此纪录片介绍了传奇版画大师埃舍尔的一生。从他最初的意大利风光版画到后期风格怪异常常带有视觉悖论和循环及平面镶嵌图案的版画，展现了埃舍尔一生对世界的思考。他并不是一个数学家，甚至厌恶别人称他为数学家。他只是一个图形艺术家，试图描绘秩序和混乱之间的对比。 　　本片除了收录了埃舍 尔著名的画作，还有非常珍贵的画作草稿和采访录像，记录了埃舍尔工作的情景。最为特别的是整个纪录片以埃舍尔的日记为轴线，以埃舍尔自己的视角重新回顾了他的人生。让人撇开他那些传世作品，从另一个侧面了解了埃舍尔不为人知的一面。

A woman, married to an artist, starts a relationship with one of her students, who has already has a mistress of his own. The two rivals meet and come to an understanding. Paul Verhoeven’s student film debut is viewed as a mixture of the styles of Alfred Hitchcock and Ingmar Bergman.

北大微电影

一个看起来呆头呆脑的男孩（Fernando Garcia Marin 饰）正被母亲（Guadalupe Del Toro 饰）责骂，原来他刚刚弄砸了几何考试，母亲无情的奚落让他无地自容。暴风雨过后，母亲倚靠在客厅观看电视里播放的恐怖片，男孩则默默走入自己的房间。他找出一 本古老的咒语书，上面记载了召唤魔鬼并实现愿望的方法：即用自己的鲜血划出五星图案，站在五星中以防魔鬼加害，然后向魔鬼提出要求。男孩照此行事，然而却犯了一个致命的错误…… 　　本片为西班牙导演吉尔莫·德尔·托罗（Guillermo del Toro）学生时代的短片作品，该片拍摄于1987年，而直至2010年才算最终完成。片中母亲的扮演者则由吉尔莫现实中的母亲来担任。

Primal Matter, the entire work in seventeen minutes, is a condensed cinematic summary of Dimitris Papaioannou’s original production, Primal Matter, presented in 2013 at the Athens Festival. Originally spanning one hour and fifteen minutes, this live performance featured Dimitris Papaioannou and Michalis Theophanous and was filmed by Stefanos Sitaras and edited by Dimitris Papaioannou. Primal Matter is Dimitris Papaioannou’s personal response to a new political, social, and ethical reality, where issues of national identity are re-interpreted. The challenge that lies ahead is how to face a wounded national identity, the trauma continues, but so does the resistance of creativity. Papaioannou employs the simplest means, the body itself. Primal Matter offers a universal language of decoding, and a shortcut to the truth – the fusion of the two bodies through optical illusions is a fusion of attitudes, of identities and a struggle between the matter and the mind, the shadow and the light, the creator and its creation. (源自: TIDF 2024)

《立体几何》描写一个男人根据其怪僻的数学家祖父在日记中遗留的指示，用一种近乎拓扑学中的变形方法让夫人消失。 　　原著来自于伊恩·麦克尤恩22岁处女作，短篇小说集《最初的爱情，最后的仪式》。

《麦咭安全启蒙》是一部以麦咭、叽哩咕噜、暴暴牙等人气动漫角色为主角的系列安全教育动画。作品以儿童日常生活为切入点，通过一个个充满趣味与惊险的小故事，讲述孩子们在日常生活中可能遇到的各种安全隐患，让儿童在笑声与故事中完成“安全意识启蒙”。

Yon and Payola find themselves in a Victorian conservatory. They are companionable, disoriented and petulant––they whip wildly through these disembodied states. Payola reads an excerpt of their considerable tome on the age of enlightenment to Yon. Payola's research, and presentation of this research, is a purposeful affront to empirical data, the scientific method and other enlightenment ideals, while reveling in the desire for the revolution and intellectual expansion those thinkers championed. The concepts are undermined by the form and register of their delivery OR the concepts are strengthened by the poetry through which they are presented.

东汉末年，张角率领黄巾军攻占皇宫，抢走玉玺。天子发怒，号令天下诸侯，赶赴洛阳讨伐张角。董卓、曹操、孙坚、刘备率军包围黄巾军，张角孤掌难鸣命悬一线之际，奋起 用尽全身之力施展巫术，只见风云骤变，天昏地暗，张角尖利的嚎叫响彻耳边：“我要把你们变成玩具，永远听我的话！”阴云退散，众人皆变成小孩模样，玉玺也下落不明。玉玺散落，天下大乱，得玉玺者得天下。变作小小少年的他们是否还能还天下一个太平？历史的车轮滚滚向前，他们是要重复千百年前的杀戮纷争？还是会在这崎岖不平的路上遇见不同的自己，打开新世界？