The British government have taken over there rule in a deserted region in India. But some of the people there strive for freedom; one of those brave freedom fighter is Palay Khan, who owes his intelligence to the entire region.

这是一个关于巴西著名且暴力的亡命之徒“Paraíba”的真实故事。在中枪后，Paraíba试图躲进一座教堂，在那里他开始回忆起自己犯罪生涯中的一些片段。这部电影基于一位名为“Paraíba”的著名巴西歹徒的真实故事改编。在一场激烈的追捕后，Paraíba中枪了，他决定躲进一座教堂。当……

Before "The Chaser", Na Hong-jin made a small name for himself with a string of acclaimed student films. The last of these, "Sweat", is a stylized mood piece about exactly what it proclaims. An experimental film at heart, there are nevertheless identifiable characters, and a skeletal quotidian narrative develops -- everyday life recorded by high-speed cameras in extreme close-ups. It doesn't have the serial-killer thrills of "The Chaser", but you might see hints of that film's stark visuals and draining physicality. A beautiful piece of aesthetic work with sweat as a thread. But no one sweats for the same reasons. This ode to sweat, in slow-motion shots with a rhytmic musical accompaniment, presents the daily cycle of a man (and a woman), which is at a certain level also a cycle of life.

阿尔乔姆·戈卢布曾是个富家子弟，他坚信父亲能“解决”任何问题。然而，命运弄人：一场意外后，父亲特马加入了空降部队。退伍后，他一边工作，一边抚养女儿，努力践行自己的良知。与此同时，他的祖父，传奇伞兵帕雷奇，在农场里种植苹果树，梦想着和平。然而，商人瓦西里来到波德戈尔尼，企图拆除解放者帕雷奇的纪念碑，建造一座购物中心。帕雷奇抗议后，便杳无音讯。为了拯救祖父，也为了揭开冲突背后的真相，阿尔乔姆重新召集了伞兵部队。

Umeko (Machiko Kyo), at 36, is working in a bar, struggling valiantly to keep her family together. Her 17-year-old daughter Takeko becomes increasingly upset by her mother's constant drinking and yakuza boyfriend, and runs away from home.

王姨，她有一个维吾尔族名字叫阿同汗。几十年来，她无私帮助着身边各民族的困难家庭。她不但帮助弱势群体，还带领他们做公益，并树立生活的信心和勇气。在她的鼓舞下，已经有5000人加入了阿同汗志愿者服务队。

暂无剧情简介

故事背景设定在充满混乱与暗流涌动的都市地下世界。围绕着名为“汗城（Khan City）”的帮派势力重镇，各方黑帮枭雄、野心勃勃的势能新秀与腐败势力展开了一场关于权力、领地与利益的血腥撕扯。随着旧秩序的崩塌与多方阵营的博弈加剧，身处漩涡中心的主角必须在血雨腥风与人性考验中杀出一条血路，揭开隐藏在城市暗面背后的终极法则。

杏和帊科农分别扮演了属于日本和芬兰警察的优秀侦探。剧中2人以事件为契机组队，一起负责调查。

1962年，尤里斯·伊文思受邀前往智利从事教学与拍摄。他与学生们共同完成了《……瓦尔帕莱索》，这是他最具诗意的作品之一。影片以城市辉煌的港口史与当下现实相对照，勾勒出这座建在42座山丘上的海港：贫富并存，街道与台阶、坡道缆车与酒吧构成的日常景象历历在目。尽管港口的重要性已不如往昔，昔日的荣光仍在这座趋于贫困的城市中若隐若现。影片以辩证的诗性风格呼应这种暧昧处境，将1963年的日常现实与城市历史交织，并由黑白转入彩色；最终，在台阶与山坡上玩耍的孩子们身上，留给观众一线关于这座美丽城镇的希望。