After unhitching her camper at a lakeside in the mountains, Faye finds her rhythm cooking meals, retrieving crawfish from a trap, and scanning her old box radio for a station. She looks expectantly at the approach of a car or the mailman, explaining to neighboring campers that she’s waiting for a childhood sweetheart she hasn’t seen in decades. When he does arrive, Lito and Faye, both widowed, spend an evening reminiscing about their lives, losses, and loneliness. 　　A whimsical romance, Max Walker-Silverman’s captivating debut feature shows an "American West" full of quietude, compassion, and introspection. It’s both naturalistic and vaguely surreal, blurring our sense of time and beauty, loss and vivacity, the grandiose natural world and intimate humanism. Career performances from Dale Dickey and Wes Studi bring an inescapable presence to people we don’t often see portrayed on film. They are gentle outliers possessed of resilience and existential spirit, seeking to process something elusive: a feeling of love for what’s no longer there. Like Faye turning her radio dial, they listen hopefully for the faint trace of a song.

歌曲改编电影依然没完没了，继《小苹果》《栀子花开》《一生有你》《睡在我上铺的兄弟》《她来听我的演唱会之后》，苏打绿的《小情歌》也要被搬上大银幕，影片由合一影业出品。 最开始很多人都怀疑，和电影不相干的歌曲能拿来拍成电影吗？但《同桌的你》以4亿多的票房以小搏大，如今看来，歌曲改编电影只是基于一个品牌基础而衍生出来的电影再创作，这两年已有不少先例。而被选中改编电影的这些歌，很多都对80后90后观众影响非常大。而爱情主题与校园主题本身，也让这些热门歌曲成为了最适合改编成电影的IP。