The Berger and Böttcher families come to Dorothea's finca on Lanzarote for a weekend trip. The mood is tense and escalates as various mysteries are revealed.

如何比伯格曼更具伯格曼风格：来自东德（DDR）的一课。当时的知名人士探讨婚姻问题，影片以朴素而优美的摄影呈现。这种奇异的荒凉感与典型东德电影那种往往既严苛又古怪但本质上积极健康的视角形成鲜明对比。事实上，导演兼编剧克劳斯·波舍（Klaus Poche）从他们那里……引来了不止是不满的皱眉。

Chaos reigns in Los Angeles when three criminals, led by a psychotic mastermind named McMasters, takes over a police station and threaten to kill everyone in it unless a large ransom is paid. FBI special agent Roger Kinkaid (Michael Pare') uses his extensive knowledge in a bid to outwit the criminals and save the hostages, but one question remains: even if they get their money, how can they possibly escape?

Closed Circuit is structured, in one sense, as a straightforward commercial thriller, with a series of mysterious and bloody murders and a wide variety of potential suspect, each with a secret to hide. Its location and the crimes commited, however, deal with the nature of film itself - from the pictures on the screen to the administration of the cinema - and specifically with film as both a projected illusion and as an audience's temporary reality. This central idea is ingeniously and diectly woven into the fabric of the film's story: a small audience file into the matinee in an Italian provincial town to watch a spaghetti western. Many of the audience are using the cinema as a refuge from an uncomfortable reality in the world outside an adukterous couple make a clandestine rendevous, a middle-aged homosexual attempts a furtive pick-up - but their escape, the film, the cinema, dramatically impinges upon their lives. The last reel is the classic Western shootout but as the gunman fires at the camera, a member of the audience slumps dead in his seat, a bullet hole in his chest. Chaos erupts, the police are called in, close the cinema and restage the crime. At exactly the same moment in the film, a second man dies.....

The first Russian emo-movie, Closed Spaces is a story about the newest generation of Russians. Having grown up in Russia's crazy 1990s, an era filled with constant and drastic change, these teenagers have no solid ground beneath their feet. They are trapped in a strange world in which their money-obsessed parents lead senseless lives and even kill each other. Vika is twenty years old. She has black fingernail polish, wears pink dresses, and is constantly depressed. While working at a pizza place, she gets an order for a pizza delivery from Venya, a strange twenty year old boy who lives all alone in a deserted apartment in the middle of Moscow. Venya suffers from agarophobia, the fear of open space. When Vika arrives Venya lets her in and locks the door behind her. The story begins.

春明回家帮邻居子聪开门，两个熟悉的陌生人展开一场对话。

有一天，高速公路突然宣布，从下午六点开始全线封闭，几十万辆车就这样塞在大大小小的公路上。从来不知责任的小玉，为了一个麻将牌局偷车赴约，并打算拿车上的行动电话消遣车主，在彼此看不到，只能听见的相处中，两人从敌封到了解，小玉和车主透过电话里的声音经历了一段不寻常的恋情。一个来路不明的年青杀手，为执行抢击任务校持了一部货运卡车，司机与杀手这一老一少在长夜里由冲突到和谐谅解，终于杀手自己找到他该有的平静。罗立通，刚被政府官员解雇的座车司机，在极度不满的情绪下盗开官员座车上了高速公路。他沿路狂飙不为什么，只为追求一种活的有意义与尊严的感觉。

一群无忧无虑、沉迷电脑射击游戏的人，闯入了一个正在研发军事行动模拟器的私人实验室。进入实验室后，他们惊觉自己置身于一个与现实别无二致的世界。这群人设法进入了开发商尚未完工的“封闭关卡”，该关卡以 1942 年被纳粹占领的白俄罗斯为蓝本。在那里，他们面对的不再是虚拟的电脑战争，而是一场真实的战争。

Liliana (35), a poor girl who cannot adapt and find a job despite her university degree, lives at the expense of her blind uncle, together with her parents and sister. She has been a passionate fan of a famous Yugoslav musician since childhood, when she dreamed of meeting him for the first time. As Liliana grew up, this passion transformed into an obsession that took control of her life, constantly isolating her from other people. At one of the concerts held in her home town, Liliana tries to break through the crowd and instead of an autograph she gets a strong blow to her back, almost paralyzing her. In hospital, while browsing the internet, she finds out that that the musician’s health blossoms and that his love life is good, so she angrily curses him - if they can’t be bound by love, then he must experience the pain that she feels. Her connection with the musician seems to be stronger than her parents think, because she soon reads in the newspaper that the musician fell from a tree and had to undergo back surgery, associating his misfortune with the spells and curses she directed at him. Feeling responsible for what happened to the love of her life, Liliana tries to find a way to ask for his forgiveness, writing to his acquaintances on the internet, desperately seeking to connect to the musician, but no one wants to help her, considering her to be insane. The only person willing to help her in the attempt to contact the musician is Vera, a pop singer who collaborated with the musician in the past. Vera advises her to use her literary talent and write a book about her life to stand out from the endless group of fans. However, Liliana is unable to write a light and popular read with a message that everyone will be able to identify with, and disturbing details from her past, related to rape and attempted suicide, spring from her novel. Horrified by the things Liliana writes about, Vera forces her to throw out all the painful episodes from the book, under the pretext that nobody wants a sad woman as a partner. Convinced that she knows the recipe for success, Vera persistently tries to change Liliana according to her pattern, but the model of the artist-starlet with a promiscuous past does not seem appropriate for a girl with a lifetime bound by religious principles. Vera is hesitant about the reality that Liliana tries to process through her book because she recognises herself in Liliana’s tragic story and problems, which Liliana begins to realise when she discovers Vera’s past and experiences. The relationship of the two women, based on sincere compassion, becomes an increasingly violent game of power, a struggle to impose an identity that Vera skillfully hides behind her mask. Because of the feeling that this whole time Vera has led her into debauchery, Liliana’s hatred towards her becomes so strong that she wishes to curse her.

Don't bring demands here, you'll be sorely disappointed, The Enclosed Valley doesn't offer any instant gratification. There's no explicit narrative or story structure, it's burden-free; immortal. Allows you to just wander. The curiosity of being a child again, taking in your surroundings as if for the first time, yet the patience allotted with adulthood to veer past the obvious. And like a child, time stands still. It either registers or doesn't, there's no in-between. Nothing to debate or overanalyze. It has a rhythm if you're willing to dance.