Two young men flee Hong Kong after stealing diamonds from their boss and attempt to hide with friends in Paris, but professional hitmen persue them relentlessly throughout France.

A newly married bride's blissful life is suddenly shattered when her home is invaded by a group of thieves who murder her husband and take turns sexually assaulting her. As the years pass and the police come up with no leads, she decides to turn herself into a living weapon and track down the men who destroyed her happiness.

Doudou, a fifth-grade kid, is indignant when his Dad vents frustration on him after his divorce. One day, Doudou meets a cyber friend named "men killer" on an app, which makes him embark on his project of making his Dad disappear

A girl who witnesses the brutal murder of her grandfather plots revenge on the killers who are involved in an opium smuggling ring. Unbeknownst to them, she becomes "The White Butterfly Killer," unleashing her deadly kung fu power.

自小失去双亲的马天野（高远），由江南大侠林太清（谢之）抚养长大。一场同门间的比武，马天野因不满林太清将师妹林燕萍（欧阳佩珊）许配给师兄宫昭南（冯淬帆），因此出手狠辣，招招不留余地。林太清勃然大怒，但马天野认为林太清偏心宫昭南，愤而离开师门。林燕萍与宫昭南欲上前挽留，却误将马天野逼落悬崖。受伤的马天野偶然发现一个阴森的洞窟，石壁上写满看不懂的文字，还有一把宝剑…。 2年后，新官上任的应天巡抚海瑞（唐迪），不畏权贵，要将仗势欺人、欺压百姓的宰相之子徐宗（午马）逮捕归案。林太清害怕海瑞会遭徐宗暗算，便派宫昭南与林燕萍夫妇护送。终于练成邪教武功的马天野，则为了测试宝剑滥杀无辜。马天野到林太清的住处找他报仇，林太清见马天野已走火入魔欲将他留下，却反遭马天野杀害，他在断气前说出马天野与林燕萍，实为同父异母的亲兄妹。 这晴天霹雳的真相，让马天野几乎丧失理智。为了能与宫昭南正面对决，他答应替徐宗杀了海瑞，马天野因此得偿所愿杀了宫昭南。林燕萍为报杀父、杀夫之仇，要与马天野一决生死。马天野不愿林燕萍被自己的邪门武功所伤，处处退让，最后因一时大意，死在林燕萍的手中。

伯格书院一名女学生在天台咏诗后自杀身亡，为平息这场风波，学校安排影音社同学拍摄自自杀防治影片。拍摄时，天台的警钟却神秘响起，拍摄的影片在网络上疯传。学生们纷纷鼓动校方揭开事件真相，随着事态不断发展，情况逐渐失控。这部作品采用伪纪录片风格，结合资料影像，拼凑出一段鲜为人知的校园悲剧。

Three young men flee Hong Kong after stealing diamonds from oppressive older gangsters and attempt to hide with friends in Paris, but professional hitmen peruse them relentlessly throughout France.

An allegory of searching, loss, displacement, and the discovery of new meanings and commonalities. Three men – Yi-En from China, Junior from Congo, and Hamzah from Palestine – share a spartan apartment in a seemingly abandoned building in Paris. Besides this joint living arrangement, the group is bound together by their shared experience of life in exile and the fleeting nature of their possessions, relationships, and sense of home. Director Isabelle Tollenaere’s fiction film debut is set in one of Europe’s great cities and in a replica of Paris built in China – a metaphor for the immigrants’ old dream of life in a new home and its gradual transformation into a new dream about their old home.

A group of Italian soccer fans arrive in Paris for a match, but most of them go their separate ways to explore the sights, have a bit of an adventure, and maybe even find some romance.

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