一觉竟跨越十八年。当年她捡回、亲手照料的五个落魄孩童，如今已是商界、传媒、航运、安防、医疗五大领域的顶尖大佬。多年浮沉，五位哥哥身负煞气，深陷重重危机。小岁岁背上五只旧饭碗，揣着仅有的十二块钱，迈着短短的小脚丫下山寻亲。她凭着旧日羁绊，奔赴都市，决心守护她捡回来的哥哥们。

被迫替姐参加选妃的江清月，只想找个地方倒头大睡。当着满朝文武和暴躁君王的面，她坦白自己唯一的“特长”就是睡觉。本以为是必死之局，谁知长期为失眠所困的皇帝陆景竟将她册封为“梦贵人”，让她成为自己专属的“人形安眠药”。她不争不抢，只想安稳补觉，却因这份独一无二的恩宠，成为后宫众矢之的，引来贵妃的忌恨与刁难。一场只想“躺平”的咸鱼入宫记，就此在啼笑皆非的宫斗漩涡中展开。

本是宗门天赋异禀的少年，意外觉醒特殊修炼系统，需以睡碎剑骨、重塑凡胎为代价觉醒神体。他甘愿蛰伏后山三年，沦为众人眼中的废人，受尽嘲讽与排挤，连昔日婚约者也与他划清界限。 系统大成之日，他遭人恶意诬陷，展露惊天实力揭穿阴谋。得知一直默默守护他的善良侍女被邪恶势力掳走欲行献祭，他毅然踏上营救之路，挫败反派阴谋，最终改写天地法则，与侍女相守，将平凡之地化为仙宫，诠释了坚守本心、善恶终有报的真谛。

展意昏睡二十年醒来，身体却永远停在27岁。曾嫌她“老”的男神老公已近五十，当年装清纯的情敌也成了中年女人。看透渣男真面目后，她不再卑微纠缠，潇洒离婚，重拾失传制瓷绝技，夺回被情敌偷走二十年的大师之名。收小鲜肉徒弟、追回挚友闺蜜、让假大师全网翻车，前夫直到失去一切才追悔莫及——这一世，展意她不抢男人，只要事业、自由和巅峰人生！

昏睡二十年的展意苏醒，容颜定格在二十七岁。昔日嫌弃她的男神丈夫已步入中年，情敌也不再年轻。看清二人真面目后，她果断离婚，重拾失传制瓷技艺，夺回被偷走二十年的大师名号。她收下年轻徒弟，寻回挚友，揭穿情敌的骗局使其身败名裂。前夫悔不当初，而展意奔赴属于自己的事业巅峰。

Teenagers can be experts at talking circles around what’s really on their minds. It is usually the weighted spaces between those words that speak volumes, as they do in "A Kiss In The Snow". Mosvold’s young characters pull the common teen angst of sexual awakening into the much less familiar territory of same-sex attraction.

两年前，威廉做出了一个影响他一生的错误决定。现在，一名杀手在他的家乡逍遥法外，而他的朋友圈与他渐行渐远，威廉孤独地面对着他最大的恐惧——死亡。

两年前，威廉·兰斯顿犯下了一个将影响他人生轨迹的错误。如今，他家乡有一名杀手在逃，他的朋友圈子也在一个接一个地瓦解，威廉不仅要直面自己内心最深处的恐惧，还要正视自己终将逝去的命运。

“My Day Inside the Cage” was my graduation assignment filmed in an abandoned coal mine in Hebei, China. The protagonist is a monkey kept in a cage by his master. She can't speak, but we can understand her wailing. She won't resist. She just swings her body in the cage so that she seems to have something to do. And close, like you and me, very day and night to her is like this one day, from her life to death.

This Portuguese drama examines the daily life minutiae and intrigues of two scions of society in the rural village where they live. One is a wealthy landowner, the other a widowed aristocrat who lives in a world of her own. "Starting off from a fine novel by Carlos de Oliveira, Fernando Lopes doesn't so mush reconstitute a story, but rather defines an atmosphere parallel to that which exists in the literary work. The erosion of time, the crumbling of an epoch, the decline of a stately home, the disintegration of emotions: the film version of A Bee in the Rain talks about all these things, using a language that is sparse and unpolished, fascinating and at the same time repulsive in its disturbing silence"