シリーズ　エネルギーの奔流 　　第１回 　　膨張する欲望 　　資源は足りるのか 　　「あと数十年で枯渇する」と言われてきた化石燃料。ところが今、アメリカの“シェール革命”に続いて世界各地で新たな技術が導入され、大増産の時代を迎えようとしている。超深海の石油掘削に乗り出したブラジル。「オイルサンド」からの原油抽出に成功し、世界有数の産油国に変貌したカナダ。こうした新たな化石燃料は、爆発的に需要が拡大する新興国が消費する。一方、原発建設も加速している。サウジアラビアやアラブ首長国連邦などの産油国は経済発展に伴い国内の電力需要が増加。原子力でそれを賄おうとしている。また少ない負担で原発を導入できる新たなビジネスの仕組みが誕生し、資金に余裕のない新興国も原発の建設に乗り出している。想像を超える新興国のエネルギー消費と世界各地のエネルギー開発の現場を取材し、地球規模で加速するエネルギーの奔流を描き出す。http://www.nhk.or.jp/special/detail/2014/0524/ 　　————————————————————————————————————— 　　シリーズ　エネルギーの奔流 　　第２回 　　欲望の代償 　　破局は避けられるか 　　後編ではエネルギー開発によって翻弄される地球環境の実態や対策の最前線に迫る。去年、石炭が半世紀ぶりに世界のエネルギー消費の首位に返り咲き、ＣＯ２排出量は過去最大を更新した。対策の切り札としてＣＯ２を地中深く埋めるＣＣＳが開発されたが、課題も多い。また、温室効果ガスを出さない原発は、ほとんどの国が使用済み核燃料の処分に行き詰まっている。そこに登場したのが地球のどこかに世界各国が共同の最終処分場を確保する巨大ビジネス。それが新たな不安を引き起こしている。このままエネルギー消費の膨張を続けると、地球はどうなるのか。経済発展と地球環境の維持を両立させる術はあるのか。世界の専門家の声に耳を傾け、エネルギーとどう向き合うのかを問い直す。http://www.nhk.or.jp/special/detail/2014/0525/

由一宗命案牵扯出的金融大案，表面风光的能源公司——绿能公司，是否真的在能源领域有着核心科技呢？还是说，这一切只是为了圈钱编造的谎言？看金融警察麦子和他的搭档阿尔夫如何智斗公司总裁，将金融犯罪分子绳之以法。

能源不仅关系国家安全，更关系经济和民生，是拉动经济发展的重要引擎。顺势而为、乘势而上，以更大力度推动中国新能源高质量发展，为中国式现代化建设提供安全可靠的能源保障，能源浪潮正在到来。

这部电影讲述两位能源先锋的革命性创意，并呈现这两种创意延续数年的实现过程。瑞士苏黎世联邦理工学院教授汉斯乔格·雷博古特发明了一种新型保暖系统，美国企业家詹姆斯·恩里克希望重新定义城市生活。他们的身边不乏年轻的追随者，同样饱含激情，只为实现共同的愿景。这部电影探讨如何面对困难和危机，如何迸发出创意的力量。

Record high oil prices, global warming, and an insatiable demand for energy: these issues will be the catalyst for heated debates and positive change for many years to come. 2008 Sundance award-winning film FUEL exposes shocking connections between the auto industry, the oil industry and the government, while exploring alternative energies such as solar, wind, electricity and non-food-based biofuels. Josh Tickell and his Veggie Van take us on the road as we discover the pros and cons of biofuels, how America’s addiction to oil is destroying the U.S. economy and how green energy can save us, but only if we act now.

2015年麦克辛出演的短片《Barbados》。一个平静的社区，一个悠闲的周日午餐时光，警察悄然而至，妈妈打开房门询问之时，父亲David向儿子Gary袒露了一个深藏的秘密……

聚焦未成年人司法保护，讲述了未成年人检察小组初创，检察官林之桃与助理检察员白恩宇，为了孩子们，携手对抗人性之恶的故事。 　　始于悬念，终于救赎；拨开迷惘，山止川行。

伊尼奥和罗莎是一对新婚夫妇，没想到他们结婚才几个月，西班牙内战爆发。伊尼奥作为亲共分子被弗朗哥独裁政府抓捕，在被押解的路上，伊尼奥想办法逃回了家中。为躲避再一次被捕，伊尼奥在罗莎的帮助下，藏身于自家的地洞里长达30年。

The story opens in Balochistan, in a small, scarcely ‘wired’ village bordering Iran and Afghanistan. Ahmad is an idealistic teacher in exile, educating the local community; his partner Haseeba, however, has spent time in jail in Tehran for the very same offence against the State. The disaccord between them is not only social but also personal. Ahmad's destiny collides with that of a family fleeing the Taliban; soon the intricate divisions of age and gender within that group will trigger other problems and entanglements – including a 'lovers on the run' intrigue that fleetingly recalls Murnau's classic Tabu (1931). 　　Across all the arresting, shifting peripeteia of its plot, Abbas Amini's film deftly dramatises the complicated question of commitment: do we commit ourselves to a political cause, a set of religious beliefs, or a person? And how do we negotiate the commitments of others, even those closest to us, when they are based on a very different value system? 　　With its sparse music score, densely naturalistic acting and unostentatious camera work, Endless Borders is almost a minimalistic suspense thriller (with Hitchcockian overtones), combined with a heated family melodrama – but it never loses sight of the serious and extremely timely issues that it raises. 　　源自：https://iffr.com/en/iffr/2023/films/endless-borders

The story opens in Balochistan, in a small, scarcely ‘wired’ village bordering Iran and Afghanistan. Ahmad is an idealistic teacher in exile, educating the local community; his partner Haseeba, however, has spent time in jail in Tehran for the very same offence against the State. The disaccord between them is not only social but also personal. Ahmad's destiny collides with that of a family fleeing the Taliban; soon the intricate divisions of age and gender within that group will trigger other problems and entanglements – including a 'lovers on the run' intrigue that fleetingly recalls Murnau's classic Tabu (1931). 　　Across all the arresting, shifting peripeteia of its plot, Abbas Amini's film deftly dramatises the complicated question of commitment: do we commit ourselves to a political cause, a set of religious beliefs, or a person? And how do we negotiate the commitments of others, even those closest to us, when they are based on a very different value system? 　　With its sparse music score, densely naturalistic acting and unostentatious camera work, Endless Borders is almost a minimalistic suspense thriller (with Hitchcockian overtones), combined with a heated family melodrama – but it never loses sight of the serious and extremely timely issues that it raises. 　　源自：https://iffr.com/en/iffr/2023/films/endless-borders