Nearly 30 years after his death, this documentary film of Jean-Michel Basquiat details how the self-taught Brooklyn-born artist rose to be one of the greats on the international art marketplace.

影片记录了著名涂鸦画家吉恩·米切尔·巴斯奎特短暂的一生。

年轻无为的赵腾，在事业上被客户戏弄，在感情上遭到女友背叛，生活上也面临着巨大危机，崩溃不已的他外出买醉，遇到了爱慕他许久的女主杨秋雨，醒来发现世界变了，其他人的钱开始贬值了，而他用一元硬币改变人生轨迹

SNL star delivers raw hour of comedy featuring bodily fluids, personal confessions and soul-scarring jokes in an uninhibited performance that breaks free from restraint.

玛丽·蒂里（Marie Thiry）的电影已经在多个电影节上斩获2项大奖和2项荣誉提名，包括2022年阿贡电影节（AGON Festival）最佳摄影奖、亚眠考古电影节（Festival du Film d’Archéologie d’Amiens）地区文化事务局奖（DRAC Prize）、2022年阿贡电影节“大奖赛”单元特别提名以及2022年阿贡电影节“最佳考古电影”单元特别提名。影片的故事发生在法国卡朗格（Calanqu）海域水下超过35米的地方……

一场战争在乌克兰东部的顿巴斯爆发，由此衍生出军事冲突、犯罪行动以及分裂主义者主导的大肆劫掠。在顿巴斯，战争已是常态，政府宣传自诩真相之源，仇恨变成了爱的方式。走入顿巴斯，就像踏上一场疯狂的旅行，悲剧和荒谬与生死相交织。这并不是一个关于某个地区、某个国家或某种政治体系的故 事，而是展示了一个迷失于谎言与真相，寻找自我身份的失落的世界，这事关我们每一个人。

http://www.film-documentaire.fr/4DACTION/w_fiche_film/49339_1 Anne-Laure Bonnel是一位年轻的法国记者，同时也是孩子的母亲。她决定在一位乌克兰父亲Alexandre的陪伴下，前往顿巴斯，也就是乌克兰东部亲俄的地区。 深处战争风暴中心，她捕捉到了那些记录了致命冲突和前所未有的人道主义灾难的惨烈影像。 影片《顿巴斯》，是一部沉浸式的公路电影，一部以一个饱受摧残的国家为背景的惊心动魄的纪录片。 记录战争，并不等同于记录战斗场景。 如果战争是一种景观，我们常常会忘记围绕在战争周围的人或事。在景观的聚光灯之外，所有人都在努力生活着，或者更确切的说：努力生存。 《顿巴斯》为这些人发声。 Anne-Laure Bonnel通过这个纪录片，审视冲突的普遍性，并为我们拍摄了没有得到足够展示的“一面”。

The movie tells the story of two brothers, Vijay and Ravi Verma, who follow different career paths: Vijay is a smuggler and Ravi the policeman who is asked to hunt Vijay down. Vijay Verma (Amitabh Bachchan) and Ravi Verma (Shashi Kapoor) are the sons of a trade unionist, Anand Verma(Satyen Kappu), who was defeated and disgraced by the management of his firm using his family as bait. Unable to bear the public disgrace father deserts the family, and the sons are raised by their mother(Nirupa Roy)who brings them to Bombay City, who suffers the trials and tribulations of a poor single mother. Vijay Verma, the elder brother, grows up with an acute awareness of his father's humiliation and is victimized for his father's supposed misdeeds. In the process of fighting for his rights Vijay, who starts out as a boot polisher and becomes a dockyard worker in his youth, becomes a smuggler and a leading figure of the underworld.

This is a film about two persons and a wall that blocks their path. Faced with the wall, one of them immediatelly and resigned submits, while the other refuses to admit defeat. In various ways he tries to surmount this obstacle - always falling. Finally, in despair but not admitting defeat, he smashes a hole in the wall with his head, paying for victory with his life... Now all the other has to do is bend down a little to pass through the hole. His path is open - at least as far as the next wall... A wall blocks the path of two people. One man submits, while the other refuses to admit defeat. Finally the second man smashes a hole in the wall with his head, paying for the victory with his life. Now the other person's path is open - at least until the next wall. Directed by Ante Zaninovic. 1966 Special Prize, London 1966 First Prize, San Francisco 1966 First Prize, Belgrade 1966 Honorary Diploma, Locarno 1966 City of Zagreb Award 1966 Special Diploma, Bergamo 1966 First Prize, Mamaia

这部围绕着以色列隔离带的纪录片由出生在摩洛哥的犹太女导演Simone Bitton制作。对以色列国防部长的访谈贯穿全片，他声称隔离带的作用是防止阿拉伯人恐怖袭击与盗窃，这条每千米造价200万美元的隔离带根据作用与施工环境的不同有多种构建形式：农田上的铁丝网妨碍了阿拉伯农民收获果实，有时只能看着果实烂在地里；居民区中间的水泥墙、哨卡分开了犹太人与阿拉伯人，孩子们在高墙下成长……为养家糊口而参与围墙施工的巴勒斯坦工头叮嘱导演去掉他的形象，因为这可能导致他被追杀。在影片最后，加沙地区又一次被封锁了。 本片获2004年马赛纪录片电影节最高奖。2005年圣丹斯电影节纪录类评委会特别奖。