大漠孤女伊伊为完成嘱托，伪装孕妇跨越千里奔赴长安递送书信，途中却被将军误认成细作押解回京。机缘巧合之下，她走入少年帝王萧予安的世界，将一封封存六载的家书递交到他手中。为完成公主的遗愿，伊伊选择留在京城绘制漠北疆域地图。在波诡云谲的朝堂纷争与风沙肆虐的远行路上，二人从互相猜忌试探，慢慢走向生死相托。外敌兵临城下之时，她以身设局引开敌军；当帝王许下一生一世的诺言，漂泊无依的她终于寻到属于自己的归处，完成一场跨越山河的千里奔赴。

裴晏舟为圆年少遗憾，私将儿女许配给白月光温初雪的子女，致儿女深陷困境。正妻姜岁宁不愿儿女被牺牲，不与裴晏舟争执，转而与温初雪周旋，以和离书为筹码，巧设圈套调换喜帖，化解儿女婚约，最终摆脱错位婚姻，护儿女得偿所愿，自己也挣脱桎梏，重拾自在。

她以为自己只是在暗恋，没想到等来蓄谋已久的汹涌爱意；她以为是替师傅下山办事，没想到卷入一场朝堂纷争；她以为偶遇的少年是弱者，没想到带她去到了最强大的地方。江湖和朝堂，权利和亲情，纷争从哪里开始，也必然会在哪里结束。

现代少女穿越为民国阮家大小姐阮南蘅，知晓众人宿命，仍慷慨资助退婚的未婚夫冯沛卿奔赴家国战场。她执笔从文记录乱世岁月，坚守约定与他乱世定情。最终山河凯旋，英雄未归，她以白纱作嫁，成就一场悲壮纯粹的乱世爱恋。

Lindsey Vickers, who scripts and directs this enigmatic film, offers a viewer just enough information to raise questions, at the same time presenting enough plums in the pudding to warrant an alert audience wishing for answers in return, but providentially style triumphs over substance. Vickers constructs an unquestionably suspenseful tale of predestination that revolves about a talented young violinist who manifestly possesses significant preternatural powers, more than sufficient to drastically affect those about her. Action opens with a three year flashback scene as we view a 12 year old girl carrying her casebound violin while walking from her school toward her home, traversing a secluded coppice, Crombie Wood, wherein she is suddenly seized (in a highly eerie scene) by a baleful force that slaughters her. Three years after, Joanne Cameron (Samantha Weysom), a 14 year old student at the same school, and also a violinist of a high order, is seen approaching a now abandoned Crombie Wood (fenced to discourage any who might otherwise trudge through it) where she speaks at the barrier to someone or something unseen just within the enclosure. Joanne's affection for her father Ian (Edward Woodward) is obsessive, and when he cannot attend her solo examination recital because of a business appointment, the child's paranormal facility is apparently utilized in the service of evil, thereby raising nocturnal havoc with Ian and Joanne's mother Dianna (Jane Merrow), as the married pair have nightmares in union that share numerous dire elements. In the morning following the tandem bad dreams, Ian drives to his business appointment in a loaned automobile, as his is being serviced, and it is soon apparent that vital auto related components from within the nightmare are being enacted during the light of day, and a powerful perception of upcoming danger is fashioned through the script. It is this premonition of dread that securely establishes the tension marking the film from its opening scene, a viewer wondering specifically how, or if, Ian will be victimized consonant with the display of frightful events that comprised a large portion of the mentioned dreams. Well-wrought and intense domestically flavoured episodes mingle congruent with scenes of suspense, according credible shape to the whole. Helping to nourish a viewer's interest are nicely conceived passages showcasing visual and aural synchronicity, based for the largest part upon the dream sequences, while a gripping atonal score by Trevor Jones and resourceful camerawork from Brian West provide intensive underpinning to a film that never retreats away from the plotline perception of Vickers. Especial note shall be made of a solo car crash occurrence that is shot and edited in a highly persuasive manner. Acting honours are to the expressive Merrow for her turn as a decisive pivot between her husband and daughter. Filmed to a large extent within scenic Snowdonia National Park of North Wales, this undervalued film had but infrequent theatrical showings before being released to video and has not since emerged in a DVD format. http://www.amazon.com/review/R2ZAX94P5JAV07/ref=cm_cr_rdp_perm

Dutch painter Jan-Van Rooyer hurries to keep a rendezvous with Jacquleine Cousteau, an elegant, sophisticated Frenchwoman, slightly his elder, whose relationship with him had turned from art student into one of love trysts. He arrives and is confronted by Detective Police Inspector Morgan who accuses him of having murdered Jacqueline. Morgan listens sceptically to the dazed denials of Van-Rooyen as he tells the story of his relationship with the murdered woman. Morgan, after hearing the story, realizes that the mystery has deepened and it becomes more complicated when the Assistant Commissioner, Sir Brian Lewis, explains that Jacqueline was not married but was being kept by Sir Howard Fenton, a high-ranking diplomat whose names must be kept out of the case.

婚礼策划师唐糖与孤僻外婆沈月琴争执后，持旧相册误入末班地铁，穿越成1988年外婆的闺蜜。为保住存在，她撮合外婆与真外公贺国梁，反致全家福褪色、险些消失。原来外婆曾被同事冒名顶替作品、截走进修通知，误会贺国梁毁其梦想。唐糖助其揭穿真相，却在外婆选追梦时坠入错位时空。她隔空喊话，沈月琴终悟爱与勇气的真谛，选择梦想亦选贺国梁。归来后祖孙和解，共办工作室，重拾岁月掩埋的热爱。

暂无剧情简介

生日那天，我被混混拖进小巷凌辱，从此患上严重应激障碍，惧怕所有陌生人。妈妈为给我治病，日夜打三份工，却在深夜遭遇车祸离世。哥哥辍学撑起整个家，温柔告诉我会永远保护我。我以为自己被爱意包裹，直到哥哥的朋友来访，我恐惧失控尖叫。哥哥积压的情绪彻底爆发，红着眼怒骂我拖垮全家，甚至让我去死。看着哥哥冲进雨中的背影，我心如死灰，默默决定：再也不会拖累他了。

陈婷意外绑定时空小卖部系统，穿越到战争年代，竟救下了饿晕的年轻战士刘卫国，发现他正是自己被误解为 “负心汉” 的外公。她利用系统物资，为外公和战友们提供食物、衣物与药品，助他们躲过雪崩危机，还帮外公传递了给外婆的家书，解开多年误会。尽管陈婷多次尝试改变外公战死的命运，却始终无法违背历史洪流。最终，刘卫国为掩护大部队壮烈亖亡，陈婷带着外公的遗愿回到现代。她追寻外公的牺牲痕迹，为烈士们立碑、整理事迹，让这段被遗忘的英雄往事被铭记，也在铭记与传承中，完成了对先辈的告慰与自我成长