一个女孩，打着学习的借口来到一个朋友家里。不知为何她的心情非常忐忑，她在朋友家看到的东西在她的脑子里有了别的意义和形象，这次拜访也在往她没有意料到的方向发展。

In a small town, a young, tight-knit group of friends fall in and out of love over the course of one intoxicating, music-filled summer night.

一堆年轻的男人光着身子，背上涂满了奶油，相互追逐，互相舔对方背后的奶油，以及其他一些身体上的可能性。整个过程是生猛、开心刺激和自然。这个片段我只是想单纯的表达快乐，和狂欢后的落寂。

这个故事贯穿了一个家庭中的三代女性。家谱的脉络汇聚在最年轻的成员——麦迪逊·福特身上，她有两位祖母和四位母亲。影片运用亲密的家庭视频、照片以及档案影像，共同讲述了她们的LGBTQ+故事。

科尔·弗里曼（Cole Freeman）在他的阿巴拉契亚乡村小镇上维持着一种不稳定的平衡，在照顾老人和体弱者的同时，向当地瘾君子出售过量的止痛药。但当一位老朋友带着颠覆他精心打造的脆弱平衡和身份的计划回来时，科尔被迫采取行动。

Set in a small West Virginia mining town nestled in the foothills of Appalachia, THE EVENING HOUR tells the story of a small-time drug dealer, Cole Freeman, who is driven to action and redemption in response to a set of unexpected circumstances that threaten to tear the close-knit fabric of family, friendship, land, and history that binds everyone, and everything, he loves.

暂无剧情简介

"The brooding, existentialist portraits of his classmates in We Are 17 clashed so much with Holland's postwar optimism that a counter-album, We Are Also 17, soon appeared. His early experimental films, like Paris a l'aube (Paris at dawn) (1957-60), a ten-minute sequence of long, static views of the city shot every morning at 4 A.M., were dismissed as "photographic," while those of the '70s, notably North-South Triptych (1972-74), were marginalized because of their radical politics (not to mention their experimental form). Increasingly complex works in recent years continue to defy received notions of film versus photography, documentary versus fiction, and public versus private art: Amsterdam Global Village (1996), for example, is a look at the postcolonial metropolis as a post-McLuhan mosaic. It begins with a colorful St. Nicholas festival on Amsterdam's canals, and circles village and globe for more than four hours before culminating in a polysexual fantasy filmed behind an august facade overlooking the same canals."

约翰（汉斯·沃那·麦耶 Hans Werner Meyer 饰）和妻子在同一所学校教书，两人相恋多年，共同育有一双儿女，感情和生活都十分稳定。某天，学校里新来了一位名叫汤姆（马蒂亚斯沃尔特 Matthias Walter 饰）的老师，让约翰没有想到的是，自己的小女儿竟然迷上了这位英俊的男子。 约翰想了千方百计，好不容易说服小女儿打消了对汤姆的念头，然而，没过多久，约翰便发现，自己竟然深深地迷恋上了汤姆。随着时间的推移，约翰发现自己对于汤姆的感情并没有简单，反而愈演愈烈，内心备受折磨的他向妻子坦承了自己心中的感情，不过，他非但没有获得妻子的理解，恰恰相反，辛苦维系多年的家庭走向了濒临破碎的边缘。

Jean Monier is a disillusioned lawyer, appointed to defend Nicolas Milik, a man accused of murdering his wife. While everything points to his guilt, Monier takes up the case, convinced of his innocence. As his investigations kept him back to the night of the murder and the family dynamics, he also gets closer to his client, adding to the pressure to defend him. What is such an ordinary case will put him to the test.