Die Parallelstraße is one of the most mysterious pioneer films of the New German Cinema. It was produced by GBF, a production company for innovative industrial and promotional films and received awards in inter national film festivals. French critic Robert Benayoun called it "a philosophical thriller, a western of meditation which compensates for a whole year of inevitable manifestations of stupidity," Jacques Rivette put it on his list of the most important films of 1968. The DVD presents for the very first time this "unjustly forgotten masterpiece of the New German Cinema" (Martin Brady) as well as several rare shorts by Ferdinand Khittl (1924-1976) which show his talent for innovative film experiments. One of the greatest discoveries in this sense was former Luis Trenker assistant Ferdinand Khittl’s Die Parallelstraße (1961), not by chance produced by his “Gesellschaft für bildende Filme” (“Society of educational film”). Not a third path, but a parallel street becomes the symbol of Khittl’s enterprise, a thoughtful and only occasionally winking meta-comment on metaphysics and documentary objectivity in film, sometimes extraordinarily hilarious, sometimes hardly able to get away from its deliberately starched setting. A group of young men is trying to analyse an enormous number of fragmentary film documents (shot by Khittl and his cameraman Ronald Martini during two extensive travels around the world in 1959 and 1960). The 308 “documents” – films about water and erosion, Brasilia, a volcano, rice in Asia or a meanwhile legendary Rosstäuscher (horse cheater) – are screened one after the after and intermitted by comments of the team members (who, on their part, are being commented by a supervisor). “In a Kafkaesque room five Ionescoesque people find themselves in a Sartreesque situation, trying to solve a Camuesque problem”, as back then pre-eminent critic Helmut Färber ironically described this setting. Khittl, who in 1961 like Vesely signed the famous Oberhausen manifesto, puts the end of his film at the beginning (a device we can later find in Vlado Kristl’s works), signifying that despite its message – the team is supposedly bringing the recordings in a certain order – his film will never get a structure than could be overlooked. Another aspect touched by Khittl is the special role of different forms of media used for recordings. What today would be called a media theory of the archive in 1961 was referred to not on a theoretical but on a highly entertaining and poetic level. Subtext and meta-text run on parallel tracks. (Martina Lunzer and Barbara Wurm @ Senses of Cinema)

Tae-seong (Baek Seong-hyeon), who dreamt of a fancy life as a martial arts fighter, goes to Thailand with his brother Tae-gi (Lee Si-gang) who has no hopes or dreams and causes trouble wherever he goes. On Working Street where there are drugs and prostitutes, they meet Jenna (Lee Song-i) and their lives turn upside down. Escape, roam and sex...the passion of youth erupts!

本剧是一部极具成瘾性的短剧，主要登场的是活跃于剧集、电影、舞台等领域的8位个性鲜明的实力派演员。他们会分成境遇各不相同的四组搭档，在六个情境里开展“狂热游行之外平凡日常”的互动。舞台设定在郊外的某小镇，当天因为举办“游行”，整个街道都洋溢着高涨的热情，但登场的8人却置身于那欢快喧嚣之外，显得有些疏离。年龄、性别、境遇都不同的四组搭档在六个情境中的互动十分自然，虽没有新奇古怪的地方，却莫名让人想要一探究竟。

《欢乐步行街》的故事发生在一条百年老街上，几个怀揣梦想初“下海”的年轻人在此相遇，而后一系列令人啼笑皆非的故事围绕着他们徐徐展开。崔志佳饰演的…

暂无剧情简介

陆九循环多次，见到女主后，开始默默每天去女主家打扫卫生。而两人也在慢慢的相处中，由开始的毫无交集变得熟络。陆九陪着女主度过了失恋期，本满心欢喜的学做了女主喜欢吃的宵夜，想要给女主表白，没想到女主走出失恋，就意味着离开那里。从头到尾，女主只是把陆九当成了保洁变成的好朋友。女主离开后，陆九再也没有买过宵夜，却还是期待着女主回来。

两个即将临盆的母亲因缘际会同住一间医院病房，一个是即将迈入中年的雅妮丝（佩内洛普·克鲁兹 饰），虽然意外怀孕她却对于新生命的到来感到欣喜若狂；另…

山崎贤人主演《致命的接吻》的平行世界剧集《致命平行》。 因接吻而死，穿越回7天前获得重生，但另外一个世界的时间仍前进着。 描写主人公旺太郎的“死后故事”的《致命平行》。 在旺太郎的遗体仍存在的“恐怖现实世界”中 展现的令人发寒的人类面孔和不断重复的死亡结局… 由此引出新的本篇的关键之谜。 令人内心骚动的“另一个故事”终于开幕。

婚礼上，富豪玖龙氢目睹新娘苏黎晞与一名鸭舌帽男子秘密交接U盘。婚礼结束后，他在地库质问苏黎晞时遭遇人为车祸，U盘被神秘人夺走。玖龙氢苏醒后，发现自己竟身处另一平行时空，身份变为刑侦警察。为查明真相，他从苏黎晞失踪案着手调查，发现鸭舌帽男子季临川竟是关键人物。在原时空里，二人本是H科技公司联合创始人，共同研发时空跳跃技术。一场实验爆炸让季临川窥见平行时空奥秘，而意外卷入的苏黎晞竟成为时空跳跃的核心媒介。

杜燕在车祸中失去了年幼的儿子，万念俱灰的她住在自家经济不景气的森林会所，失去了生活的动力。丈夫白岭的贴心关怀，反倒平添她的伤感。一个清晨，巡视森林的她遇到了另一个“自己”，跟随着那个人，她来到了一个平行世界的进出口并踏过了那扇门，而这也是一场噩梦的开始。在不同的空间里，她遇到了性格完全不同的丈夫、哥哥，而且每个空间的现实都不尽相同，同时，她也遭遇到了各种危险，并差点丧命。最终她得出结论，要杀掉某个空间的自己取而代之，才可以平息这一切。可善良的她终究难以下手，渐渐的，她成了游荡在平行空间中的鬼魂一样的存在，直到不经意间，她回到了看似自己原来空间的地方，而这一场梦境，似乎还未结束。