The Balkan Peninsula is notorious for being one of the great battlegrounds of history. And yet, it possesses another side unknown to many, where ancient forests and vast wetlands harbor pristine wilderness, and sheer cliff walls and desolate plateaus preserve a seemingly unchanged past. Surveying these striking and stark landscapes, one might think they’ve ventured into the Middle-earth of J.R.R. Tolkien’s Lord of the Rings. Indeed the Balkan Peninsula is home to a variety of regions that border on mythical. In Croatia’s Kopacki Rit Wetlands, land mines keep people away, but enable native wildlife to thrive. Further south, Montenegro’s Tara River carves through Europe’s longest and deepest canyon, and neighboring forests provide refuge to rare animals such as the Balkan Lynx. To the east, millions of birds flock to the Danube Delta to feast on swarms of mosquitoes. And at the west of the Balkans is Skadar Lake, a remarkable landscape of peaks and water. This is a journey to a world seemingly forgotten by time. This is the wild Balkans.

Volker Schlöndorff transposes Bertolt Brecht’s late-expressionist work to latter-day 1969. Poet and anarchist Baal lives in an attic and reads his poems to cab drivers. At first feted and later rejected by bourgeois society, Baal roams through forests and along motorways, greedy for schnapps, cigarettes, women and men: ‘You have to let out the beast, let him out into the sunlight.’ After impregnating a young actress he soon comes to regard her as a millstone round his neck. He stabs a friend to death and dies alone. ‘You are useless, mangy and wild, you beast, you crawl through the lowest boughs of the tree.’ The film takes youthful impetuousness and hatred of oppression as its subject and also ponders the cult of genius and sexual morals. Rainer Werner Fassbinder simultaneously plays both Baal and himself and is surrounded by many actors who were later to perform in his own films. After the film was broadcast on West German television, Brecht’s widow Helene Weigel prohibited any further screenings, arguing that the social circumstances engendering Baal’s rebelliousness had not been adequately explained.

沃尔克·施隆多夫将贝尔托·布莱希特的表现主义晚期作品移植到了1969年的现代背景中。诗人兼无政府主义者巴尔住在阁楼里，向出租车司机朗诵他的诗歌。巴尔起初受到资产阶级社会的追捧，后来遭到排斥，他在森林中徘徊，沿着高速公路游荡，对烈酒、香烟、女人和男人都有着强烈的欲望：“你得放出那头野兽，让它沐浴在阳光下……”

Baal, a young artist whom society regards as a genius, does not want to be monopolized by the culture and business.

An exploration of the cult of the genius, an anti-heroic figure who chooses to be a social outcast and live on the fringe of bourgeois morality.

根据莱塞·赛缪尔斯和克里斯托弗·伊舍伍德所作的故事改编。秀兰是一个牧师的女儿，她在一张豹皮上画了一幅年轻男人的肖像画并且支持妇女为争取选举权而斗争的事业，这些行为使她父亲教区的居民大为震惊，并威及到了他的职权。

瓦桑特·高戴（Vasant Gawde）怀揣着梦想，渴望将其一一实现，然而在追梦的道路上，他遭遇了重重挑战与困难。这部精彩的网络剧拥有绝妙的剧情，巧妙地融合了悬念与刺激元素，显得格外动人。剧中着重刻画了这位男子不惜一切代价拯救家人的坚定决心。

本片根据戈尔达娜•库伊奇撰写的畅销小说改编。故事主线讲述了来自萨拉热窝的西班牙系犹太一家人从一战开始到二战结束期间的动荡生活。萨洛姆一家由父亲里昂、母亲埃斯特拉和五个女儿，一个儿子组成。1914年6月，萨拉热窝正准备迎接奥地利人弗朗茨•斐迪南大公的到来。萨洛姆一家正筹备女儿布卡和丹尼尔的订婚仪式，丹尼尔是位西班牙裔犹太人，在萨拉热窝的犹太社区的办公室上班。尽管布卡不爱丹尼尔，但却接受他的求婚，因为她觉得“是到结婚的时候了”，也是她三个姨妈不厌其烦的唠叨是该添丁的时候了而导致的婚姻。

达尼洛是一名处女摩托车出租车司机，经常因缺乏“经验”而被室友取笑。也就是说，直到他的乘客埃里卡和她最好的朋友劳拉带领他进入性觉醒。

达尼洛是一名处女摩托车出租车司机，经常因缺乏“经验”而被室友取笑。也就是说，直到他的乘客埃里卡和她最好的朋友劳拉带领他进入性觉醒。