弟弟（toy饰演）更向往当女生，而同性的爱能弥补他缺失的父爱，但是他的世家迫使他隐藏自己的性取向。他能冲破世俗，勇敢地和男友在一起吗？

Artist Hsu Che-yu (The Making of Crime Scenes, IFFR 2022) blends his digitally animated exploration of the relation between media and memory with an account of Taiwanese terrorist Yung Ru-Men, a bomb maker who idolised Japan’s suicidally-inclined United Red Army. The black-and-white images, presented as still frames, are patchy and unreal, like our memories; both physical places and human figures disintegrate – an oblique and compelling testament, probing unseen acts and murky motivations. 源自：https://iffr.com/en/iffr/2023/films/blank-photograph ------------- This work is a cooperation with the long-time collaborator, scriptwriter Chen Wan-Yin. A terrorist revisits the seashore where he practiced bomb-making and goes back to his home where he speaks a story about a suicidal scene. In 2003, Yang Ru-Men placed bombs on the city of Taipei more than ten times. Yet, none of the bombs was ignited. Yang’s action was later regarded as a struggle for farmers in the same vein of anti-neoliberalism and his sentence was mitigated. A few years after he was released from jail, his brother committed suicide at home. In this work, Hsu Che-Yu invites Yang Ru-Men to perform at two sites: the seashore and his house. At the seashore where he practiced bomb-making, he reenacts an operation and discusses the self-sacrifice resonance of the Japanese Red Army. In his house, he recalls a memory of a suicidal family member. The artist cooperated with a 3D scanning team—their job is to provide forensic scanning service at crime scenes—to make a digital double of Yang Ru-Men. Hsu made a digital scan of the architectural structure of Yang Ru-Men’s house. With these digital models, the artist reconstructs the bomb maker’s personal memories virtually. 源自：http://www.hsucheyu.com/2022/11/blank-photograph.html

毕业季，女主家中经营三十年老相馆定价九十九元拍摄毕业照，却被班长当众指责漫天要价。班长联合男友，以九块九廉价证件照搭配虚假高薪内推为诱饵，套取全班学生个人信息。直至闺蜜深陷培训贷、险些酿成悲剧，女主才察觉这并非简单照相馆竞争，而是一场针对在校大学生的连环培训贷骗局。她主动潜入对方据点搜集完整证据，在众人面前当众揭穿骗局，既要守护父亲经营多年的相馆招牌，也要将一众设局行骗之人交由法律制裁。

女兒面對父母的爭吵感到無能為力，佛像的倒塌也象徵著女兒的內心以及家庭的崩塌。 取材自導演個人經驗，將過去在家庭關係中受到的傷害轉化為動畫呈現，使用2D電繪製作出鉛筆炭色及紋理，以細膩的筆觸刻劃過往的內心傷痕。

The film centres on a random act of theft that has put Tom Hammond's life into a tailspin. Stolen from his bookshop is Tom's most treasured possession, a photograph of him with his son Luke...their last moment of shared happiness. THE LAST PHOTOGRAPH is set between London in 2003, and a dark night in 1988 when Pan Am 103 was blown out of the sky over Lockerbie.

役所广司饰演生活在山里的陶艺师神谷诚治，吉泽亮饰演活跃于国外的儿子学，讲述生活环境不同却有着血缘羁绊的家人们的故事。共演还有MIYAVI、松重丰、佐藤浩市、中原丈雄、室井滋等，另外还有通过试镜选出的没有拍戏经验的国际演员们，导演由成岛出担任。片中，因工作被派往阿尔及利亚的儿子学带着未婚妻纳蒂亚回到父亲神谷诚治身边，他接着结婚辞去工作，打算接手陶器业务，但是被诚治反对，生活在日本的巴西青年马克斯得到过诚治的帮助，觉得他很像亡父，对他的陶器工作很感兴趣，而返回阿尔及利亚的学和纳蒂亚却遭遇了悲剧。

震撼一時的話題作. 山田足足構思了五年, 並用上一年時間, 由南而北, 縱橫日本列島拍攝而成. 日本經濟起飛, 在家鄉長崎當煤礦工人的精一因公司倒閉, 決定與妻兒及老父前往北海道尋找新天地. 從長崎到博多, 大阪, 東京, 一家人在途上歷盡滄桑...... 與別不同的公路電影風格, 充滿紀實的拍攝手法, 為故事倍添迫力; 既滿溢家族情義, 又道盡死別之苦. 荒丘上的兩個十字架, 令人黯然垂淚. 为了丈夫的梦想，妻子说服爷爷带着孩子，告别熟悉平静的小岛，举家迁往远方的小镇。一路上，他们途经长崎、大阪、东京等地，城市里的一切是如此新鲜而刺激，同时也令他们感到陌生而冷漠。当他们满怀梦想，憧憬着美好的未来时，命运却和他们开了玩笑：可爱的小女儿在途中病逝，爷爷也在到达小镇后不久去世了。冬天的小镇白雪皑皑，冰冷而哀伤。他们彷徨无助，心灰意冷，但村民的热情和关心重新燃起了他们生活的希望。他们盼望着，盼望着冰雪消融，盼望着春天的来到。六月，春天终于到了，青绿的牧场，新生的生命，一切似乎姗姗来迟却令人欣喜心醉、难以忘怀。