年轻窃贼误闯老人家，发现屋内竟供奉着一尊藏着其亡妻遗体的石膏雕像。老人多年以此寄托思念，唯一心愿是自己与爱妻一同埋葬在遥远荒漠，竟自言「爆格唔紧要，最紧要预『埋』我」！原先只想闯空门的窃贼，却闯进一场看似荒诞却深情的告别之旅.…..越南新锐导演多年前读到相关报道，念念不忘，决心拍出这段爱的故事。电影借鉴默片与西部片美学，以独特圆形画幅及精准构图，塑造出强烈视觉风格，与辽阔沙漠形成鲜明对比，在黑色幽默与荒凉孤寂中不失温柔诗意。

苏淼怀孕七月时，江程佑带她参加同学聚会，却冷落她而与旧情人杨雪亲近。杨雪趁机让苏淼喝下烈酒，致其胎儿损伤，失去了孩子。苏淼曾是京大校花，被江程佑的坚持追求打动，放弃回家机会与他共闯。但杨雪回国后，江程佑态度大变，对苏淼冷淡甚至厌恶。苏淼失望透顶，选择放弃这段感情。江程佑后悔不已，祈求原谅，但苏淼决心过自己的生活，追求自我价值，始终未原谅他。

秦文音倾心相伴丈夫六年，默默操持家事隐忍度日。地震之中秦文音痛失爱子，丈夫却只顾徒弟屡次伤她心意。长久心寒之下，她看淡过往情意，毅然放下这段感情决然离开。丈夫后来幡然醒悟，看清所有是非对错满心悔恨，一心想要弥补挽回。奈何情意早已散尽，秦文音走出伤痛遇见暖心良人，开启安稳幸福的新生活。

苏淼怀孕七个月的时候，江程佑逼她陪自己参加同学聚会，在所有人都玩闹的时候，江程佑把苏淼遗忘在角落，却和曾经的白月光杨雪打得火热。甚至在白月光输了游戏要喝酒的时候，江程佑却说杨雪对酒精过敏，让苏淼为杨雪挡酒，被拒绝后竟恼羞成怒强行给苏淼灌酒。但是江程佑不知，啤酒被杨雪偷偷换成了高浓度烈酒。最终苏淼怀有七个月的孩子酒精脑损伤，不得不引产。曾经的苏淼是京大最优秀的校花，追求者无数，却从未对任何人心动，直到江程佑对苏淼坚持不懈持之以恒的追求，苏淼被打动，选择和江程佑在一起，甚至为了江程佑，毕业后放弃回家的机会，和江程佑两个人从零开始闯荡。曾经的苏淼，对江程佑感情真挚，江程对苏淼也是无微不至关心、呵护、心疼。但是当江程佑的白月光杨雪再次回国，一切都变了，江程佑逐渐变得没有耐心，忽冷忽热，甚至认为苏淼越发无理取闹，黄脸婆。苏淼才对这段感情彻底失望，选择了放弃，可江程佑也终于后悔，一直祈求苏淼的原谅。但直到最后，苏淼始终没有原谅江程佑，而是选择了过自己的生活，实现自己的人生价值。

Captain Maurice de Florimont, a French Army intelligence officer, is captured by Arab nationalists while on an espionage mission. His sweetheart Diane Duval is also taken prisoner. Both are tortured by Kassim Ben Ali, leader of the Arab nationalists, but they refuse to divulge any information. They are finally rescued by French troops who storm the fortress and kill Kassim.

A poignant yet understated film which focuses on the everyday hardships of an isolated Iranian community on the border with Afghanistan, Delbaran centres on the story of a 14-year Afghan refugee working in a truck stop in the 'town' which gives its name to the film. The film is unusual in having very little dialogue and offers nothing by way of explanation of the wider context of war and cross-border migration which forms the backdrop to the events that are portrayed. The characters in the film are all too aware of the conflict and the sounds of automatic weapons are always within earshot, but they are so much an accepted part of their lives that they feel no need to comment on them. And that is one of the strengths of the film that makes it so compelling a portrait of life in this remote community. At one level, very little seems to go on in the film which has the feel of a documentary without a voiceover. In fact, a lot happens off camera, as revealed by indirect images and sounds, but the main emphasis of the film is the extraordinary yet humdrum nature of life in a marginalized community. The film has a distinctive look and feel, with an emphasis on images, movement and sound, and, although one would be hard pressed to identify a conventional narrative structure or message, there are aspects that resonate in the mind long after watching it. A recurring image is of three or even four men riding a single motorbike back and forth along a dusty mountain road. An especially poignant moment in a film in which the hardships of life mean that the characters hardly ever show great emotion, is when the central character of the 14-year old boy, Kaim, is offered medical help for an ear infection: his smile lights up the screen at this small act of human kindness. Highly recommended.

Goff in the Desert presents 62 buildings from the American architect Bruce Goff (1904-1982) – from the smallest cottage to an impressive museum pavilion – and is the only cinematographic collection of almost all of his buildings still in existence. Bruce Goff is considered to be one of the ”greatest unknowns“ of American architecture. As a determined experimenter, his works and designs were often in significant contrast to the ”International Style“ movement.

艾娃（黛西·雷德利 饰）是一名绝望的妇女，她的丈夫在一次灾难性军事实验后失踪，她加入了一个“尸体搜寻小组”，但当她埋葬的尸体开始出现生命迹象时，她的搜寻工作发生了令人毛骨悚然的转变。

艾娃（黛西·雷德利 饰）是一位陷入绝望的女性，她的丈夫在一场灾难性的军事实验后失踪了。之后，她加入了一个“尸体搜寻小组”。然而，当她埋葬的尸体开始显现出生命迹象时，她的搜寻工作发生了毛骨悚然的转变。

本片是西班牙超现实主义电影大师路易斯·布努艾尔的“宗教三部曲”之一。苦行僧西蒙（克劳迪奥·布鲁克 Claudio Brook 饰）为了靠近上帝，来到人烟稀少的沙漠地带，不顾自己母亲（Hortensia Santoveña 饰）的乞求，站到柱子顶端日夜祈祷赎罪。当地民众感谢西蒙的虔诚，特意建了一个更高的柱子送给他。很多民众听说了西蒙的神迹，不远千里赶来向他祈求帮助，一位被截去双手的农民（Enrique del Castillo 饰）果然见证奇迹，双手重生。魔鬼（比那尔·希尔维亚 Silvia Pinal 饰）化作各种形象诱惑西蒙、侮辱他、冤枉他，甚至将他带去了罪恶丛生的大城市，考验他的意志…… 本片被提名1965年威尼斯电影节金狮奖，并获评审团大奖及国际影评人费西比奖。