Crack-Up is directed by Irving Reis and collectively written by John Paxton, Ben Bengal and Ray Spencer from Fredric Brown's story Madman's Holiday. It stars Pat O'Brien, Claire Trevor, Herbert Marshall, Ray Collins, Wallace Ford and Dean Harens. Music is by Leigh Harline and cinematography by Robert De Grasse. Art curator George Steele (O'Brien) believes he has been in a train crash, but he's told that no such crash has occurred. Is he cracking up, or the victim of something sinister? I'm not trusting anyone this week. Out of RKO, Crack-Up is an above average film noir that is apparently under seen. It thrusts George Steele on a crusade to prove he is not losing his mind and on his way to residency at Bellevue Psychiatric Hospital. As he trawls around the city with a foggy head, his thoughts still remembering his service in WWII, he tosses off sarcastic quips and evades tricky situations with guile and ingenuity. Who can he trust though? If anybody? I'm outta my head. I drive around in cars picking up psychopathic killers. His journey encompasses a number of locations that are expertly born out for noirish purpose. Smokey steam train, dimly lighted station, a ship of many murky corners, the harbour as well, a penny arcade and of course many damp streets at night that are ripe for conversations; both hushed and threatening. With Reis (The Gay Falcon) and De Grasse (The Body Snatcher) using chiaroscuro effects, the atmosphere is suitably eerie, dovetailing perfectly with George's psychologically paranoid funk. About as smart as cutting my throat to get some fresh air! Set to the backdrop of the art world, the narrative has an opinion on art styles and snobbery while wrapping the plot around the crooked line of forgeries. It's not wholly successful for dramatic worth or intrigue, and in fact the visual presentation and very good performances of O'Brien and Trevor deserve a more cohesive story and a motive revelation of the crimes considerably stronger in substance. However, with its technical attributes most positive, some very well constructed scenes (the train crash sequence is excellent) and noir staples in place (amnesia, shady characters, sleuthing for truth et al), Crack-Up is well worth checking out.

女演员佩帕（卡门·莫拉 Carmen Maura 饰）得知自己怀有身孕，但是她的喜悦并未持续多久，因为她的情人伊万（Fernando Guillén 饰）突然失踪。佩帕想尽办法联系伊万，但最终一无所获，这令她歇斯底里，痛苦难耐。而就在这时，伊万的老婆露西娅（Juliet a Serrano 饰）又找上门来大找麻烦。不久，佩帕的好友坎德拉（María Barranco 饰）也因惧怕警察拘捕而寻求避难。一群精神濒临崩溃的女人凑在一起，上演令人唏嘘的悲喜剧…… 本片入围1988年威尼斯电影节主竞赛单元，最终获得最佳剧本奖；1988年欧洲电影节最佳青年作品和最佳女演员奖；1988年纽约影评人协会最佳外语片奖；1989年歌雅奖最佳女主角（Carmen Maura）、最佳剪辑、最佳剧本和最佳女配角奖（María Barranco）。

Seven men, all city-dwellers aged between 17 and 70, with nothing in common apart from the fact that they are all on the verge of a nervous breakdown, meet up at a lonely station for an unusual course in the wild that is supposed to get them back on their feet. Each step in this boot camp, designed by an eccentric and feisty female coach, aims to reveal them to themselves. The task seems to be a tough one, especially as nothing goes as planned between these men.

女演员佩帕（卡门·莫拉 Carmen Maura 饰）得知自己怀有身孕，但是她的喜悦并未持续多久，因为她的情人伊万（Fernando Guillén 饰）突然失踪。佩帕想尽办法联系伊万，但最终一无所获，这令她歇斯底里，痛苦难耐。而就在这时，伊万的老婆露西娅（Juliet a Serrano 饰）又找上门来大找麻烦。不久，佩帕的好友坎德拉（María Barranco 饰）也因惧怕警察拘捕而寻求避难。一群精神濒临崩溃的女人凑在一起，上演令人唏嘘的悲喜剧…… by:mingtian6.com

由92个人的传记组成，这些人都是被VUE侵害的，所谓VUE是指未知的激烈事件，与鸟以及飞行有关的一种现象。

Mr. Callew, a demanding businessman, is resting by the beach when he receives a telephone call from a recently discharged employee. The man is in tears, but the unyielding Callew shows no sympathy, and hangs up on him. Later, when Callew starts to drive home, his car runs off the road at a construction site. When he comes to, Callew is paralyzed. Several persons come by, but he is unable to communicate with them, so they think he is dead. Fully aware of his predicament, he becomes increasingly terrified.

这部新生代动画纪录短片采用了原始音频采访片段和抽象单色手绘动画相结合的表现手法。片中人物比吉特和加布里埃莱曾作为政治犯被关押在东德最臭名昭著的女子监狱——豪恩奈克城堡。牢房拥挤不堪、等级森严，残酷的生活条件对犯人们产生了各种不良影响，但最让她们无法忍受的是强制劳动所带来的巨大压力。犯人们制造的大量产品虽销往西德，却同时为东德和西德带来了巨大的收益。（小易甫字幕组）

《崩溃》是一部导演的半自传体电影，讲述了一位年轻导演努力为一家专制工作室拍摄电影的故事，而他的生活却在他周围崩溃。 一路上，他与 U2 一起巡演，帮助他们制作音乐视频，在维加斯结婚，并与他的猫交谈。

幻觉、梦境与噩梦——由AI启发并生成——交织成一部强烈的影片。这部作品深入探索了超人类主义、数字意识、感知的改变、身份的转换、虚拟关系、权力动态、死亡以及现实与想象之间模糊的界限。影片以引人入胜的叙事为驱动，并由ORYMA提供硬核而富有诗意的电子音轨。

五十多岁的米歇尔无家可归，只能居住在奥利机场的候机大厅，她每天过着艰苦而孤独的生活。而泰奥则是一名患有精神障碍的年轻人，靠着在机场从事的简单工作而领取微薄的收入，勉强度日。孤独的两个人因为命运的某种联结而在冰冷的飞机场相互依赖、取暖。一天，米歇尔突然决定去里斯本看望自己的儿子，泰奥天真地答应米歇尔表示自己可以开车送她去，除了两个人对未来的旅程毫无准备外，更让人惊讶的是，泰奥只有一辆没有牌照的汽车......一拍即合后，两个人便鲁莽地踏上了他们在省道上的冒险之旅，一路上笑料百出，同时也让陌生的两个人的关系变得更加紧密。自从泰奥被亲生母亲遗弃后，米歇尔给予了他最真挚又温暖的爱。陌生的两个人因为相似的境遇而相遇相知。本片聚焦现代社会的日常生活与人际关系，展现了世间的真情。