Father Conroy has a parish which serves the acting and performance community. When one of his parishioners gets too sick to work, his daughter Holly finds a job working for a dance club of questionable character, which is run by Tony Vincent. Vincent never made the big time, and Father Conroy tries to look after Holly.

Popular New York band leader Terry Rooney (Cagney) is offered a lucrative film contract out in Hollywood. Rooney and his soon-to-be wife pack up and head for California. Upon arriving, they meet Mr. Regan, the head of the studio, who believes that Rooney's true lack of desire for stardom is arrogance on the band leader's part. When his first film is huge success and a hit for the studio, Regan tries to hide the truth from Rooney. Feeling a need to get away from Hollywood, Rooney takes his wife on a South Seas honeymoon cruise, only to return to the real truth of his fame.

First occupied by the Soviets in 1939, then by the Nazis, and then by the Soviets again, Estonia lived through decades of terror. By the end of World War II, more than one-quarter of the population had been deported to Siberia, been executed, or had fled the country. Music sustained the Estonian people during those years, and was such a crucial part of their struggle for freedom that their successful bid for independence is known as the Singing Revolution. The Singing Revolution is the first film to tell this historically vital tale. “This is a story that has not been told outside Estonia,” said filmmaker James Tusty, who is of Estonian descent. “We felt it was time the rest of the world knew of the amazing events that happened here.” In 1999, Tusty and his wife and co-producer Maureen lived in Tallinn, Estonia, while teaching film production at an Estonian University. The experience sparked their interest in the Singing Revolution, and in 2001 they returned to Estonia to teach and also to begin the meticulous research that would anchor their documentary. To make the film, the Tustys interviewed more than forty movement leaders, Estonian statesmen, and average citizens. They also combed through archives around the world...unearthing rare, forgotten footage of life under Soviet rule. Four years in the making, The Singing Revolution is a moving, intensely human testament to the sustaining power of hope and the motivating strength of song. The film reflects the indomitable human drive for personal freedom, political independence, and self-determination. The Singing Revolution was produced by Mountain View Productions with Allfilm and Northern Light Productions, and in association with the U.S.-Baltic Foundation, The Estonian American National Council, and the Moving Picture Institute. The executive producers are Steve and Karla Jurvetson. The producers are the Tustys, Bestor Cram, Piret Tibbo-Hudgins, and Artur Talvik. The directors are the Tustys and Mike Majoros. The film was edited by Mike Majoros and written by Majoros and the Tustys.

翻拍自韩剧《百折不挠具海拉》，讲述一群年轻人的音乐追梦之旅，主要演员包括：黄明明Saint 、 Nara Thepnupha、Lay Talay、Fame Chawinroj 等等。

《歌唱韩国》节目组走访韩国各地，从城市到乡村，发掘藏在民间的歌唱高手和多才多艺的普通人，为他们提供展示才艺、代表家乡的机会。无论是年轻的创业青年，还是白发苍苍的长者，只要有才艺、有故事，都能站上《歌唱韩国》的舞台。 节目由资深主持人赵英九担任MC，他凭借亲切稳重的主持风格，将现场气氛引导得自然热烈。每期节目邀请当地主政官员、音乐人和知名歌手参与互动，同时设有“外景巡演”和“家乡特色宣传”环节，让观众不仅能欣赏歌唱比赛，还能近距离了解韩国各地的风土人情、饮食文化与历史底蕴。节目走进庆尚北道的历史名城高灵，与近千名居民同乐。在传统与现代融合的舞台上，展开了一场融合乡土情怀与才艺对决的音乐盛宴。节目还特别结合高灵郡的特产——草莓，策划了“即兴推广大使选拔赛”等互动游戏，增强了观众的参与感和地方的共鸣，成为一档真正“唱响家乡、连结国民”的共感综艺。

该剧讲述一个著名整形外科医生因卷入犯罪案件而坠入深渊，他开始追踪犯罪受害人整容手术真相的悬疑惊悚故事。 韩智贤在《look at me》中饰演直率，又有共鸣能力的重案组王牌刑警李敏亨一角。 李民基将饰演拥有完美外貌和实力的最佳整形外科医生车正宇一角。

索尔·胡洛克是二十世纪美国音乐舞台上最传奇的艺术经理人，他将夏里亚宾、帕甫洛娃、伊萨伊、阿什肯纳奇、奥伊斯特拉赫等数代伟大的音乐家和舞蹈家介绍给美国公众。该片根据胡洛克的传记拍摄，多位重量级艺术家在片中出演，如平扎饰演夏里亚宾、塔玛拉·托马诺娃饰演帕甫洛娃、伊扎克·斯特恩饰演伊萨伊。央视曾在９０年代播放过该片的译制版本，改名为《胡洛克的故事》。

铃兰小镇的麦小糖、棉花糖、薄荷组成甜心联盟，为守护音符花园用歌声传递快乐。男孩风小乐以吉他与创意默默助力，女孩们在实践中成长，用友谊与勇气打动居民，让花园重焕生机。

《裸男歌唱》（英文：Naked Boys Singing!），是一部改編自美國1998年3月19日公映，曾奪得五個托尼獎[1]，同名百老匯音樂劇的2007年歌舞片喜劇電影，此片特別之處是所有演員都會全裸演出，而且全為男性[2]。 故事以單元進行，各單元都為獨立故事，對白則以歌唱形式進行，內容大部分用滑稽方式描述男同性戀者生態，生活點滴，或諷刺時弊，探討禁忌，唯裸體之外，不涉色情[1][2]。 導演特洛伊·克里斯汀（Troy Christian）向大眾解釋電影涵意：「我希望《裸男歌唱》能令觀眾大開眼界和放開胸懷，裸體，不等於色情[3]。」 另外導演也想帶出人人平等的信息，十個演員代表老、少、胖、瘦、黃種人、黑人、白種人、拉丁美裔人等等，而部分故事，則為編劇親身經驗改編而成[3]。