Knud is a farmer and dreams of running the farm together with his wife. He has both ideas and drive, but his finances are not the best.

Ghazala (Shabana Azmi) has been married to Munirmiya (Srivallabh Vyas) for several years, and has given birth to a daughter, Salma (Rajeshwari Sachdev) Munir is unhappy that Ghazala has been unable to bear him any sons, and is forced to face his abuse, and then is subsequently thrown out of the house, in order to make way for him to marry again; Hasina (Surekha Sigri-Rege) is Ghazala's mom, married at a very young age, to an older man, faces the risk of cancer of the uterus; Educated, Arrogant and god-fearing Afsana (Nandita Das) has three children, and is upset with her spouse, Khurshid (Rajit Kapur), Hasina's son, for undergoing a vasectomy, and leaves him; Najma (Alka Trivedi) is an uneducated housewife, having given birth to seven children, five of whom have died so far due to malnutrition, and is the wife of Khaleej, Hasina's older son; Salma is the daughter of Ghazala, who is expected to marry at an early age, to a much older man, as there is no point in her undergoing further .

暂无剧情简介

从一个当下的画外音叙述中，一个名叫乌尔苏拉的女子回忆起自己在充满政治压抑与性压抑的1950年代的成长。当她成长至性成熟时，冷战意识形态和严厉的家庭生活使她感到困惑。出乎意料的画外音和不确定的结局——乌尔苏拉可能自杀也可能没有自杀——营造出时空的暧昧性，令人想起雷乃和杜拉斯。 布吕克纳的目标就是召唤《广岛之恋》的片断式叙事和后来艺术电影的实验性；她寻求的是一种精神分析式的叙述，在这样的叙事中，场景的接合是“各不相干，以不协调的方式并置，因为记忆倾向于通过联想产生跳跃”。

本片是西班牙超现实主义电影导演路易斯•布努埃尔的唯一一部纪录片，描绘了位于西班牙中西部山脉地带拉斯赫德斯（Las Hurdes）的生活状态。该地区道路崎岖出行困难，拉斯赫德斯人几乎生活在一种原始赤贫状态中，缺吃少穿，没有基本的卫生概念，疾病流行，死亡阴影挥之不去。 本片在 1933年西班牙试映后被禁，直到1937年西班牙内战期间才于巴黎正式公映。巴黎公映的解说词由布努埃尔和皮埃尔•乌尼克（Pierre Unik）共同创作，布努埃尔本人现场讲解，配乐为勃拉姆斯第四交响曲。

Civilisation is coming to an end. The death of his only relative gives a feral boy the pretext to journey beyond the confines of his home environment; only by doing this will he be able to decipher his father's journal, the most valuable artefact in his legacy. This singular contribution to the post-apocalyptic sci-fi genre tells of a humanity in crisis, while at the same time conveying the adventurous spirit of adolescence.

罗拉雄心勃勃，追名逐利不容有失。身为管理顾问，她负责协助不同公司进行架构重组，可是她自己的人生，又如何重组？总是忙于工作、到不同城市出差、跟客户共晋晚餐、上健身室，事业型女性的亮丽外表下，是深深隐藏的秘密：姊姊罹患精神病，有自毁倾向及被害妄想。罗拉老是收到姊姊求助电话，井然有序的生活开始失控。玛莉克鲁泽把女强人故事混合心理悬疑及惊栗元素，揭示正常与失常的一线之隔。入选柏林影展竞赛单元。

莫罗佐夫一家世代生活在俄罗斯内陆的乡村。自家中长子阿列克谢前往城市学习医学以后，阿廖娜、斯捷潘和瓦尔瓦拉姐弟几人也陆续告别长辈，离开故土，在并不如想象般美好的“新世界”中摸爬滚打，开启人生的难忘篇章。战争与清洗接踵而来，破碎的国土与家庭需要怎样的出路？

苏联解体后不久，12岁男孩科瓦斯第一次和母亲维多利亚回到了母亲的家乡。距离母亲离开被苏联占领的立陶宛已经过去了二十年，这一次回乡，她想要收回属于她家人的土地。维多利亚曾经的爱人洛马声称，他可以找到人脉帮忙收回土地。然而，当他们发现那里已被一户贫穷的俄罗斯家庭占据，他们陷入了对未来的思考。

这部纪录片使用BBC拍摄的素材，记录了苏联解体、俄罗斯资本主义和寡头的崛起，以及此事对俄罗斯社会各阶层的影响，最终导致普京上台。不同以往柯蒂斯的纪录片，这部片没有使用旁白或音乐，只通过屏幕上的字幕进行解说。